Ruler Rebel | ||||
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Studio album by | ||||
Released | March 31, 2017 | |||
Recorded | April 16–21, 2016 | |||
Studio | The Parlor, New Orleans, LA | |||
Genre | Jazz | |||
Length | 35:41 | |||
Label | Ropeadope Records RAD-352, Stretch Music | |||
Producer | Christian Scott aTunde Adjuah, Chris Dunn | |||
Christian Scott chronology | ||||
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Review scores | |
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Source | Rating |
Financial Times | [1] |
The Guardian | [2] |
The Irish Times | [3] |
Jazzwise | [4] |
Pitchfork | 7.6/10 [5] |
Record Collector | [6] |
Tom Hull | B+ [7] |
The Times | [8] |
Ruler Rebel is a studio album by American jazz trumpeter Christian Scott released on March 31, 2017 by Ropeadope Records. The album is the first installment of The Centennial Trilogy, with Diaspora and The Emancipation Procrastination being the second and the third ones respectively. [9]
The album serves as a soaring ode to Scott's hometown of New Orleans. [10] Ruler Rebel is the first album in the Centennial Trilogy to honor the 100-year anniversary of the song often considered to be the first jazz recording. The trilogy, at its core, is a sobering re-evaluation of the social political realities of the world through sound. The series speaks to a litany of issues that continue to plague our collective experiences: slavery in America via the prison industrial complex, food insecurity, xenophobia, immigration, climate change, sexual orientation, gender equality, fascism and the return of the demagogue. [11]
Mike Hobart of Financial Times stated "The brash-toned New Orleans-raised trumpeter brands his big-hearted fusion of the past and present stretch music. It’s a futuristic vision that combines traditional beats with sparse hip-hop textures and tugs the heart strings with lashings of trumpet. Scott pulls the disparate elements together brilliantly with strong moods, clear lines and melodies you can hum. This release, the first in a trilogy commemorating the centenary of the first jazz recordings, presents Scott centre stage, his tone burnished by tradition, playing with only the future in mind." [1] John Bungey writing for The Times commented, "But if his ebullient, dramatic playing reflects the tradition of his native New Orleans, the settings in which he deploys it now do not. We’re a long way from the swinging rhythms and rapid chord changes that so long signalled jazz. Instead, Scott’s glistening tone is set against trap music — the southern style of hip-hop with spare beats and cavernous bass — plus African drumming and electronica." [8]
Adolf Alzufar of Ransom Note wrote "There's something political to the beauty of Scott’s Jazz. It allies street sounds with the contemporary now understood to be petit-bourgeois and bourgeois language into music that exists outside of classism and in a realm of idealism, like how Archie Schepp would. The album is a great achievement. In this world wherein economic inequality has come to define our everyday life and politics, music previously associated with select social constructs now has the umph and presence of Hip Hop." [12]
Flood Magazine included the album in the Best Records of 2017 list. In his review Jason P. Woodbury wrote, "Ruler Rebel finds Scott’s “stretch music”—a blend of bop, trap, R&B, and electronic soul—more nuanced than ever. Presenting jazz as music of the moment as much as of the past, its fusion is subtle and deft." [13]
No. | Title | Writer(s) | Length |
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1. | "Ruler Rebel" | Scott | 5:45 |
2. | "New Orleanian Love Song" | Scott | 2:33 |
3. | "New Orleanian Love Song II [X. aTunde Adjuah Remix]" | Scott | 4:56 |
4. | "Phases" (Feat. Sarah Elizabeth Charles) | Cliff Hines, Sarah Elizabeth Charles | 4:15 |
5. | "Rise Again [Allmos Remix]" | Scott, Allan Cole | 3:42 |
6. | "Encryption" (Feat. Elena Pinderhughes) | Scott | 5:38 |
7. | "The Coronation of X. aTunde Adjuah" (Feat. Elena Pinderhughes) | Scott | 5:36 |
8. | "The Reckoning" | Scott | 3:16 |
Total length: | 35:41 |
Chart (2017) | Peak position |
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US Jazz Albums (Billboard) [14] | 5 |
Roy Anthony Hargrove was an American jazz musician and composer whose principal instruments were the trumpet and flugelhorn. He achieved worldwide acclaim after winning two Grammy Awards for differing styles of jazz in 1998 and 2002. Hargrove primarily played in the hard bop style for the majority of his albums, but also had a penchant for genre-crossing exploration and collaboration with a variety of hip hop, soul, R&B and alternative rock artists. As Hargrove told one reporter, "I've been around all kinds of musicians, and if a cat can play, a cat can play. If it's gospel, funk, R&B, jazz or hip-hop, if it's something that gets in your ear and it's good, that's what matters."
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Chief Xian aTunde Adjuah, , is an American jazz trumpeter, multi-instrumentalist, composer, and producer.
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Yesterday You Said Tomorrow is a studio album by American jazz trumpeter Christian Scott. Concord Music Group released the album on February 1, 2010 in the UK and on March 30, 2010 in the US.
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Stretch Music (Introducing Elena Pinderhughes) is a studio album by American jazz trumpeter Christian Scott released on September 18, 2015 by Ropeadope Records. This is his fifth full-length studio album as a leader.
Ancestral Recall is a studio album by American jazz trumpeter Christian Scott released on March 22, 2019 by Ropeadope Records label. The album also features poet and songwriter Saul Williams.
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Collagically Speaking is the debut studio album by jazz supergroup R+R=NOW. It was released on June 15, 2018 through Blue Note Records. Recording sessions took place at Henson Recording Studios in Los Angeles. Production was handled by Christian Scott aTunde Adjuah, Derrick Hodge, Justin Tyson, Robert Glasper, Taylor McFerrin and Terrace Martin, with Nicole Hegeman and Vincent Bennett serving as executive producers. It features contributions from Amanda Seales, Amber Navran, Goapele Mohlabane, India Shawn, Jahi Sundance, Mirna Jose, Omari Hardwick, Stalley, Terry Crews and Yasiin Bey.
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