Japanese literature about samurai has a long and rich history, and includes written works such as medieval war chronicles, waka poetry, and more.
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The Kojiki is Japan's oldest extant book. Compiled in 712 AD, it contains passages about Yamato Takeru, the son of the emperor Keiko. It includes references to the use and admiration of the sword by Japanese warriors:[ citation needed ]
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Yamato Takeru may be considered the rough ideal of the Japanese warrior to come.[ citation needed ] Most important, his portrayal in the Kojiki shows the ideal of harmonizing the literary with the martial may have been an early trait of Japanese civilization,[ citation needed ] appealing to the Japanese long before its introduction from Confucian China.[ citation needed ]
The Shoku Nihongi (797 AD) is an early history of Japan compiled in 797. A section of the book covering the year 723 is notable[ citation needed ] for an early[ citation needed ] use of the term "bushi" in Japanese[ citation needed ] literature and a reference to the educated warrior-poet ideal:to create a folktale
In the Kokin Wakashū (905) there is an early reference to "Saburau"[ citation needed ]—originally a verb meaning "to wait upon or accompany a person in the upper ranks of society." The term would come to mean "those who serve in close attendance to the nobility."[ citation needed ] From the mid-Heian Period these attendants were armed and served as guardians to the higher nobility.
By the end of the 12th century, samurai became synonymous with bushi almost entirely[ citation needed ] and the word was closely associated with the middle and upper echelons of the warrior class.
Written in 1371, The Heike Monogatari chronicles the struggle between the Minamoto and Taira clans for control of Japan at the end of the 12th century, a conflict known as the Genpei War. The Heike Monogatari is one of the longest and most beautifully composed of the genre called gunki monogatari, or war chronicles. Clearly depicted throughout the Heike Monogatari is the ideal of the cultivated warrior. This ideal is symbolized in the character 斌 or uruwashii, meaning a situation of balance and harmony between the exterior pattern, or beauty (文), and the interior essence, or substance (武). Men who possess this quality will be as accomplished in the world of the arts as in the world of martial skill and courage.
One such example is Taira no Tadanori:
The warriors in the Heike Monogatari served as models for the educated warriors of later generations, and the ideals depicted by them were not assumed to be beyond reach. Rather, these ideals were vigorously pursued in the upper echelons of warrior society and recommended as the proper form of the Japanese man of arms. With the Heike Monogatari, the image of the Japanese warrior in literature came to its full maturity. (Wilson, 1982)
In the year 1256, the Shogunal Deputy in Kyoto, Hōjō Shigetoki (1198-1261) wrote a letter to his son and house elders of his clan. The letter, now known as "The Message Of Master Gokurakuji", emphasized the importance of loyalty to one's master:
Written in kanamajiri style, "The Message Of Master Gokurakuji" is described as being "....basically concerned with man's moral duties and the ideal behavior for leaders of the warrior class. The predominant tone of the work is a Buddhist sympathy for all living beings and an awareness of the functions of karma. Women, children, and those of lower social standing are to be treated kindly and with regard, and even the concept of loyalty to superiors is dealt with more in a religious sense than a Confucian one."
