| Rotwang | |
|---|---|
 | |
| First appearance | Metropolis |
| Created by | Thea von Harbou Fritz Lang |
| Portrayed by | Rudolf Klein-Rogge |
| In-universe information | |
| Gender | Male |
| Occupation | Scientist |
C. A. Rotwang is a fictional character in Fritz Lang's 1927 science fiction film Metropolis , [1] as well as screenwriter Thea von Harbou's original novel Metropolis . In the film, Rotwang was played by Rudolf Klein-Rogge. [1]
Rotwang is a brilliant scientist and inventor, whose greatest achievement is the creation of a robot made in the form of a woman (the Maschinenmensch , or Machine-Person). Originally, he intended to make a replacement for his lost love, Hel, a beautiful woman who eventually chose Joh Fredersen, master of the city and Rotwang's rival, instead of him. She later died while giving birth to Fredersen's son, Freder. Rotwang uses the robot to get revenge against Fredersen and Freder, while pretending that he is using the robot for Fredersen's benefit, and under Fredersen's instructions.
Rotwang, who lost a hand while developing the Machine-Person and now wears a fully functioning metal prosthesis in its place, covered by a black glove, lives in a strange old house in the middle of Metropolis; its rough exterior design contrasts sharply with the futuristic elegance of the city. In its basement is a trap door that leads down into a network of catacombs, where Rotwang and Fredersen eavesdrop on a secret meeting of the workers and Maria, their spiritual counselor.
On Fredersen's orders, Rotwang abducts Maria, transfers her appearance to the robot, and releases the duplicate to incite a rebellion among the workers. However, the robot is programmed to obey only Rotwang, who secretly instructs it to cause destructive lust among the wealthy elite of Metropolis as well in a plot to ruin Fredersen. During the ensuing riots and power blackout, Rotwang falls under the delusion that the real Maria is Hel and chases her to the roof of the city's cathedral, with Freder in pursuit. The two men fight on the roof, and Rotwang falls to his death.
The name "Rotwang" is derived from a series of German words. "Rot" is German for red, "Wang(e)" for cheek, "rotwangig" for rosy-cheeked. "Rotwang" therefore means "red-cheek" or "rosy-cheek". In the film his name is given on a printed invitation as "C. A. Rotwang" but his first and middle names are not given in full, or mentioned again.
Rotwang was very influential in the iconography of the mad scientist archetype. His laboratory, with its profusion of Tesla coils and towering switch panels, baroque chemical equipment and pipework, became a stock feature of many later films, including many in the Frankenstein series. Like Victor Frankenstein, he attempts to "play God" by creating life, only to be defeated and destroyed in the end.
Many aspects of Rotwang's appearance and character, particularly the black-gloved "mechanical" hand, turn up in the title character of Dr. Strangelove .
Rotwang, along with Maria, his robot, appears as a member of The Twilight Heroes, a German analogue to The League of Extraordinary Gentlemen, in the graphic novel The League of Extraordinary Gentlemen: Black Dossier .
Rotwang also appears as part of the German forces attempting to create the Red Baron, along with silent film characters Doctor Mabuse, Doctor Caligari and Count Orlok, in Kim Newman's alternate history novel The Bloody Red Baron .
Rotwang existed at some point in the DC Universe, where his robot creation became the time traveling villainess Mekanique. Mekanique claims to have traveled to the era of the All-Star Squadron to alter history for her master, and that she succeeded; whether this is true is unknown. Rotwang himself did not appear in the comic.
In the novel Superman's Metropolis, Lex Luthor is cast in Rotwang's role.
In Osamu Tezuka's Metropolis manga and the later anime film based upon it, Rotwang is replaced by a character named Laughton (though their names are pronounced similarly in Japanese).
In the Yugoslav comic book series Borba, Rotwang is a recurring villain, and is portrayed as a Nazi.
In Before Tomorrowland, a prequel novel to Tomorrowland , there is a villain named Werner Rotwang. Presented as the namesake of Fritz Lang's character, he is an unethical roboticist who defects from the Plus Ultra organization and joins the Nazis to further his research into achieving immortality through robotics.
In the first series of Hergé's Jo, Zette and Jocko adventures, "The Secret Ray", an unnamed scientist, unsuccessfully experiments with transferring a human soul into a robot's body.
In Jeffrey Thomas's story "Precious Metal", the character Maria Rotwang kills a gang that has previously killed members of a robot jazz band.
Metropolis is a 1927 German expressionist science-fiction silent film directed by Fritz Lang and written by Thea von Harbou in collaboration with Lang from von Harbou's 1925 novel of the same name. It stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge, and Brigitte Helm. Erich Pommer produced it in the Babelsberg Studio for Universum Film A.G. (UFA). Metropolis is regarded as a pioneering science-fiction film, being among the first feature-length ones of that genre. Filming took place over 17 months in 1925–26 at a cost of more than five million Reichsmarks, or the equivalent of about €21 million.
The mad scientist is a stock character of a scientist who is perceived as "mad, bad and dangerous to know" or "insane" owing to a combination of unusual or unsettling personality traits and the unabashedly ambitious, taboo or hubristic nature of their experiments. As a motif in fiction, the mad scientist may be villainous or antagonistic, benign, or neutral; may be insane, eccentric, or clumsy; and often works with fictional technology or fails to recognise or value common human objections to attempting to play God. Some may have benevolent intentions, even if their actions are dangerous or questionable, which can make them accidental antagonists.
Frankenstein is a 1931 American gothic pre-Code science fiction horror film directed by James Whale, produced by Carl Laemmle Jr., and adapted from a 1927 play by Peggy Webling, which in turn was based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The Webling play was adapted by John L. Balderston and the screenplay written by Francis Edward Faragoh and Garrett Fort, with uncredited contributions from Robert Florey and John Russell.
