Sacha Craddock | |
---|---|
Born | |
Nationality | British |
Education | Central Saint Martins |
Known for | Art critic, writer, curator |
Sacha Craddock (born 6 August 1955) is an independent art critic, writer and curator based in London. Craddock is co-founder of Artschool Palestine, co-founder or the Contemporary Art Award and council member of the Abbey Awards in Painting at the British School at Rome, Trustee of the Shelagh Cluett Trust, and President of the International Association of Art Critics AICA UK. [1] She was chair of the Board of New Contemporaries and selection process from 1996 until December 2021. [2]
Born in New Zealand, Craddock moved to Oxford as a child, and then to London in 1973, where she went on to help formulate[ vague ] one of the city's most well-known squats on Tolmers Square in Euston. [3] Craddock continues to live communally along with some of the original Tolmer's residents. [4] After completing a degree in fine art painting at Central St Martins, and a post-graduate painting degree at Chelsea School of Art, Craddock began writing art criticism for The Guardian newspaper in 1988, her first review appearing in the 26 May issue of the paper. [Notes 1] Later Craddock was also a regular art columnist for The Times , reviewing exhibitions of up and coming Young British Artists (she was the only journalist to review the pre-YBA exhibition: Freeze, which featured early work by artists such as Damien Hirst, Sarah Lucas, and Mat Collishaw). [5] In 1996, Craddock became chair of Bloomberg New Contemporaries (formerly Young Contemporaries). [6]
Craddock has judged many art prizes, such as the Turner Prize in 1999 [7] and the John Moores Painting Prize in 2008. [8] In 2005, Craddock co-founded ArtSchool Palestine (ASP) with Charles Asprey, and Samar Martha, in order to promote and support Palestinian artists and aid their participation in international contemporary art exhibitions and biennales. ASP has held many events and exhibitions, including As If By Magic, to which the British artist Damien Hirst lent his support. [9] [10]
Sacha Craddock was the co-founder of Bloomberg Space and its curator from 2002 to 2011. [11] Craddock's curatorial contribution included Gillian Wearing at IVAM Institut Valencià d'Art Modern in 2015, [12] Turner Prize 2017 at Hull, Strike Site at Backlit Gallery in Nottingham in 2018, [13] the SPECTRUM Art Award 2018 at Saatchi Gallery, and Creekside Open and Exeter Contemporary Open in 2019. [14]
Craddock has written on contemporary international artists, including Alison Wilding, Laura Ford, Mark Boulos, Benjamin Senior, Angus Fairhurst, Richard Billingham, Jose Dávila, Chantal Joffe, Mustafa Hulusi, Andreas Reiter Raabe, Cornelia Parker, Phyllida Barlow, Heri Dono, Wolfgang Tillmans, Rosa Lee, Young In, Chris Ivey, and Alberto Savinio. [25] [26] [27]
Wolfgang Tillmans is a German photographer. His diverse body of work is distinguished by observation of his surroundings and an ongoing investigation of the photographic medium’s foundations.
Helen Chadwick was a British sculptor, photographer and installation artist. In 1987, she became one of the first women artists to be nominated for the Turner Prize. Chadwick was known for "challenging stereotypical perceptions of the body in elegant yet unconventional forms. Her work draws from a range of sources, from myths to science, grappling with a plethora of unconventional, visceral materials that included chocolate, lambs' tongues and rotting vegetable matter. Her skilled use of traditional fabrication methods and sophisticated technologies transform these unusual materials into complex installations". Maureen Paley noted that "Helen was always talking about craftsmanship—a constant fount of information". Binary oppositions was a strong theme in Chadwick's work; seductive/repulsive, male/female, organic/man-made. Her combinations "emphasise yet simultaneously dissolve the contrasts between them". Her gender representations forge a sense of ambiguity and a disquieting sexuality blurring the boundaries of ourselves as singular and stable beings."
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Art and Sacred Places is a UK-based national charity in London working in the field of commissioning visual art for sacred places. Its work includes both temporary and permanent commissions and projects which bring together communities of people from both faith and non-faith backgrounds.
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Nalini Malani is an Indian artist, among the country's first generation of video artists.
Stephanie Buhmann is a German art critic, art historian, and curator. Born and raised in Hamburg, Germany, she lives in New York City and Lübeck, Germany. Her book series "Studio Conversations" focuses on contemporary female artists from different cities. Each book is in a different city. The concept for the "Studio Conversations" project goes back to 2012 when Buhamann became increasingly disenchanted with the media’s fixation the soaring art market. Buhmann states, "I wanted to counterbalance that trend while supporting my community by creating a permanent record of something private and simple: conversations with artists in their studios about the works on their walls."
Anthea Hamilton is a British artist who graduated from Leeds Metropolitan University and the Royal College of Art and was one of four shortlisted for the 2016 Turner Prize. Hamilton was responsible for the show's most popular exhibit Project for a Door depicting a doorway consisting of large naked buttocks which reworks a proposal by Italian architect Caetano Pesci, dating from the early 1970s. She is known for creating strange and surreal artworks and large-scale installations.
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