Russian Court Dress

Last updated
The Armorial Hall of the Winter Palace (detail). A. Ladurner (1834) Armorial Hall of the Winter Palace by A.Ladurner (1834).jpg
The Armorial Hall of the Winter Palace (detail). A. Ladurner (1834)

Russian court dress was a special regulated style of clothing that aristocrats and courtiers at the Russian imperial court in the 19th-20th centuries had to follow. Clothing regulations for courtiers and those invited to the court are typical for most European monarchies, from the 17th century to the present. In Russia, court etiquette and, accordingly, court dress ceased to exist in 1917 due to the abolition of the monarchy. This style of clothing, especially the woman's dress is known for its long drape sleeves that resemble capes that have a point at the end of each and a sash.

Contents

Women's Dress

The first attempts to officially regulate the ladies' court dress date back to the end of the 18th century, during the reign of Paul I. Women during the coronation celebrations were ordered to wear robes (Pannier dresses in Pre-Empire styles) made of black velvet with a train of the same material. [1] Countess and maid of honour Varvara Golovina writes that during the coronation "everyone was in full dress: court dresses appeared for the first time." [2] The first mentions of 'Russian dress' date back to the 1700s, meaning an outfit that borrowed the cut and some features from traditional Russial folk costume, and looked like a Sarafan. Russian dresses were presented by Alexander I to Prussian women who arrived in Saint Petersburg for the betrothal of Grand Duchess Catherine Pavlovna to Duke George of Oldenburg in 1809.

At the coronation of Nikolai I in 1826, according to the French writer Jacques-François Ancelot:

Women were supposed to appear in national costume, and only a few disobeyed this order. The national attire, coquettishly modified and luxuriously decorated, imparted a piquant originality to ladies' costumes. Women's headdresses. a kind of diadem made of silk, embroidered with gold and silver, shone with diamonds. A corset adorned with sapphires and emeralds encased her chest in sparkling armor, and from under a short skirt, legs in silk stocking and embroidered shoes were visible. Long braids with large bows at the ends fell on the shoulders of the girls. [3]

Under Nikolai I, Russian dress acquired official status at the imperial court. In the "Description of ladies' outfits for arrival on solemn days to the royal court" (27 February 1834), women's court dress was strictly regulated in terms of styles, colours, and finishes. A single court attire consisted of a velvet top dress with long folding sleeves and a train. In front, at the bottom of the waist, there was a slit that opened a skirt made of arbitrary white matter, most often satin. Along the "tail and slide" of the dress was gold embroidery, "the same as the sewing of the ceremonial uniforms of the court ranks." The same sewing was supposed to be "around and on the front of the skirt". In addition, all ladies were supposed to wear a "povoynik" or "kokoshnik" of an arbitrary colour with a white veil, and for the girls, a bandage of arbitrary colour with a veil.

The colour of the upper dress depended on the status of the lady. State ladies, and maids of honour were supposed to wear a green dress. Tutors of the Grand Duchesses, blue. Maids of honour of the empress, crimson. Maids of honour of the Grand Duchesses, light blue. Chambermaids of honour, raspberry. The style of the dress the ladies wore also had to correspond to a single pattern, they could be "of different colours, with different sewing, but it was impossible to repeat the pattern assigned to the ladies of the court." [4]

Such a regulation of women's court dress was in effect through the reign of Nikolai I. The slightest deviations made him angry. For underage Grand Duchesses, Nikolai considered adult formal dress too immodest; girls were not supposed to wear a train, neckline, or too much jewelry.

Apart from some changes, the general style of court dress was preserved in Russia for more than eighty years, until the Russian Revolution in 1917. The luxury of court attire amazed guests and foreigners, as evidenced in numerous memoirs and letters of the era. The World Illustrated magazine describes in detain the reception at the Winter Palace in 1895 on the occasion of the presentation of court ladies to Empress Alexandra Feodorovna:

The magnificent white Nikolaevsky Hall was filled with ladies by half past one. Here in all its brilliance, the beauty and richness of the original Russian costume showed up. The picturesqueness of the collection... begged for the artist's brush. What luxurious kokoshniks were here... what rich sundresses made of velvet, silk, Indian fabrics, what rich brocade, fur trime, flowers, lace, what a variety of colours and shades from dark green, blue, to delicate and light green, pink, purple. Among this brilliance and wealth of toilets, diamonds, and precious stones and a significant mass of red armbands and red, embroidered with gold trains of the ladies-in-waiting of the large court, masters of ceremonies with wands walked here and there in their court uniforms sewn with gold. [5]

Examples

Men's Suit

Ceremonial uniform of a chamberlain. Large gold embroidery on the chest Georges Alexandrovitch de Graevenitz.jpg
Ceremonial uniform of a chamberlain. Large gold embroidery on the chest

As in the case of women's attire, vague references to court uniforms date back to the end of the 18th century, but the first surviving detailed description refers only to 1831 and is contained in the 'Regulations on Uniforms for the Ranks of the Imperial Court'. In 1834, this decree was replaced by a more general 'Regulation on civil uniforms;, which was accompanied by colour drawings depicting uniforms and sewing. Both decrees regulated the cut and trim of military and civilian uniforms. Both those and others were sewn from dark green cloth, had standing collars and cuffs made of red cloth, decorated with gold embroidery and gilded buttons depicting the state emblem. The court ranks relied on civilian cut uniforms. The pattern and abundance of sewing depended on the rank and status of the person.

