| Samba Esquema Novo | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 10 January 1963 | |||
| Genre | Bossa nova, samba rock | |||
| Length | 28:47 | |||
| Label | Philips | |||
| Producer | Armando Pittigliani | |||
| Jorge Ben chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [1] |
| Tom Hull – on the Web | B+ (  ) [2] |
Samba Esquema Novo is the 1963 debut album by Brazilian singer-songwriter and guitarist Jorge Ben. It includes the original recording of the international hit "Mas que Nada".
By the time of the album's release, newspaper O Estado de S. Paulo believed it would soon disappear from the stores, just like his previous 78 RPM releases. [3]
In 2007, it was listed by Rolling Stone Brazil as one of the 100 best Brazilian albums in history. [4] American critic Rodney Taylor wrote of the album: "His first album, which translates to 'New Style Samba,' sets out his ambitions. Spritely, percussive guitar anchors the songs, and Ben's smooth/rough voice puts them across. Horns, percussion and strings color the tunes, but never pull the focus from Ben. 'Mas que Nada' ranks as one of the most popular songs in the world." [5]
All tracks written by Jorge Ben except where noted
Samba, is a name or prefix used for several rhythmic variants, such as samba urbano carioca, samba de roda, recognized as part of the Intangible Cultural Heritage of Humanity by UNESCO, amongst many other forms of samba, mostly originated in the Rio de Janeiro and Bahia States.
Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. The bossa nova wave became popular around the world and it helped to renew samba and to contribute to the modernization of Brazilian music.
Sérgio Santos Mendes is a Brazilian musician. His career took off with worldwide hits by his band Brasil '66. He has over 55 releases and plays bossa nova heavily crossed with jazz and funk. He was nominated for an Oscar for Best Original Song in 2012 as co-writer of the song "Real in Rio" from the animated film Rio.
Jorge Duílio Lima Menezes is a Brazilian popular musician, performing under the stage name Jorge Ben Jor since the 1980s, though commonly known by his former stage name Jorge Ben. His characteristic style fuses samba, funk, rock and bossa nova with lyrics that blend humor and satire with often esoteric subject matter. His hits include "Chove Chuva", "Mas, que Nada!", "Ive Brussel" and "Balança Pema", and have been interpreted by artists such as Caetano Veloso, Sérgio Mendes, Miriam Makeba, Soulfly and Marisa Monte.
África Brasil is a 1976 release by Brazilian artist Jorge Ben. It was Ben's 14th studio album. África Brasil represented a milestone in Ben's career with his switch to electric guitar and incorporation of both Afro-Brazilian and American funk music styles into his sound. África Brasil is one of Ben's best-known recordings. Rolling Stone Brazil listed it as one of the 100 best Brazilian albums in history, and it was included in both Robert Dimery's 1001 Albums You Must Hear Before You Die as well as Tom Moon's collection 1,000 Recordings to Hear Before You Die.
"Mas que Nada" is a song written and originally recorded in 1963 by Jorge Ben on his debut album Samba Esquema Novo, which was covered in 1966 by Sérgio Mendes, becoming one of the latter's signature songs. It was voted by the Brazilian edition of Rolling Stone as the fifth-greatest Brazilian song. It was inducted to the Latin Grammy Hall of Fame in 2013.
Soul Español is an album by jazz pianist Oscar Peterson, released in 1966. It focuses mostly on the music of Brazilian composers.
A Tábua De Esmeralda is the 11th studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was released in 1974 by Philips Records.
João Theodoro Meirelles, better known as J. T. Meirelles, is a Brazilian saxophonist and flautist. He was born in Rio de Janeiro, Brazil and died at 67 years old in that same city. Meirelles is considered one of the creators of the samba-jazz rhythm, along with Manfredo Fest.
Samba Jazz!! is the third album recorded by the group Meirelles e Os Copa 5, led by J. T. Meirelles. Released in 2002, this album celebrates the return of the group, after a long period without recording any song. The album was produced by J. T. Meirelles, who also composed and arranged all its songs.
Acabou Chorare is the second studio album by Brazilian rock and MPB group Novos Baianos. The album was released in 1972 by Som Livre, following the group's moderately successful debut É Ferro na Boneca (1970). During the recording of the album, the group took inspiration from various contemporary artists of the time, such as Jimi Hendrix, João Gilberto, and Assis Valente. In addition, Gilberto heavily influenced the sound of the album, as he served as the group's mentor during the album's recording sessions.
Multishow ao Vivo: Ana Carolina - Dois Quartos is the second live album and fourth DVD by Brazilian singer Ana Carolina, released on May 6, 2008 through Sony BMG and Armazém.
Ben É Samba Bom is the second studio album by Brazilian singer-songwriter and guitarist Jorge Ben, first released in Brazil in 1964. It was reissued in the United States by Philips Records in 1967, under the title Big Ben Strikes Again.
Sacundin Ben Samba is the third album by Brazilian singer-songwriter and guitarist Jorge Ben, released in 1964.
Big Ben is the fourth album by Brazilian singer-songwriter and guitarist Jorge Ben. It was released in 1965 by Philips Records, his last for the label until Jorge Ben in 1969.
Bossa Nova: New Brazilian Jazz is an album by Argentine composer, pianist and conductor Lalo Schifrin recorded in 1962 and released on the Audio Fidelity label. The album was released during the height of the popularity of bossa nova music in the early 1960s and was one of Schifrin's earliest solo albums after leaving Dizzy Gillespie's band.
The Melody Lingers On is an album by trumpeter Dizzy Gillespie recorded in 1966 and released on the Limelight label.
O Bidú: Silêncio no Brooklin is the fifth studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was recorded with Brazilian rock band The Fevers as Ben's backing musicians and released in 1967 by Artistas Unidos, a small-market record label based in São Paulo.
Jorge Ben is the sixth studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was released in November 1969 by Philips Records. The album was his first recording for a major label since 1965 when his first stint with Philips ended due to creative differences.
A Cor do Som is a Brazilian musical group that spun off the backing band that supported Moraes Moreira following his departure from Novos Baianos. Originally this was the name of a side project of Novos Baianos itself which members lived together and experimented with music that blended elements of samba, rock, frevo, choro and baião. The name of the group was suggested by Caetano Veloso and inspired by a song by Moreira and Luis Galvão.
