Sacha Craddock

Last updated

Sacha Craddock
Sacha Craddock.jpeg
Born
NationalityBritish
Education Central Saint Martins
Known for Art critic, writer, curator

Sacha Craddock (born 6 August 1955) is an independent art critic, writer and curator based in London. Craddock is co-founder of Artschool Palestine, co-founder or the Contemporary Art Award and council member of the Abbey Awards in Painting at the British School at Rome, Trustee of the Shelagh Cluett Trust, and President of the International Association of Art Critics AICA UK. [1] She was chair of the Board of New Contemporaries and selection process from 1996 until December 2021. [2]

Contents

Biography

Born in New Zealand, Craddock moved to Oxford as a child, and then to London in 1973, where she went on to help formulate[ vague ] one of the city's most well-known squats on Tolmers Square in Euston. [3] Craddock continues to live communally along with some of the original Tolmer's residents. [4] After completing a degree in fine art painting at Central St Martins, and a post-graduate painting degree at Chelsea School of Art, Craddock began writing art criticism for The Guardian newspaper in 1988, her first review appearing in the 26 May issue of the paper. [Notes 1] Later Craddock was also a regular art columnist for The Times , reviewing exhibitions of up and coming Young British Artists (she was the only journalist to review the pre-YBA exhibition: Freeze, which featured early work by artists such as Damien Hirst, Sarah Lucas, and Mat Collishaw). [5] In 1996, Craddock became chair of Bloomberg New Contemporaries (formerly Young Contemporaries). [6]

Craddock has judged many art prizes, such as the Turner Prize in 1999 [7] and the John Moores Painting Prize in 2008. [8] In 2005, Craddock co-founded ArtSchool Palestine (ASP) with Charles Asprey, and Samar Martha, in order to promote and support Palestinian artists and aid their participation in international contemporary art exhibitions and biennales. ASP has held many events and exhibitions, including As If By Magic, to which the British artist Damien Hirst lent his support. [9] [10]

Sacha Craddock was the co-founder of Bloomberg Space and its curator from 2002 to 2011. [11] Craddock's curatorial contribution included Gillian Wearing at IVAM Institut Valencià d'Art Modern in 2015, [12] Turner Prize 2017 at Hull, Strike Site at Backlit Gallery in Nottingham in 2018, [13] the SPECTRUM Art Award 2018 at Saatchi Gallery, and Creekside Open and Exeter Contemporary Open in 2019. [14]

Other collaborations and activities

Selected bibliography

Craddock has written on contemporary international artists, including Alison Wilding, Laura Ford, Mark Boulos, Benjamin Senior, Angus Fairhurst, Richard Billingham, Jose Dávila, Chantal Joffe, Mustafa Hulusi, Andreas Reiter Raabe, Cornelia Parker, Phyllida Barlow, Heri Dono, Wolfgang Tillmans, Rosa Lee, Young In, Chris Ivey, and Alberto Savinio. [25] [26] [27]

Selected books

Selected writing

Selected articles

About Craddock

Notes

  1. "Death in Fine Detail". The Guardian. 26 May 1988.

Related Research Articles

<span class="mw-page-title-main">Helen Chadwick</span> British sculptor, photographer and artist

Helen Chadwick was a British sculptor, photographer and installation artist. In 1987, she became one of the first women artists to be nominated for the Turner Prize. Chadwick was known for "challenging stereotypical perceptions of the body in elegant yet unconventional forms. Her work draws from a range of sources, from myths to science, grappling with a plethora of unconventional, visceral materials that included chocolate, lambs tongues and rotting vegetable matter. Her skilled use of traditional fabrication methods and sophisticated technologies transform these unusual materials into complex installations. Maureen Paley noted that "Helen was always talking about craftsmanship—a constant fount of information". Binary oppositions was a strong theme in Chadwick's work; seductive/repulsive, male/female, organic/man-made. Her combinations "emphasise yet simultaneously dissolve the contrasts between them". Her gender representations forge a sense of ambiguity and a disquieting sexuality blurring the boundaries of ourselves as singular and stable beings."

<span class="mw-page-title-main">Langlands & Bell</span> Artist duo

Langlands & Bell are two artists who work collaboratively. Ben Langlands and Nikki Bell, began collaborating in 1978, while studying Fine Art at Middlesex Polytechnic in North London, from 1977 to 1980.

<span class="mw-page-title-main">Angus Fairhurst</span> English artist (1966–2008)

Angus Fairhurst was an English artist working in installation, photography and video. He was one of the Young British Artists (YBAs).

