Ruhrfestspiele (Ruhr Festival) in Recklinghausen, North Rhine-Westphalia, Germany, is one of the oldest theatre festivals in Europe. Founded after World War II, the festival is a major annual cultural event for the Ruhr area. It always starts on 1 May and is funded by the city of Recklinghausen and the labour unionDeutscher Gewerkschaftsbund (DGB). The festival comprises performances from European performers and theatre companies, and aims to bring different art forms, languages and cultures together. The main venue is the Ruhrfestspielhaus[de], which has won awards for its architecture.
The festival originated in the postwar winter of 1946/47, when Hamburg theatres were unable to heat their premises and sent representatives to the Ruhr valley to "organize" coal. A small group of persons, leaded by Otto Burrmeister[de], head of administration of the Deutsches Schauspielhaus, went to the Ruhr Area with two wood gas trucks, and asked miners of the first mine they could find for fuel. Miners of the Pit King Ludwig[de] in the Recklinghausen suburb of Suderwich provided the coal without permission of the British occupation authorities, which led to the pit being called the cradle of the Ruhrfestspiele (Wiege der Ruhrfestspiele). In return, performers from the Deutsches Schauspielhaus, Thalia Theater and the Staatsoper Hamburg held performances at the Städtischer Saalbau hall in Recklinghausen in mid-1947 under the slogan "Kunst gegen Kohle" (Art for Coal). In 1948, the DGB labour union and the city founded a company to organize the first festival, that started with a performance of Goethe's Faust I. The state of North Rhine-Westfalia has supported the festival since 1949.[1][2] The festival traditionally starts on 1 May.[3][4]
Drama performances are complemented by concerts, art exhibits and political events. Operas were not performed after 1953 due to technical limitations of the Saalbau building. On 3 June 1961 construction started of a new hall, the Ruhrfestspielhaus, financed by the Friends of the Ruhrfestspiele (Freunde der Ruhrfestspiele), an association founded by Federal PresidentTheodor Heuss. The new building opened in 1965, it's architecture is influenced by the Bauhaus.[1][5]
Ruhrfestspiele logo on a 1996 German stamp, celebrating 50 years
Beginning in 1990, the festival was expanded to a Europäisches Theater (European Theater). The new director Hansgünther Heyme, who shaped the festival until 2003, invited companies from European countries "from the Atlantic to the Urals", in an effort to counteract growing nationalism and xenophobia. He set mottos for the each festival, in 1991 it was "Foundations of Empire"(Reichs-Gründungen), in 1993 "25 Years after 1968" (Aufbrüche – 25 Jahre nach ’68), in the 50th anniversary year of 1996 "Art is the Motor of Every Culture" (Kunst ist der Motor jeder Kultur), in 1998 "Future Without Past" (Zukunft ohne Vergangenheit), 2001 "Courage, I say, Courage" (Mut, sag ich, Mut), 2002 "Longings and addictions" (SehnSüchte).
From 1996 to 1998, the Ruhrfestspielhaus was transformed into a congress center,[6] including the addition of an entrance hall. The remodelling was awarded the German Architecture Prize[de] in 2001. Henry Moore's sculpture "Large Reclining Figure Number 5" (Große Liegende Nr. 5) is placed at the building's entrance. Other performing spaces were used whilst the Ruhrfestspielhaus was being remodelled, such as the Vestlandhalle, the Marl theatre, in storage halls of the Auguste Victoria mine in Marl and in the Theaterzelt (theatre tent).
In 2010, when the region was the European Capital of Culture, the theme was "The Continent of Kleist in the Romantic Ocean" (Kontinent Kleist im romantischen Meer), which looked at the influence of dramatist and poet Heinrich von Kleist on his contemporaries and successors. The festival had 46 main productions and a total of 208 events.[8]John Malkovich appeared in a musical version of the movie The Infernal Comedy – confessions of a serial killer by Michael Sturminger[de].[9][10]
In 2012, the Motto was "Im Osten was Neues: Von den fernen Tagen des russischen Theaters in die Zukunft", reflecting Russian theatre, with performances of plays by Pushkin, Chekhov, Tolstoi and Dostoyevski. The festival attracted some 80,000 visitors.[11]
Ingeborg Schnelling-Reinicke: Gründung und Entwicklung der Ruhrfestspiele in Recklinghausen. Rheinland-Verlag, Köln 1998
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References
1 2 Rudolf Hille (1986). Die Zeche König Ludwig und der Beginn der Ruhrfestspiele. Regio, Werne. p.180ff.
↑ Gerd Holtmann (1986). "Die Ruhrfestspiele in Recklinghausen", in Werner Burghardt (ed.) "750 Jahr Stadt Recklinghausen. 1236–1986". Winkelmann, Recklinghausen. p.295ff.
↑ Reinold Hegemann; Hermann Böckmann; Christoph Thüer (2001). Recklinghausen. Die etwas andere Ruhrgebietsstadt. Winkelmann, Recklinghausen. p.56ff.
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