A gynoid, or fembot, is a feminine humanoid robot. Gynoids appear widely in science fiction films and arts. As more realistic humanoid robot design becomes technologically possible, they are also emerging in real-life robot design. Just like any other robot, the main parts of a gynoid include sensors, actuators and a control system. Sensors are responsible for detecting the changes in the environment while the actuators, also called effectors, are motors and other components responsible for the movement and control of the robot. The control system instructs the robot on what to do so as to achieve the desired results.
Thea Gabriele von Harbou was a German screenwriter, novelist, film director, and actress. She is remembered as the screenwriter of the science fiction film classic Metropolis (1927) and for the 1925 novel on which it was based. von Harbou collaborated as a screenwriter with film director Fritz Lang, her husband, during the period of transition from silent to sound films.
The Challengers of the Unknown is a fictional group of adventurers appearing in comic books published by DC Comics. The quartet of adventurers explored paranormal occurrences while facing several fantastic menaces.
Osamu Tezuka's Star System is the name given to the recurring characters in manga created by manga artist Osamu Tezuka. Throughout his career, Tezuka frequently re-used the same character designs or names in different roles across his series; for example, the character Shunsaku Ban appears as a detective in Metropolis and as Astro Boy's teacher in Astro Boy. The name alludes to the Hollywood practice of the star system, and can be seen as analogous to film directors who work with the same actors across multiple films; Tezuka joked about how much his characters were paid, and occasionally based them on famous western actors.
Metropolis is a musical based on the 1927 silent movie of the same name that was staged at the Piccadilly Theatre in London in 1989. The music was written by Joe Brooks, the lyrics by Dusty Hughes. The show was directed by Jérôme Savary. The cast included Judy Kuhn, Brian Blessed, Graham Bickley, Jonathan Adams, Paul Keown and Stifyn Parri. The musical marked the London debut of Judy Kuhn, who left the show shortly before the end of its run to be replaced by Mary Lincoln. The production was notable for its set design by Ralph Koltai.
Igor, or sometimes Ygor, is a stock character, a sometimes hunch-backed laboratory assistant to many types of Gothic villains or as a fiendish character who assists only himself, the latter most prominently portrayed by Bela Lugosi in Son of Frankenstein (1939) and The Ghost of Frankenstein (1942). He is familiar from many horror films and horror film parodies. He is traditionally associated with mad scientists, particularly Victor Frankenstein, although Frankenstein has neither a lab assistant nor any association with a character named Igor in the original Mary Shelley novel. The Igor of popular parlance is a composite character, based on characters created for the Universal Studios film franchise. In the first Frankenstein film (1931), Fritz served the role; in the sequels, a different physically deformed character, Ygor, is featured, though Ygor is not an assistant in those films.
The Maschinenmensch is a fictional robot featured in Thea von Harbou's novel Metropolis and Fritz Lang's film adaption of the novel. In the film, she is played by German actress Brigitte Helm both as a robot and in human guise. She was created by the scientist Rotwang in dedication to his deceased lover, Hel, though in the novel they have no correlation. Maschinenmensch was one of the first fictional robots ever depicted in cinema, and as a result popularized the concept worldwide.
Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, and the famous character of Frankenstein's monster, have influenced popular culture for at least a century. The work has inspired numerous films, television programs, video games and derivative works. The character of the Monster remains one of the most recognized icons in horror fiction.
Metropolis is a 2001 Japanese animated futurist cyberpunk drama film loosely based upon Osamu Tezuka's 1949 manga of the same name. The film was directed by Rintaro, written by Katsuhiro Otomo, and produced by Madhouse, with conceptual support from Tezuka Productions.
Gustav Friedrich Fröhlich was a German actor and film director. He landed secondary roles in a number of films and plays before landing his breakthrough role of Freder Fredersen in Fritz Lang's 1927 film Metropolis. He remained a popular film star in Germany until the 1950s.
Friedrich Rudolf Klein, better known as Rudolf Klein-Rogge, was a German film actor, best known for playing sinister figures in films in the 1920s and 1930s as well as being a mainstay in director Fritz Lang's Weimar-era films. He is probably best known in popular culture, particularly to English-speaking audiences, for playing the archetypal mad scientist role of C. A. Rotwang in Lang's Metropolis and as the criminal genius Doctor Mabuse. Klein-Rogge also appeared in several important French films in the late 1920s and early 1930s.
Mekanique is a supervillainess in the fictional DC Universe. She first appeared in Infinity, Inc. #19.
Anno Dracula: The Bloody Red Baron, or simply The Bloody Red Baron, is a 1995 alternate history/horror novel by British author Kim Newman. It is the second book in the Anno Dracula series and takes place during the Great War, 30 years after the first novel.
Alfred Peter Abel was a German film actor, director, and producer. He appeared in more than 140 silent and sound films between 1913 and 1938. His best-known performance was as Joh Fredersen in Fritz Lang's 1927 film Metropolis.
The Biblical term Moloch has traditionally been understood as a Canaanite god to whom child sacrifice was offered. In post-classical rabbinical tradition, this supposed deity was associated with Greco-Roman reports of Carthaginian child sacrifice to the god Baal Hammon. In later Christian tradition, Moloch was often described as a demon. Moloch is depicted in John Milton's epic poem Paradise Lost as one of the greatest warriors of the rebel angels, vengeful and militant.
Metropolis is a 1925 science fiction novel by the German writer Thea von Harbou. The novel was a treatment for Fritz Lang's 1927 film Metropolis, on which von Harbou and Lang collaborated in 1924.