Fiona Banner, also known as The Vanity Press is a British artist. Her work encompasses sculpture, drawing, installation and text, and demonstrates a long-standing fascination with the emblem of fighter aircraft and their role within culture and especially as presented on film. She is well known for her early works in the form of 'wordscapes', written transcriptions of the frame-by-frame action in Hollywood war films, including Top Gun and Apocalypse Now. Her work has been exhibited in prominent international venues such as the Museum of Modern Art, New York and Hayward Gallery, London. Banner was shortlisted for the Turner Prize in 2002.

Callum Innes is a Scottish abstract painter, a former Turner Prize nominee and winner of the Jerwood Painting Prize. He lives and works in Edinburgh, Scotland.

<span class="mw-page-title-main">Edward Allington</span> British artist and sculptor

Edward Thomas Allington was a British artist and sculptor, best known for his part in the 1980s New British Sculpture movement.

<span class="mw-page-title-main">Iwona Blazwick</span> British art critic

Iwona Maria Blazwick OBE is a British art critic and lecturer. She is currently the Chair of the Royal Commission for Al-'Ula’s Public Art Expert Panel. She was the Director of the Whitechapel Art Gallery in London from 2001 to 2022. She discovered Damien Hirst and staged his first solo show at a public London art gallery, Institute of Contemporary Arts in 1992. She supports the careers of young artists.

Matthew Higgs is an English artist, curator, writer and publisher. His contribution to UK contemporary art has included the creation of Imprint 93, a series of artists’ editions featuring the work of artists such as Martin Creed and Jeremy Deller. During the 1990s he promoted artists outside the Young British Artists mainstream of the period.

Rosa Barba is a German-Italian visual artist and filmmaker. Barba is known for using the medium of film and its materiality to create cinematic film installations, sculptures and publications, which inquire into the ambiguous nature of reality, memory, landscape and their role in their mutual constitution and representation. Barba currently lives and works in Berlin, Germany.

Art and Sacred Places is a UK-based national charity in London working in the field of commissioning visual art for sacred places. Its work includes both temporary and permanent commissions and projects which bring together communities of people from both faith and non-faith backgrounds.

Lubaina Himid is a British artist and curator. She is a professor of contemporary art at the University of Central Lancashire. Her art focuses on themes of cultural history and reclaiming identities.

Helen Anne Molesworth is an American curator of contemporary art based in Los Angeles. From 2014 to 2018, she was the Chief Curator at The Museum of Contemporary Art (MOCA) in Los Angeles.

Pauline Boudry / Renate Lorenz are a Berlin-based artist duo who have worked together since 2006. They produce film installations that revisit recent and past material, with a particular focus on a critical history of the photographic and moving image itself.

Bonnie Camplin is a British artist and a fine art lecturer at Goldsmiths College, London. She was a 2015 Turner Prize nominee, nominated for the exhibition The Military Industrial Complex, which was shown at the South London Gallery.

<span class="mw-page-title-main">Nalini Malani</span> Indian contemporary artist (born 1946)

Nalini Malani is an Indian artist, among the country's first generation of video artists.

Stephanie Buhmann is an art critic, art historian, and curator. Born and raised in Hamburg, Germany, she lives in New York City and Lübeck, Germany. Her book series "Studio Conversations" focuses on contemporary female artists from different cities. Each book is in a different city. The concept for the "Studio Conversations" project goes back to 2012 when Buhamann became increasingly disenchanted with the media’s fixation the soaring art market. Buhmann states, "I wanted to counterbalance that trend while supporting my community by creating a permanent record of something private and simple: conversations with artists in their studios about the works on their walls."

<span class="mw-page-title-main">Anthea Hamilton</span> British artist (born 1978)

Anthea Hamilton is a British artist who graduated from Leeds Metropolitan University and the Royal College of Art and was one of four shortlisted for the 2016 Turner Prize. Hamilton was responsible for the show's most popular exhibit Project for a Door depicting a doorway consisting of large naked buttocks which reworks a proposal by Italian architect Caetano Pesci, dating from the early 1970s. She is known for creating strange and surreal artworks and large-scale installations.

<span class="mw-page-title-main">Abigail Reynolds (artist)</span> British artist

Abigail Reynolds is a British artist who lives in St Just, Cornwall, and has a studio at Porthmeor in St Ives.

<span class="mw-page-title-main">Gabriele Schor</span> Austrian writer, art critic and curator

Gabriele Schor, born in Vienna in 1961, is an Austrian writer, art critic and curator. She is a specialist of the feminist avantgarde of the 1970s.

Timothy Persons is a US-American curator, writer, artist, and adjunct professor based in Berlin and Helsinki.

