Rusty Tracks | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1977 | |||
Recorded | 1977 | |||
Genre | Country | |||
Length | 31:02 | |||
Label | Hickory | |||
Producer | Bobby Bare, Ronnie Gant | |||
Mickey Newbury chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | [1] |
Rusty Tracks is a 1977 album by singer-songwriter Mickey Newbury, released by Hickory Records. The record is noted for Newbury's interpretations of four traditional songs, "Shenandoah", "That Lucky Old Sun", "Danny Boy", and "In The Pines".
Rusty Tracks was collected for CD reissue on the eight-disc Mickey Newbury Collection from Mountain Retreat, Newbury's own label in the mid-1990s, along with nine other Newbury albums from 1969–1981.
By 1976, after a string of commercially unsuccessful albums, Newbury and Elektra Records parted ways. As Thom Jurek notes in his AllMusic review of Newbury's 1975 LP Lovers , "As solid as Lovers is, it still failed to ignite on the chart level. It was greeted with indifference by radio and, hence, Elektra - which had believed and invested in Newbury's creative vision and proven credibility as a songwriter - let him go." [2] Newbury biographer Joe Ziemer sums up the singer's dilemma in his book Crystal and Stone: "Though diversity derives from aptitude and ability, diversity was Newbury's problem with radio stations. One dominant characteristic of his music is eclecticism, and that's what made his albums unattractive to strict radio formats." [3] Newbury had made several high profile appearances to promote Lovers, including on the Tonight Show , but began to sour on touring, telling Rich Wiseman of Rolling Stone in 1975, "I'll probably quit performing and just record on an album-to-album basis. I'm hating what I'm doing now." [4] In 1977 he elaborated to the Omaha Review, "I worked a few concerts, mostly college concerts, just to prove to Elektra that it wouldn't help. They kept blaming the lack of sales on me." [5]
Ironically, Newbury's profile could not have been higher on the radio in 1977, albeit in a reverential way; in April outlaw country superstar Waylon Jennings released the #1 country smash "Luckenbach, Texas (Back to the Basics of Love)", which contains the lines "Between Hank Williams' pain songs, Newbury's train songs..." The song became an instant classic but most of the listeners who sang along with the tune likely had no idea who Newbury was. Although cited by Jennings, Kris Kristofferson, David Allan Coe, and several other country stars as a primary influence on their songwriting and albums, Newbury had little interest in cashing in on the outlaw country movement; according to Ziemer, Newbury was pressured by his record company to record an album called Newbury's Train Songs but Newbury turned them down: "They couldn't understand why I refused to do it. But I figured what little audience I did have would have immediately seen it for what it was: Jumping on the bandwagon when I didn't fit the mold." [4]
Newbury had started recording songs for what would become Rusty Tracks with Bobby Bare producing while he was still with Elektra but, after signing with ABC Hickory Records, he took those tracks with him (ABC also secured the rights to all of Newbury's Elektra masters). [6] He continued working on the album with producer Ronnie Gant and a legion of Nashville's best musicians. Rusty Tracks was far more rooted in country music than Newbury's previous albums I Came to Hear the Music and Lovers had been, and he continued to explore the darker side of the human experience in his songs, as is evident in the LP's opening track "Leaving Kentucky".
Newbury, who battled depression in his life, later reflected, "How many people have listened to my songs and thought, 'He must have a bottle of whiskey in one hand and a pistol in the other.' Well, I don't. I write my sadness." [7] "Makes Me Wonder If I Ever Said Goodbye" and "Hand Me Another One of Those" both address the classic country theme of getting plastered and drowning sorrows ("Pour some whiskey on my flame and burn another memory") while "People Are Talking" appears to reflect Newbury's growing disenchantment with the music business and play up to his reputation as a hermit.
Rather than throw his lot in with the outlaw movement, Rusty Tracks saw Newbury radically rework several Americana classics like "In the Pines" and "Shenandoah" with such emotive phrasing and powerful singing that he "made the songs his own." [8] Reminiscent of his early masterpiece "An American Trilogy", Newbury seamlessly weaves together a quartet of songs that brought the LP to a dazzling conclusion. In its review of the album, AllMusic states:
He doesn't merely sing these songs - he is them, a part and parcel of the fabric of the notes themselves and what they represent. Just when Americans were trying to forget who they were by embracing European disco and punk rock as well as dumbed-down versions of both country and jazz, Newbury reveals - much to his own commercial detriment - who and what we are as a nation. [1]
Unlike Newbury's earlier Elektra albums, which featured a small group of top Nashville session players, Rusty Tracks includes contributions from a host of musicians and singers, including keyboardist Bobby Emmons (who co-wrote "Luckenback, Texas"), steel guitarist Buddy Emmons, guitarist Reggie Young, and budding country stars Janie Fricke and Larry Gatlin.
Like most of the albums Newbury released, Rusty Tracks did not chart. "Hand Me Another One of Those" was released as a single and peaked at #94 on the Billboard country chart. Biographer Joe Ziemer writes, "The songs carry on with perceptive lyrics, masterly delivered in memorable melodies." [8] AllMusic: "This concentration on one music and its classic themes and rougher-edged production proved to be as great as anything he had done since his early records." [1]
All tracks composed by Mickey Newbury; except where indicated
Pancho & Lefty by Townes Van Zandt (1972) became well-known through a honky tonk album by outlaw country musicians Merle Haggard and Willie Nelson, released in 1983. Original vinyl copies from 1983 give the album's title as "Poncho & Lefty" on the cover, as well as on the inner sleeve and the record label; the album's title track is similarly rendered "Poncho & Lefty" on the cover, inner sleeve, and label. Later editions correct the title to the intended "Pancho & Lefty.” They are backed by Don Markham of The Strangers.