The feudal lord Shiba Yoshimasa (1350 – 1410) wrote the Chikubashō , a set of precepts for the young men of the Shiba clan. Chikubashō translates literally as "The Bamboo Stilt Anthology". Shiba Yoshimasa was a warrior leader during the Namboku and Muromachi Periods, and was known as an administrator, general, and poet. The Chikubashō consists of one volume and was completed in 1383. William Scott Wilson, author of Ideals of the Samurai describes the Chikubasho as "A short list of precepts written in a classical Japanese style, the Chikubasho displays both the ethical morality of the warrior and the tasteful lifestyle of the aristocracy. Its tone is a combination of a manly Confucian approach reflecting honesty and fairness, and a Buddhist sympathy for others." [2] [3] [4] [5] [6]
In his writings, Shiba Yoshimasa dictated that a warrior should not hesitate to lay down his life for an important cause such as the defense of the emperor:
Imagawa Ryōshun was a leading general and strategist of his time. His writings are central to the development of bushidō[ citation needed ] and represent the "Way of the Warrior" at its maturity. Historian Carl Steenstrup describes Imagawa thusly: "He became one of the most influential literary critics of his time, a competent historian, and expert in the philosophy of government, and a prolific poet. In addition, he showed genuine talent for public administration, and gained military experience at an early age." Imagawa wrote prolifically despite being posted to military hotspots by the shōgun. His job was to suppress rebellion by rival samurai clans. Famed for his writings "Nan Taiheiki" and "Michiyukiburi", he penned "The Regulations" to his brother Tadaki in traditional kanbun script. Having taken Buddhist vows, Imagawa Ryoshun was greatly admired as having achieved the warrior ideal—striking a balance between the military and literary arts. According to Steenstrup, "The Letter soon became a historical force in its own right. First it became a textbook of ethics for the Imagawa clan, including its retainers. From the Imagawa, an appreciation of the text spread to other clans; as early as before the outbreak of the Ōnin War, 1467, the Letter appears to have been used as an Office Manual for warrior bureaucrats even outside the Imagawa domains. When the Tokugawa established their hegemony in 1600, the Letter was already in use as a primer. The staff of Ieyasu included the text in the collection of the most important 'house-laws' which they compiled, probably for use as reference material in the drafting of the fundamental laws of the Tokugawa system which were issued in 1615." Even after Japan's feudal era, they were a required study for traditional Japanese as a guide to proper moral behavior. Widely respected, "The Regulations" remained popular until World War II.
Near the beginning of the 16th century, the Samurai general Hōjō Nagauji (1432–1519) would write:
Hōjō concluded his list of precepts by stating: "To be a samurai is to be polite at all times".
Also known as Hōjō Soun, Lord Hōjō was greatly admired by other daimyōs as a good general and administrator. In addition to attracting more samurai to Odawara, he cut crop taxes from one-half to two-fifths of the harvest, and generally looked out for the welfare of his people.
Hōjō's Twenty-One Precepts were written some time after Hōjō Soun had become a priest, and reflect the fullness of his own experiences. The articles are basically rules for the daily life of the common warrior, and show his familiarity and sympathy for those in the lower echelons. The subject matter ranges from encouraging the study of poetry and horsemanship and the avoidance of games like chess and go, to advice on how to keep one's house in better order and well-protected. There is a strong tone of self-reliance throughout, reflecting Hōjō Soun's unsparingly meticulous character and his own rise to power.
The great Warlord Takeda Shingen (1521–1573) wrote in his house codes:
Some famous sengoku daimyōs used the word Bushidō[ citation needed ] in their writings. In a set of precepts addressed to "All samurai, regardless of rank" the feudal lord Katō Kiyomasa (1562–1611) orders his men to follow it:
Katō Kiyomasa was one of the most ferocious Samurai who ever lived. The son of a blacksmith, he joined Toyotomi Hideyoshi at age 18 and became legendary for his ferocity in combat, distinguishing himself at the battle of Shizugatake. A senior general, he was awarded lordship of Kumamoto castle in Higo at the age of 26.
Awarded a large fief of 250,000 koku in Higo province, Katō ruthlessly suppressed Christianity. A follower of Nichiren Buddhism, he soon came into conflict with the lord of a neighboring province, a Christian named Konishi Yukinaga. In 1592, Kato Kiyomasa led part of Hideyoshi's army in his campaigns in Korea—alongside his rival, the daimyō Konishi. He occupied the city of Seoul and later crossed the Tumen River into China. Historian Stephen Turnbull describes the horror and destruction of the Korean Invasions in several of his books as seen through the eyes of the Priest Keinen who accompanied the samurai during the campaign. [7] Keinen's diary "Korea Day by Day" was so controversial that it remained unpublished until 1965. Turnbull also described Kato Kiyomasa's motivation for attacking the Jurchens of Manchuria in 1592 was 'to show the savages the mettle of the Japanese'.