References

  1. "Executive Committee – AICA UK" . Retrieved 7 November 2020.
  2. "New Contemporaries Chair Sacha Craddock steps down after extraordinary service to the arts". FAD Magazine. 6 December 2021. Retrieved 31 January 2022.
  3. Sacha, Craddock (2011). Goodbye to London: Radical Art & Politics in the 1970's. Hatje Cantz. pp. 34–39. ISBN   978-3775727396.
  4. Craddock, Sacha (2011). Goodbye to London: Radical Art & Politics in the 1970's. Hatje Cantz. ISBN   978-3775727396.
  5. Craddock, Sacha (24 July 2008). "'Freeze': Defrosted". Time Out.
  6. "top picks of drawing biennial". May 2013. Retrieved 25 June 2013.
  7. "Turner Prize shortlist announced 1999" . Retrieved 25 June 2013.
  8. "Painting prize shortlist revealed". BBC. 24 July 2008. Retrieved 5 July 2013.
  9. Damien Hirst's £50 masterpiece The Independent September 2006
  10. "ArtSchool Palestine" . Retrieved 5 July 2013.
  11. Sacha Craddock; Bev Bytheway; Sally O'Reilly; New Contemporaries (1988) Limited (14 February 2024). Bloomberg new contemporaries 2003. New Contemporaries (1988) Limited. ISBN   978-0954084820.{{cite book}}: CS1 maint: numeric names: authors list (link)
  12. "Gillian Wearing". Ivam. Retrieved 7 November 2020.
  13. "Turner Prize 2017 opens". Visit Hull. Retrieved 7 November 2020.
  14. "STRIKE SITE". BACKLIT. Retrieved 7 November 2020.
  15. "Myriad First Graphic Novel Competition". myriadeditions.com. Retrieved 7 November 2020.
  16. "Abbey Awards". abbey.org.uk. Retrieved 7 November 2020.
  17. "The definers of success | Event | Royal Academy of Arts". www.royalacademy.org.uk. Retrieved 10 November 2020.
  18. "JURIES_International Awards for Art Criticism(IAAC)". www.iaac-m21.com. Retrieved 7 November 2020.
  19. "Public Sculpture, from Process to Place - Pangaea Sculptors' Centre". www.pangaeasculptorscentre.com. Retrieved 10 November 2020.
  20. Tate. "American Artist Lecture Series: Spencer Finch: In conversation with Sacha Craddock – Talk at Tate Modern". Tate. Retrieved 7 November 2020.
  21. "True or False: There's No Such Thing as Sculpture - Pangaea Sculptors' Centre". www.pangaeasculptorscentre.com. Retrieved 12 November 2020.
  22. "John Moores exhibition 25". National Museums Liverpool. Retrieved 7 November 2020.
  23. International Venice agendas 2003 : a series of three breakfast meetings. London : Wimbledon School of Art : Cardiff : Cardiff School of Art & Design ; Venice : Nuova Icona Gallery. 2003. ISBN   0948327170.
  24. Tate. "Turner Prize 1999 – Exhibition at Tate Britain". Tate. Retrieved 7 November 2020.
  25. Sacha Craddock; Brigitte Kölle; Valentina Jager (2018). Jose Dávila: the feather & the elephant. Berlin: Hatje Cantz. ISBN   978-3775744225.
  26. Sacha Craddock (2008). Landscapes, 2001–2003: Richard Billingham. Stockport : Dewi Lewis. ISBN   9781904587385.
  27. Sacha Craddock; Laura Ford; Hans-Peter Miksch; Christian Rogge; Gautier Deblonde (2016). Laura Ford - sculptures and drawings. Fürth Kunst Galerie Fürth. ISBN   9783981385823.
  28. ADAM HENEIN ABDULRAHMAN ALSOLIMAN : the art library discovering arab artists. [S.l.]: RIZZOLI. 2021. ISBN   978-88-918-3219-1. OCLC   1246726166.
  29. Women artists : a conversation. Terzi, Sara., Craddock, Sacha., Fine Art Society. London. 2 April 2024. ISBN   978-1-907052-75-0. OCLC   994234783.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  30. Good bye to London : radical art & politics in the 70's. Schönauer, Walter., Proll, Astrid., Neue Gesellschaft für Bildende Kunst. Ostfildern: Hatje Cantz. 2010. ISBN   978-3-7757-2739-6. OCLC   676734014.{{cite book}}: CS1 maint: others (link)
