Roy Buchanan | ||||
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Studio album by | ||||
Released | August 1972 | |||
Studio | Record Plant East, New York City | |||
Genre | Rock, country, blues | |||
Length | 33:33 | |||
Label | Polydor | |||
Producer | Peter K. Siegel | |||
Roy Buchanan chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Newsday | C [2] |
Roy Buchanan is a 1972 self-titled album by American guitarist and blues musician Roy Buchanan. [1] It is his second album and first for Polydor. AllMusic commented "It is a loose, highly improvised affair that amply demonstrates why the leader is one of the underappreciated giants of rootsy guitar". [1]
All songs written by Roy Buchanan except where indicated.
Stand Up is the second studio album by British rock band Jethro Tull, released in 1969. It was the first Jethro Tull album to feature guitarist Martin Barre, who would go on to become the band's longtime guitarist until its initial dissolution in 2012. Before recording sessions for the album began, the band's original guitarist Mick Abrahams departed from the band as a result of musical differences with frontman and primary songwriter Ian Anderson; Abrahams wanted to stay with the blues rock sound of their 1968 debut, This Was, while Anderson wished to add other musical influences such as folk rock.
Leroy "Roy" Buchanan was an American guitarist and blues musician. A pioneer of the Telecaster sound, Buchanan worked as a sideman and as a solo artist, with two gold albums early in his career and two later solo albums that made it to the Billboard chart. He never achieved stardom, but is considered a highly influential guitar player. Guitar Player praised him as having one of the "50 Greatest Tones of All Time." He appeared on the PBS music program Austin City Limits in 1977.
Sailin' Shoes is the second studio album by the American rock band Little Feat, released in 1972. Produced by Ted Templeman, it marked a shift away from the sound of the band's eponymous debut, to that of their subsequent album, Dixie Chicken. It also introduced the cover artwork of Neon Park to the group, and was the last album appearance of original bassist Roy Estrada.
The Groundhogs were an English blues and rock band founded in late 1963 in London. Named after John Lee Hooker's song "Groundhog's Blues", they were part of the burgeoning British rhythm and blues scene, backing Hooker on his album ...And Seven Nights. They were predominantly a power trio of Tony McPhee, Peter Cruickshank (bass) and Ken Pustelnik (drums), with Clive Brooks replacing Pustelnik in 1972 until the band split in 1974. They issued seven albums via Liberty/UA, including the UK Top 10 Thank Christ for the Bomb, Split and Who Will Save the World?.
Beaucoups of Blues is the second studio album by the English rock musician and former Beatle Ringo Starr. It was released in September 1970, five months after his debut solo album, Sentimental Journey. Beaucoups of Blues is very far removed in style from its pop-based predecessor, relying on country and western influences. A longtime fan of the genre, Starr recorded the album over three days in Nashville with producer Pete Drake and an ensemble of local session players. Beaucoups of Blues failed to chart in Britain but achieved moderate commercial success in the United States, where it reached number 35 on Billboard's Country Albums list and number 65 on the Billboard Top LPs chart.
I'll Play the Blues for You is the seventh studio album by American blues guitarist Albert King released in 1972.
Dwight Live is the first live album by country music artist Dwight Yoakam. It was released in 1995 on Reprise Records. Recorded at The Warfield in San Francisco, California in 1994 on his This Time Tour, this album comprises live renditions of seventeen of his songs.
Pressure Drop is the second solo album by English singer Robert Palmer, released in 1975. Palmer is backed by Little Feat and other musicians. The title track is a cover version of the reggae hit by Toots & the Maytals. However, many other songs on the album use "New Orleans funk ... along with smooth, dated disco ballads smothered in strings". Continuing his association with Little Feat started by his cover of "Sailing Shoes" on his 1974 debut album Sneaking Sally Through the Alley, Feat was used as backing band on several cuts, most notably Lowell George's slide guitar on "Here With You Tonight". George also contributed the tune "Trouble" on which Feat pianist Bill Payne plays the intro. David Jeffries' review says that the album is considered "too blue-eyed and polished for fans of Palmer's more gutsy moments" but concludes that "Pressure Drop has grown into the great overlooked album in Palmer's discography". In June 2009, the album was ranked as No. 20 on Mojo's list of the 50 best records released by Island. The album peaked at No. 136 in the US.