Each courtier was supposed to have a ceremonial uniform, as well as a dark green unicorm tailcoat and frock coat. The court uniform was supposed to be worn with knee-length white breeches with white stockings and shoes for civil court officials, with over the knee boots for the military. White trousers with gold stripes were worn under the dress uniform on especially solemn occasions; dark green trousers also with stripes, under the uniform, black trousers without stripes, with a tailcoat or frock coat. The uniform was complemented by a black triangular hat with a cockade and sewing according to the status and rank of the person.

Changes in the regulated court style were made under Alexander II. First, in 1855, here was an attempt to introduce 'French caftans' at the court, but the following year, in the decree of 20 February 1856 'On the new form of clothing for court officials', all the dress and uniforms were replaced by single-breasted semi-caftans with floors above the knees, nine buttons, a stand-up collar bevelled at the front, with straight split cuffs, and vertical pocket flaps at the back. In the 'Rules on the Wearing of Established Uniforms by Court Ranks' dated 15 August 1855, five types of uniforms were distinguished: full dress, festive, ordinary, everyday (or service), and travel. From the 1850s to 1917, no significant changes were made.

In the 1997 20th Century Fox animated film Anastasia, the yellow court gown Anya wears towards the end of the film is almost an exact replica of one the Grand Duchess herself had worn. [6] [7]

Reference section

  1. Shepelev L. E. Official world of Russia. 18th-early 20th century SPb., 2001. S. 422.
  2. Memoirs of Countess Golovina, nee Countess Golitsyna (1766-1811) I Introductory. and note. K. Valishevsky; per. from French [according to the manuscript] K. Papudoglo. M., 1911. S. 180.
  3. Anselo F. Six months in Russia: Letters to Xavier Sentin , composed in 1826 at the time of the coronation of His Imperial Majesty I Entry. st., comp., trans. from fr. and comment. N. M. Speranskaya. M., 2001. S. 151-152.
  4. Shepelev L. E. Official world of Russia. S. 430.
  5. Vsemirnaya Illyustratsiya. 1895. No. 1358. P. 111
  6. Mullikin, Mara (February 28, 2016). "Anastasia Turns 18: Here Are 18 Facts You Probably Didn't Know About the Animated Classic". Movie Pilot . Archived from the original on January 14, 2018. Retrieved November 14, 2021.
  7. Keaney, Quinn (November 23, 2017). "20 Little-Known Facts About Anastasia on the Movie's 20th Anniversary". PopSugar . Archived from the original on November 11, 2021. Retrieved November 11, 2021.

Literature

Related Research Articles

<span class="mw-page-title-main">Skirt</span> Clothing worn from the waist or hips

A skirt is the lower part of a dress or a separate outer garment that covers a person from the waist downwards. Originally made for both genders, it is currently made mainly for females.

<span class="mw-page-title-main">Tiara</span> Jeweled head ornament

A tiara is a jeweled head ornament. Its origins date back to ancient Iran, which was then adapted by Greco-Romans. In the late 18th century, the tiara came into fashion in Europe as a prestigious piece of jewelry to be worn by women at formal occasions. The basic shape of the modern tiara is a semi-circle, usually made of silver, gold or platinum and richly decorated with precious stones, pearls or cameos.

<span class="mw-page-title-main">Victorian dress reform</span> Victorian era design movement favouring practical womens clothing

Victorian dress reform was an objective of the Victorian dress reform movement of the middle and late Victorian era, led by various reformers who proposed, designed, and wore clothing considered more practical and comfortable than the fashions of the time.

<span class="mw-page-title-main">Hanbok</span> Traditional Korean clothing

The hanbok is traditional clothing of the Korean people. The term hanbok is primarily used by South Koreans; North Koreans refer to the clothes as chosŏn-ot. The clothes are also worn in the Korean diaspora, especially by Koreans in China. Koryo-saram - ethnic Koreans living in the lands of the former Soviet Union - also retained a hanbok tradition.

<span class="mw-page-title-main">Dressmaker</span> Person who makes custom clothing for women

A dressmaker, also known as a seamstress, is a person who makes clothing for women, such as dresses, blouses, and evening gowns. Dressmakers were historically known as mantua-makers, and are also known as a modiste or fabrician.

<span class="mw-page-title-main">Casual wear</span> Western dress code suited for everyday use

Casual wear is a Western dress code that is relaxed, occasional, spontaneous and suited for everyday use. Casual wear became popular in the Western world following the counterculture of the 1960s. When emphasising casual wear's comfort, it may be referred to as leisurewear or loungewear.