  31. Revealed : Turner Contemporary opens. Buren, Daniel., Turner Contemporary (Arts organization : Margate, England). Margate: Turner Contemporary. 2011. ISBN   978-0-9552363-3-4. OCLC   727701321.{{cite book}}: CS1 maint: others (link)
  32. Craddock, Sacha (2009). Angus Fairhurst. Fairhurst, Angus., Cahill, James, 1985–, Sadie Coles HQ., Arnolfini (Organization). London: PWP, in association with Sadie Coles HQ. ISBN   978-0-85667-659-8. OCLC   232131145.
  33. The Turner Prize and British art. Stout, Katharine, 1973–. London: Tate. 2007. ISBN   978-1-85437-742-5. OCLC   170954724.{{cite book}}: CS1 maint: others (link)
  34. Joffe, Chantal (2008). Chantal Joffe. Brown, Neal, 1955–, Victoria Miro Gallery. London: Victoria Miro Gallery. ISBN   978-0-9554564-5-9. OCLC   298793131.
  35. The producers : contemporary curators in conversation. 5. Hiller, Susan., Martin, Sarah, 1972–, University of Newcastle upon Tyne. Department of Fine Art., Baltic Centre for Contemporary Art. Gateshead: BALTIC. 2002. ISBN   1-903655-13-7. OCLC   54016619.{{cite book}}: CS1 maint: others (link)
  36. L'anti-monument : Les mots de Paris : Jochen Gerz. Arles: Actes Sud. 2002. ISBN   2-7427-3904-1. OCLC   401477783.
  37. Art for all? : their policies and our culture. Wallinger, Mark, 1959–, Warnock, Mary. London: PEER. 2000. ISBN   0-9539772-0-X. OCLC   46837711.{{cite book}}: CS1 maint: others (link)
  38. A split second of paradise : live art, installation and performance. Childs, Nicky, Walwin, Jeni. London: Rivers Oram Press. 1998. ISBN   1-85489-098-0. OCLC   39381575.{{cite book}}: CS1 maint: others (link)
  39. Craddock, Sacha (22 January 2023). "Milly Thompson obituary". The Guardian. ISSN   0261-3077 . Retrieved 15 March 2024.
  40. Dávila, Jose (2 April 2024). Not all those who wander are lost. Travesía Cuatro. [Madrid]. ISBN   978-84-946663-5-3. OCLC   1135876231.{{cite book}}: CS1 maint: location missing publisher (link)
  41. Boulos, Mark (2 April 2024). Mark Boulos. Schum, Matthew, Boulos, Mark, 1975- (English ed.). Berlin. ISBN   978-3-7757-4269-6. OCLC   965130256.{{cite book}}: CS1 maint: location missing publisher (link)
  42. Afniyah shāghilah : musābaqat al-fannān al-shāb lil-ʻām 2004 : Jāʼizat Ḥasan al-Ḥūrānī. Muʼassasat ʻAbd al-Muḥsin al-Qaṭṭān., مؤسسة عبد المحسن القطان. (al-Ṭabʻah 1 ed.). Rām Allāh: Muʼassasat ʻAbd al-Muḥsin al-Qaṭṭān. 2006. ISBN   9950-313-21-X. OCLC   123964025.{{cite book}}: CS1 maint: others (link)
  43. Sculpture in 20th century Britain. Henry Moore Institute (Leeds, England). Leeds, England: Henry Moore Institute. 2003. ISBN   1-900081-98-9. OCLC   54684971.{{cite book}}: CS1 maint: others (link)
  44. Recognition. Barriball, Anna, 1972-, Musgrave, David, 1973–, Ashton, Edwina, 1965–, Mackintosh, David, 1966–, Roberts, Catsou., Morrisey, Simon. Bristol: Arnolfini. 2003. ISBN   0-907738-75-3. OCLC   60379286.{{cite book}}: CS1 maint: others (link)
  45. Art : what is it good for?. Cummings, Dolan., Institute of Ideas. London: Hodder & Stoughton. 2002. ISBN   0-340-84837-5. OCLC   49205378.{{cite book}}: CS1 maint: others (link)
  46. Lux Europae : outdoor light installations by 35 European artists across the city of Edinburgh. Lux Europae Trust. Edinburgh: Lux Europae Trust. 1993. ISBN   0-9521058-0-2. OCLC   28182977.{{cite book}}: CS1 maint: others (link)
  47. Sacha Craddock (6 September 2019). "New Order: Art, Product, Image, 1976–95". Burlington Contemporary.
  48. "Sacha Craddock on Alberto Savinio". Charles Asprey - Tyers Street. Picpus Press.
  49. "Interiors: The Bloomsbury set". The Independent. 4 July 1999. Retrieved 7 November 2020.