Sacred Cow | ||||
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Studio album by | ||||
Released | April 23, 1996 | |||
Recorded | 1995 | |||
Genre | Alternative rock, funk rock | |||
Length | 50:16 | |||
Label | ||||
Producer | ||||
Geggy Tah chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
The Encyclopedia of Popular Music | [3] |
Entertainment Weekly | B [4] |
Sacred Cow is an album by Geggy Tah, released in 1996. [5] [6] [7] It contains "Whoever You Are", a number-16 hit on the US Billboard Modern Rock Tracks chart. [8]
Entertainment Weekly called the album "another fine, goofunky mess, chockful of weird hooks and dance-feverish energy." [4] The Nation wrote that the band "is carving out a place devoted to fey weirdness, edgy grooves, and realityskewing lyrics." [9] Trouser Press wrote: "Sacred Cow continues the duo’s tactful progression towards a modern version of Steely Dan-dom." [10]
All songs written by Tommy Jordan & Greg Kurstin, except as noted.
Regretfully Yours is the debut album by Superdrag, released on Elektra Records in 1996. The first single, "Sucked Out", expressed disdain for the music industry. It was an MTV Buzz Bin hit. "Sucked Out" reached #17 on Billboard's Modern Rock chart.
Geggy Tah is a band initially composed of writer/singer/bassist Tommy Jordan and keyboard/guitarist Greg Kurstin. Each of them has a younger sister who was unable to pronounce her brother's name when very young; "Geggy" and "Tah" were the baby girls' mispronunciations of their brothers' names.
Silencio=Muerte: Red Hot + Latin, The tenth entry in the Red Hot Benefit Series of compilation albums, takes a post-modern look at the contemporary rock en Español scene. This compilation features music from Spanish, Pan-American, as well non-Latin/Anglo-American acts that have either transformed the sounds and images of Latin music or have been influenced by the same.
Beelzebubba is the fourth studio album by the American satirical punk rock band the Dead Milkmen, released in 1988. It peaked at No. 101 on the Billboard 200. The album contains perhaps the band's best-known song, "Punk Rock Girl".
Eat Your Paisley! is the second studio album by The Dead Milkmen, released on Restless Records in 1986.
Bucky Fellini is the third studio album by The Dead Milkmen. It was released in 1987 by Enigma. The album peaked at No. 163 on the Billboard 200.
"You Don't Know" is a song by American singer-songwriter Cyndi Lauper, released by Epic as the first single from Lauper's fifth album, Sisters of Avalon (1997). Remixes of the song were made by several producers such as Tony Moran and Junior Vasquez. It peaked at number 27 in the UK, while peaking at number 16 on the US Billboard Hot Dance Club Play chart. The song contains the word "bullshit" and was not edited out of the UK singles as is typical. While performing on several UK shows, such as Noel's House Party, she skipped the word. The music video for the song was directed by Lauper.
Shot is an album by the band The Jesus Lizard, its first release on Capitol Records. Some copies of the album were accompanied by a documentary titled "Sho(r)t".
Lyle Lovett and His Large Band is Lyle Lovett's third album, released in 1989. Lovett won the Grammy Award for Best Male Country Vocal Performance for the album.
99.9F° is the fourth album by American singer and songwriter Suzanne Vega. Released in 1992, the album marked a departure for Vega, as she embraced a more electronic, experimental sound. It peaked at No. 86 on Billboard magazine's album chart and was Vega's fourth Top 20 album in the UK. The single "Blood Makes Noise" reached number one on the Billboard Modern Rock chart. 99.9F° was the first of two of Vega's albums to be produced by Mitchell Froom, whom she later married.
Dyslexicon is the second and final album by the Philadelphia grunge band Dandelion, released in 1995.
Gregory Allen Kurstin is an American record producer, multi-instrumentalist, and songwriter. He has won nine Grammy Awards, including Producer of the Year, Non-Classical in 2017 and 2018, and contributed to four songs which peaked atop the Billboard Hot 100.
Sacred cow(s) may refer to:
Beautiful Freak is the debut album by American rock band Eels. It was released on 13 August 1996 and is the second album released by record label DreamWorks.
Lucacentric is a 1994 album by hip-hop musician Lucas.
"Stranger Than You" is a song by British singer-songwriter and musician Joe Jackson, released in 2000 as the lead single from his studio album Night and Day II (2000). The song was written and produced by Jackson. It reached No. 91 on the Dutch Single Top 100 chart.
Too Weird to Live, Too Rare to Die! is the fourth studio album by American pop rock band Panic! at the Disco. The album was released on October 8, 2013 by Decaydance and Fueled by Ramen. Recorded as a trio, the album was produced by Butch Walker, and is the only album to feature bassist Dallon Weekes since he officially joined the band in 2010. This was also the final album to feature drummer Spencer Smith, thus making this Panic!'s final album as a rock band, with further releases being made as a solo project fronted by Brendon Urie.
Don't Get Weird on Me Babe is the second solo album by the English musician Lloyd Cole, released in 1991. The title comes from a Raymond Carver expression. Unlike the original release, the American version of the album leads with the "rock" half and ends with the orchestral songs.
"Angel" is a song by British singer and songwriter Kirsty MacColl, released in 1993 as the lead single from her fourth studio album Titanic Days. It was written by MacColl and produced by Steve Lillywhite. For its release as a single, "Angel" was remixed with additional production by Gregg Jackman. The song reached number 87 in the UK Singles Chart and number 26 on the US Billboard Modern Rock Tracks chart.
"Can't Stop Killing You" is a song by British singer and songwriter Kirsty MacColl, which was released in 1993 as the second single from her fourth studio album Titanic Days. It was written by MacColl and Johnny Marr, and produced by Victor Van Vugt and Baboon Farm. The song reached No. 20 on the US Billboard Modern Rock Tracks and remained on the chart for seven weeks.