Rueland Frueauf the Younger (c. 1470 – after 1545) was a German Late-Gothic painter.
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace.
Frueauf was born in Salzburg, and later moved to Passau where he lived and worked for the rest his life. He produced primarily paintings, altarpieces, and frescoes for local churches. [1] His father Rueland Frueauf the Elder was also a painter.
Salzburg, literally "salt castle", is the fourth-largest city in Austria and the capital of Federal State of Salzburg.
Passau is a town in Lower Bavaria, Germany, also known as the Dreiflüssestadt because the Danube is joined there by the Inn from the south and the Ilz from the north.
Rueland Frueauf the Elder was an Austrian Late-Gothic painter.
Frueauf the Younger died in Passau.
The Diocese of Passau is a Roman Catholic diocese in Germany that is a suffragan of the Archdiocese of Munich and Freising. It should not be confused with the Prince-Bishopric of Passau, an ecclesiastical principality that existed for centuries until it was secularized in 1803. The diocese covers an area of 5,442 km².
Albert II, known as the Wise or the Lame, a member of the House of Habsburg, was Duke of Austria and Styria from 1330, as well as Duke of Carinthia from 1335 until his death.
The Danube School or Donau School was a circle of painters of the first third of the 16th century in Bavaria and Austria. Many also were innovative printmakers, usually in etching. They were among the first painters to regularly use pure landscape painting, and their figures, influenced by Matthias Grünewald, are often highly expressive, if not expressionist. They show little Italian influence, and also represent a decisive break with the high finish of Northern Renaissance painting, using a more painterly style that was in many ways ahead of its time.
Archduke Leopold Wilhelm of Austria was an Austrian military commander, Governor of the Spanish Netherlands from 1647 to 1656, and a patron of the arts.
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Wolf Huber was an Austrian painter, printmaker, and architect, a leading member of the Danube School.
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The year 1545 in art involved some significant events and new works.
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Ludwig von Baldass was an Austrian art historian, professor and acclaimed author who specialised in Early Netherlandish painting. He studied under Max Dvořák at the University of Vienna and began to lecture there in 1926, gaining the position of professor in 1934. Von Baldass' 1942 treatise on Hans Memling was instrumental in the re-evaluation of his artistic importance. Other publications include articles and books on Jan van Eyck (1952), Hieronymus Bosch (1953), Giorgione and Albrecht Altdorfer.
Willem Forchondt, or Guillam Forchondt the Elder (1608–1678) was a Flemish painter, cabinet maker and art dealer. His international art dealership played an important role in the spread of Flemish Baroque art in Europe and South-America. He changed the relationship between art dealer and artist by becoming himself involved in the organisation of the art production process.
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