Kato stood poised to conquer all of Asia, but a Korean naval blockade prevented him from receiving reinforcements and provisions necessary to support his 150,000-man army.
In 1597, Kato again led Hideyoshi's forces in Korea. The second invasion did not proceed well for the Samurai, but Katō's reputation for valor only increased. Surrounded at Yolsan, the Samurai army held out against incredible odds. Konishi Yukinaga had run into fierce fighting and tried to negotiate a peace treaty with the Korean and Chinese forces surrounding him.
Katō was infuriated by the surrender attempt and upon his return to Japan, he ravaged the Konishi family's neighboring domain in retaliation. Konishi was mercilessly executed in the aftermath of Sekigahara and his domain was awarded to Kato, bringing his total fiefdom to 540,000 koku.
Known for hunting tigers for sport armed with only a spear, the Koreans greatly feared Kato Kiyomasa and called him "Kishokan"—"The Devil General". William Scott Wilson describes Katō Kiyomasa thus: "He was a military man first and last, outlawing even the recitation of poetry, putting the martial arts above all else. His precepts show the single-mindedness and Spartan attitudes of the man, (they) demonstrate emphatically that the warrior's first duty in the early 17th century was simply to "grasp the sword and die." Contemporary accounts of Katō describe him as "awe-inspiring, yet not unfriendly, and a natural leader of men".[ attribution needed ]
In the late 16th century, the feudal lord Nabeshima Naoshige (1538–1618) would write a set of wall inscriptions for his followers. Historians describe the wall inscriptions as "Everyday wisdom, rather than house laws proper" Lord Nabeshima's written works also include a mention of bushidō:[ citation needed ]
In 1584, Nabeshima Naoshige was the chief retainer for the Lord of Hizen until he was killed in battle by the forces of the powerful Shimazu Clan. After his lord's death, Nabeshima became the true leader of the fiefdom and fought against the Shimazu again in 1587. A Sengoku-period warlord, Nabeshima distinguished himself in battle by killing hundreds of men. He was later sent on Hideyoshi's Korean campaigns where he struck up a friendship with Kato Kiyomasa and upon his return to Hizen, Tokugawa Ieyasu.
At Sekigahara, Lord Nabeshima's son, Katsushige, was convinced to take sides against Tokugawa Ieyasu. Nabeshima wisely recalled him to attack Tokugawa's enemies in Kyūshū, thus saving the clan from disaster. Historians describe Nabeshima as "a survivor and a man of quick intelligence" who saved his domain from invasion several times. His actions and sayings are immortalized in the third chapter of the Hagakure by writer Yamamoto Tsunetomo, a close attendant of Nabeshima Naoshige's grandson, Mitsushige.
The Last Statement of Torii Mototada outlines the justification, written to his son, for his decision to remain behind at Fushimi Castle. His decision to remain, even though vastly outnumbered, articulates clearly the beliefs that encapsulates Bushidō philosophy. To serve, to be honourable, to be compassionate and in the end to die a glorious death in battle.
and
In 1622, the daimyōKuroda Nagamasa (1568–1623) would emphasize the balance of the arts of peace (Confucian learning and literature) with the arts of war, and encourages fairness and sympathy toward the other three classes of people in his writings:
Kuroda Nagamasa was the son of a Christian daimyō, Kuroda Josui, and was baptized Simeon in 1583. He was to become well known as a great strategist. While still young, Kuroda was put under the auspices of Oda Nobunaga and later served under Toyotomi Hideyoshi. In 1592 and again in 1597 he shared command of the vanguard invasion troops in Korea with Konishi Yukinaga and Katō Kiyomasa. Although he had helped Konishi out of some military tight spots in Korea and was—like Konishi—a Christian, Kuroda supported Tokugawa Ieyasu during the fighting at Sekigahara, and for his efforts was enfieffed at Chikuzen becoming Lord of Fukuoka Castle.
Both Kuroda Nagamasa and his father Josui were well known for their regard for the advice of others, and Nagamasa even set aside one night a month when he would sit with a number of his trusted retainers and allow all to talk freely with the mutual promise that none would become angry over what was said, or gossip about it later. These were called the "Meetings Without Anger". The Regulations given here were written a year before Kuroda's death to his eldest son, Tadayuki.
