Russell Peck was an American composer born in Detroit on January 25, 1945 to Thorland (Tom) and Margaret (Carlson) Peck. [1] He died in Greensboro, North Carolina on March 1, 2009, at the age of 64. [2]
Peck's early music education was grounded in Mozart and Beethoven, [3] but also heavily influenced by the soul music emerging from Detroit during his formative years. Peck was the youngest of three children, and doted on by his two older sisters, Jean and Joyce. His father, Tom, sang in the Detroit Symphony Chorus in the late 1930s–early 1940s for their Ford Symphony Hour national radio broadcasts, [4] and later in his life was active with barbershop quartets. Tom was a proponent of Russell's interest in classical music, and encouraged him in his studies. From early on, Peck wanted to compose and began learning piano in fifth grade. Later, in high school, he played trombone in band and orchestra. The Motown sound inspired Peck to compose with melodic flow, engaging rhythm, and rich harmonies. The marriage of these two musical worlds is the backdrop of Peck's compositions, and is his trademark.
Peck is a well-known American composer of music for the symphony. His compositions have been included in thousands of performances by hundreds of orchestras in the United States, Canada, Europe, Asia, Latin America and Africa, including more than a dozen major orchestras such as the London Symphony, Montreal Symphony, and the Boston Symphony Orchestra, as well as regional orchestras throughout the U.S. His most popular works include the percussion concerto, [5] The Glory and the Grandeur, Signs of Life II for string orchestra, and The Thrill of the Orchestra, a narrated demonstration piece for orchestra. In 2000-2001 a consortium of 39 American orchestras commissioned Peck's Timpani Concerto, Harmonic Rhythm. The premiere performances began with the Louisville Orchestra and proceeded with orchestras throughout the country.
Russell Peck was a cum laude graduate of the University of Michigan (1966), where he also received Master and Doctoral degrees in composition (1967 and 1972). His teachers included Clark Eastham, Leslie Bassett, Ross Lee Finney, Gunther Schuller, and George Rochberg.
Russell Peck received the coveted Koussevitsky Prize in 1966 awarded through his association with the Tanglewood Music Center, two Ford Foundation Fellowships, grants from the National Endowment for the Arts, several states' arts councils, and ASCAP awards. Peck's artist residencies include the Gaudeamus Contemporary Music Festival in the Netherlands and a two-year appointment as composer-in-residence for the city of Indianapolis and the Indianapolis Symphony. Peck served on the faculty of Northern Illinois University, Eastman School of Music, and the North Carolina School of the Arts.
Beginning in the fall of 1974 through 1976 Peck was an assistant Professor of Music Theory at Northern Illinois University. In January 1977 he accepted an interim position teaching music composition at the Eastman School of Music. In the fall of 1977, he began teaching various aspects of the study of music, including music history and music theory, at the North Carolina School of the Arts. In 1979 Peck chose not to continue teaching in order to pursue his increasing interest in the cause of ending world starvation. Peck's altruistic concerns dominated his time for several years until he re-emerged with the popular orchestra piece, Signs of Life, in 1983.
Joan Tower is a Grammy-winning contemporary American composer, concert pianist and conductor. Lauded by The New Yorker as "one of the most successful woman composers of all time", her bold and energetic compositions have been performed in concert halls around the world. After gaining recognition for her first orchestral composition, Sequoia (1981), a tone poem which structurally depicts a giant tree from trunk to needles, she has gone on to compose a variety of instrumental works including Fanfare for the Uncommon Woman, which is something of a response to Aaron Copland's Fanfare for the Common Man, the Island Prelude, five string quartets, and an assortment of other tone poems. Tower was pianist and founding member of the Naumburg Award-winning Da Capo Chamber Players, which commissioned and premiered many of her early works, including her widely performed Petroushskates.
John Harris Harbison is an American composer and academic.
John Psathas, is a New Zealand Greek composer. He has works in the repertoire of such high-profile musicians as Evelyn Glennie, Michael Houstoun, Michael Brecker, Joshua Redman and the New Juilliard Ensemble, and is one of New Zealand's most frequently performed composers. He has established an international profile and receives regular commissions from organisations in New Zealand and overseas.
Václav Nelhýbel was a Czech-American composer, mainly of works for student performers.
David Sartor is an American composer, conductor, and educator, and is the founder and music director of the Parthenon Chamber Orchestra.
Eric Ewazen is an American composer and teacher.
Richard John Mills is an Australian conductor and composer. He was the artistic director of Victorian Opera from 2013-2023, and formerly artistic director of the West Australian Opera and artistic consultant with Orchestra Victoria. He was commissioned by the Victoria State Opera to write his opera Summer of the Seventeenth Doll (1996) and by Opera Australia to write the opera Batavia (2001).
Allan Gilliland is a contemporary Canadian composer.
John Mackey is an American composer of contemporary classical music, with an emphasis on music for wind band, as well as orchestra. For several years, he focused on music for modern dance and ballet.
Dan Welcher is an American composer, conductor, and music educator.
James Houlik is an American classical tenor saxophonist and saxophone teacher.
David C. Sampson is an American contemporary classical composer.
Sylvie Bodorová is a Czech composer. During a career spanning from the late 1970s to the present day she has composed a large number of works for various instruments, both solo and orchestral pieces, and produced commissions for cities, festivals and organisations around the world. She was a founder member of the Czech classical group Quattro, formed in 1996.
David Frederick Stock was an American composer and conductor.
Michael H. Weinstein is a Swiss composer active in America.
Frederick Charles Tillis was an American composer, jazz saxophonist, poet, and music educator at the collegiate level.
Kerry Turner is an American composer and horn player. Turner is a recognized name in the horn and brass industry. Turner’s major ensembles with whom he performs include the American Horn Quartet, the Virtuoso Horn Duo, and the Luxembourg Philharmonic Orchestra. Turner has performed internationally as a soloist and clinician. Turner also sings tenor in a semi-professional octet.
Andy Akiho is an American musician and composer of contemporary classical music. A virtuoso percussionist based in New York City, his primary performance instrument is steel pans. He took interest in becoming a percussionist when his older sister introduced him to a drum set at the age of 9. Akiho first tried his hand at the steel pan when he became an undergraduate at the University of South Carolina. He began taking several trips to Trinidad after college to learn and play music. From there, he started writing pieces of his own.
{{cite web}}
: CS1 maint: archived copy as title (link)