<i>Jūnihitoe</i> Historical layered clothing worn by Japanese court ladies

The jūnihitoe, more formally known as the itsutsuginu-karaginu-mo (五衣唐衣裳), is a style of formal court dress first worn in the Heian period by noble women and ladies-in-waiting at the Japanese Imperial Court. The jūnihitoe was composed of a number of kimono-like robes, layered on top of each other, with the outer robes cut both larger and thinner to reveal the layered garments underneath. These robes were referred to as hitoe, with the innermost robe – worn as underwear against the skin – known as the kosode. Hakama were also worn as underwear with the kosode; over time, the two would gradually become outerwear, with the kosode eventually developing into the modern-day kimono.

<span class="mw-page-title-main">Court uniform and dress in the United Kingdom</span>

Court uniform and dress were required to be worn by those in attendance at the royal court in the 19th and early 20th centuries.

<span class="mw-page-title-main">National Museum of Costume</span>

The National Museum of Costume was located at Shambellie House, in New Abbey, Dumfries and Galloway, Scotland and it formed part of the National Museums of Scotland. The museum started operating in 1982. The museum allowed a look at fashion and the lifestyle of the wealthy from the 1850s to the 1950s. The clothes were presented in lifelike room settings. In January 2013, National Museums Scotland announced that the National Museum of Costume was to close and the site would not reopen for 2013.

<span class="mw-page-title-main">Kokoshnik</span> Traditional Russian headdress worn by women

The kokoshnik is a traditional Russian headdress worn by women and girls to accompany the sarafan. The kokoshnik tradition has existed since the 10th century in the city of Veliky Novgorod. It spread primarily in the northern regions of Russia and was very popular from 16th to 19th centuries. It is still to this day an important feature of Russian dance ensembles and folk culture and inspired the Kokoshnik style of architecture.

<span class="mw-page-title-main">French hood</span> Womans headgear

The French hood is a type of woman's headgear that was popular in Western Europe in the 16th century.

<span class="mw-page-title-main">Train (clothing)</span> The long back portion of a formal garment that trails behind the wearer

In clothing, a train describes the long back portion of a robe, coat, cloak, skirt, overskirt, or dress that trails behind the wearer.

<span class="mw-page-title-main">Chinese clothing</span> Traditional and modern dress in China

Chinese clothing includes the traditional hanfu and garments of ethnic minorities, as well as modern variations of indigenous Chinese dresses. Chinese clothing has been shaped through its dynastic traditions, as well as through foreign influences. Chinese clothing showcases the traditional fashion sensibilities of Chinese culture traditions and forms one of the major cultural facets of Chinese civilization.

<span class="mw-page-title-main">Neva Enfilade of the Winter Palace</span>

The Neva Enfilade of the Winter Palace, St Petersburg, is a series of three large halls arranged in an enfilade along the palace's massive facade facing the River Neva.

<span class="mw-page-title-main">Lady-in-waiting of the Imperial Court of Russia</span>

A lady-in-waiting of the Imperial Russian Court was a woman of high aristocracy at the service of a woman of the Imperial family. They were organised according to the strict hierarchy of Peter the Great's table of ranks, following the woman's chin (rank) established on January 24, 1722.

<i>Hanfu</i> Traditional dress of the Han Chinese people

Hanfu, are the traditional styles of clothing worn by the Han Chinese since the 2nd millennium BCE. There are several representative styles of hanfu, such as the ruqun, the aoqun, the beizi and the shenyi, and the shanku.

<span class="mw-page-title-main">Greek dress</span> Clothing of the Greek people

Greek dress refers to the clothing of the Greek people and citizens of Greece from the antiquity to the modern times.

<span class="mw-page-title-main">Sailor dress</span>

A sailor dress is a child's or woman's dress that follows the styling of the sailor suit, particularly the bodice and collar treatment. A sailor-collared blouse is called a middy blouse. In early 20th-century America, sailor dresses were very popularly known as Peter Thomson dresses after the former naval tailor credited with creating the style.

The fashion in the Yuan dynasty of Mongol (1271–1368) showed cultural diversity with the coexistence of various ethnic clothing, such as Mongol clothing, Han clothing and Korean clothing. The Mongol dress was the clothing of elite for both genders. Mongol attire worn in the 13th-14th century was different from the Han clothing from the Tang and Song dynasties. The Yuan dynasty court clothing also allowed the mixed of Mongol and Han style, and the official dress code of the Yuan dynasty also became a mixture of Han and Mongol clothing styles. After the founding of the Yuan dynasty, the Mongols strongly influenced the lifestyle and customs of the Han people.

<span class="mw-page-title-main">Jewels! The Glitter of the Russian Court</span>

Jewels! The Glitter of the Russian Court was the second jubileum exhibition in Amsterdam by the H'ART Museum, focussed on the personal taste for luxury by Russian nobility. The show, which was planned to run from 14 September 2019 to 15 March 2020, suffered from the pandemic and was extended twice, ending finally 16 October 2020.