12 Golden Country Greats is the fifth studio album by the American rock band Ween, and their third on Elektra Records. It is the only album on which the group limited themselves to a specific genre of music.
Milton Sims "Mickey" Newbury Jr. was an American singer-songwriter and a member of the Nashville Songwriters Hall of Fame.
Larry Wayne Gatlin is an American country and Southern gospel singer-songwriter. As part of the Gatlin Brothers trio that included his younger brothers Steve and Rudy, he achieved considerable success within the country music genre, performing on 33 top 40 country singles, a total inclusive of his recordings as a solo artist and with the group.
Jesus Was a Capricorn is the fourth album by Kris Kristofferson, released in 1972 on Monument Records. The album cover pictures Kristofferson and his soon-to-be wife Rita Coolidge. "Why Me" reached #1 on the Country singles charts.
Waylon is a studio album by American country music artist Waylon Jennings, released in 1970 on RCA Victor.
Wanted! The Outlaws is a compilation album by Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser, released by RCA Records in 1976. The album consists of previously released material with four new songs. Released to capitalize on the new outlaw country movement, Wanted! The Outlaws earned its place in music history by becoming the first country album to be platinum-certified, reaching sales of one million.
WWII is a duet album by Waylon Jennings and Willie Nelson, released on RCA Victor in 1982.
Black on Black is a studio album by American country music artist Waylon Jennings, released on RCA Victor in 1982.
Renegade Picker is the fourth album by pioneer Country rock musician Steve Young, this album moves toward the Outlaw Country sound. The album contains his song "Lonesome, On'ry and Mean", that became a hit for fellow outlaw Waylon Jennings.
For the Sake of the Song is the debut album by country singer/songwriter Townes Van Zandt, released in 1968. The majority of the songs, including the title track, "Tecumseh Valley", "(Quicksilver Daydreams of) Maria", "Waitin' Around to Die", and "Sad Cinderella", were re-recorded in more stripped-down versions for subsequent studio albums.
The Mysterious Rhinestone Cowboy is the third album of American singer David Allan Coe, and his first on Columbia Records. Released in 1974, it is his first release in the country music genre.
Tattoo is an album released by country musician David Allan Coe, released in 1977 on Columbia Records.
Good Times is the eighth studio album by American country music singer Willie Nelson, released in 1968. Arrangements were by Anita Kerr, Bill Walker and Ray Stevens.
Looks Like Rain is a 1969 concept album by singer-songwriter Mickey Newbury. After recording his debut album with RCA, Newbury was dissatisfied with the resulting album and left RCA to pursue a style closer to his tastes. Recorded at Cinderella Sound, as his next two albums would be, the result is widely considered his first real recording and represents a peak in the singer songwriter movement, especially for Nashville. The sound and style of the record would be highly influential during the Outlaw Movement during country music in the 1970s especially on albums by David Allan Coe and Waylon Jennings. Linking the tracks with delicate arrangements and liberal amount of atmosphere, the record contains some of Newbury's most celebrated compositions including "She Even Woke Me Up to Say Goodbye", "33rd of August", "I Don't Think Much About Her No More", and "San Francisco Mabel Joy". AllMusic's review of the album concludes, "Looks Like Rain is so fine, so mysterious in its pace, dimension, quark strangeness and charm, it defies any attempt at strict categorization or criticism; a rare work of genius."
The Mickey Newbury Collection collects the ten albums Mickey Newbury released on three labels between 1969 and 1981 on an eight disc set. The set was released and is available through Mountain Retreat, a label run by Newbury and later Newbury's family. While Newbury had an impressive reputation as an artist and songwriter, at the time of the set's release in 1998, these recordings had been out of print for years. The original master tapes were lost by the labels, and so the recordings on the collection are digital transfers from virgin vinyl copies. The packaging replicates the original album art.
Lovers is the 1975 album by singer-songwriter Mickey Newbury. The album is noted for the inclusion of the epic trilogy "Apples Dipped In Candy" and the title track. It was his final release on Elektra Records. Chet Atkins played guitar on "Apples Dipped in Candy" and Bergen White arranged the strings on the album.
After All These Years is the 1981 album by singer-songwriter Mickey Newbury. Considered the concluding album of his remarkable 1970s run, it was the last album he would record for seven years. The album is very different in tone from its predecessor and revives Newbury's talent for song suites with "The Sailor/Song of Sorrow/Let's Say Goodbye One More Time". Other highlights on the album include "That Was The Way It Was Then" and "Over the Mountain".
Harlequin Melodies is the 1968 debut album by singer-songwriter Mickey Newbury. Newbury was already a successful songwriter in Nashville, signed by Acuff-Rose Publishing. At one point he had four #1 hits on different charts for Eddy Arnold, Solomon Burke, The First Edition, and Andy Williams, and he had written hits for several others. Produced by Elvis Presley producer Felton Jarvis, Harlequin Melodies concentrates on Newbury's versions of his hit songs; nearly every song on the album has been covered by other artists.
In a New Age is a 1988 album by the singer-songwriter Mickey Newbury. It contains new versions of eight classic Newbury songs, with a full version of "All My Trials" which is part of Newbury's "An American Trilogy"