"Roll 'Em Pete" is a blues song, originally recorded in December 1938 by Big Joe Turner and pianist Pete Johnson. The recording is regarded as one of the most important precursors of what later became known as rock and roll.
Bobby Bland and B. B. King Together Again...Live is a live album recorded in 1976 at the Coconut Grove in Los Angeles by Bobby Bland and B. B. King.
Soul of a Man is a 2006 R&B album by Eric Burdon. It is dedicated to Ray Charles, John Lee Hooker and the city of New Orleans. It follows his 2004 comeback album My Secret Life and the 2005 live album & DVD Athens Traffic Live.
Live Stock is a 1975 live album by Roy Buchanan released on Polydor. The album documents a show consisting of blues standards and a few originals played in New York City, with an additional song added from a later show in Evanston, Illinois. The cover photo was taken by Alan McDermott and sent to Roy by Australian music commentator Glenn A. Baker. Live Stock is, reportedly, one of two Buchanan albums that influenced Jeff Beck, who dedicated a song to Buchanan on his 1975 album Blow by Blow. Buchanan's last album with Polydor, it was partly made to fulfill his contractual obligations so he could move on and accept Ahmet Ertegun's offer to sign with Atlantic.
A Street Called Straight is an album by Roy Buchanan, released in 1976 on Atlantic Records. The album contains the instrumental, "My Friend, Jeff", in honour of British guitarist Jeff Beck. One year earlier Beck released Blow by Blow, featuring "Cause We've Ended As Lovers", which was dedicated to Roy Buchanan.
You're Not Alone is a 1978 album by American guitarist and blues musician Roy Buchanan. The album was a commercial failure, and led Buchanan to a break and a pause for reflection.
When a Guitar Plays the Blues is a 1985 album by American guitarist and blues musician Roy Buchanan. This was his first record for Alligator Records. It was recorded and mixed by Justin Niebank, mastered by Tom Coyne and produced by Roy Buchanan, Dick Shurman and Bruce Iglauer.
Dancing on the Edge is a 1986 album by American guitarist and blues musician Roy Buchanan. This was his second record for Alligator Records. It was recorded and mixed by Justin Niebank, mastered by Tom Coyne and produced by Roy Buchanan, Dick Shurman and Bruce Iglauer. Delbert McClinton sang lead vocals on some songs.
Hot Wires is a 1987 album by American guitarist and blues musician Roy Buchanan. This was his third record for Alligator Records. It was recorded by Justin Niebank and mixed by Niebank and Tim Hale with Brian Poer and David Axelbaum assisting. It was mastered by Tom Coyne and produced by Roy Buchanan, Dick Shurman, Justin Niebank and Bruce Iglauer. This was Buchanan's final studio album. He killed himself the following year.
Hank Wilson's Back Vol. I is an album by singer and songwriter Leon Russell singing as Hank Wilson. The UK edition has a banner printed on the front of the sleeve to the right of Russell's stetson saying "Leon Russell!", presumably as a marketing initiative to promote the album using the strength of Russell's name.
Singing His Praise is a studio album by American country artists Bill Anderson and Jan Howard. It was released in March 1972 on Decca Records and was produced by Owen Bradley. It was the pair's first album collection of gospel songs and it would also be the duo's final album together.
Bright Lights and Country Music is a studio album by Bill Anderson and the Po' Boys. It was released in November 1965 on Decca Records and was produced by Owen Bradley. It was Anderson's first studio album to include dual credit with his band, The Po' Boys. It was his fourth studio album overall. The album included one single release, the title track. This song became a major hit on the Billboard country charts. The album itself also reached charting positions on Billboard shortly after its release.