Unlike many other early writings, Miyamoto Musashi's Go Rin no Sho was written in Japanese, rather than the Chinese common in such works. It is also written in a simplistic, straightforward way which makes for somewhat clumsy literary work, [8] its innate clarity has allowed it to be readily accessible to readers across the ages and across cultures.
He wrote his final work "Dokkodō" (The Way of Walking Alone) in a cave called Reigandō before passing away at the age of 60 in 1645. Musashi's last request was to be buried in full armor and bearing his sword, guarding the Tōkaidō road to Edo (present day Tokyo).
In the 15th year of Genroku, the 47 rōnin of Akō cited Confucian edict as the reason for their famous vendetta. (As Translated by Algernon Bertram Freeman-Mitford (1837–1916), Lord Redesdale, British Ambassador to Japan in his book Tales of Old Japan .)
The 47 Rōnin were retainers of Lord Asano Takuminokami Naganori, daimyō of Akō Castle. A man 35 years of age, his family was a branch of the powerful Asano Clan. Strict followers of Confucianism, the Asano Clan was a proud and traditional family.
By the year 1700, Japan had been at peace for a hundred years, unified under the sword of Tokugawa Ieyasu. In the absence of warfare, society prospered and the samurai had become more like government bureaucrats. In the capital of Edo, they preoccupied themselves with literature, artwork and fine clothing. They had even begun to lose their fighting skills. The more traditional families like the Asano looked upon the city samurai with disdain.
To prevent warfare, the shogunate's law of sankin-kōtai (alternate attendance) required all daimyōs to spend every other year in the capitol of Edo as hostages. While in Edo, Lord Asano was chosen to host a very important Imperial envoy during the holidays. Because he was from the countryside he wasn't accustomed to the manners required for such a fancy ceremony. The Tokugawa shōgun's master of ceremonies, Lord Kira Kozukenosuke was appointed to teach Asano the required etiquette. Although it was his job to do so, Lord Kira demanded a bribe of Asano. Asano refused to pay the bribe, offering only a token gift. Kira refused to teach Asano the correct manners and so he made embarrassing mistakes during the ceremony. Lord Kira began taunting Asano's mistakes and so Lord Asano lashed out with his short sword, injuring Kira.
The drawing of a sword inside Edo castle was a capital offense and so Asano was ordered to commit seppuku. Asano's bodyguards rushed home with the bad news, covering more than 425 miles in five days.
Asano's men later learned that Kira had survived the attack. A member of a powerful family, Kira had surveillance placed on Lord Asano's followers.
The leaders of the Akō Domain met to discuss their options. "They discussed siege, capitulation, vengeance and self-immolation." The Bakufu (military government) ordered that Asano's han (domain) be forfeit to the shogunate. "Oishi Kuranosuke decided on capitulation, and about 50 or so agreed with him." The loss of reputation of their lord and the thought of life as rōnin was unbearable to the samurai of Ako. In a solemn and dramatic ceremony, the 322 retainers of Lord Asano secretly swore a blood oath to avenge their dead lord after the surveillance ended.
(note: in Japanese, the word "rōnin" means "wave man", a person destined to wander aimlessly forever, like the waves in the sea. The word came to mean a samurai who was no longer in the service of a lord for some reason or another. It was considered undesirable to be a rōnin, because it meant being without a stipend from a lord, measured in koku of rice, a koku being equal to a roughly 180 liters/150 kg, enough rice to feed a man for one year.)
The warriors of Ako disbursed as Rōnin with Kira's spies watching their every move. They lay in wait for years before attacking. Spies carefully noted the layout of Kira's house. One man married the daughter of the architect who designed Kira's manor, in order to obtain copies of the floorplans. Some of the men divorced their wives and sent them back to their parents. The rōnin endured incredible humiliation. Because they walked in disgrace, they could not enter the service of another lord. Many of the men would even refuse to consider serving Lord Asano's brother, Asano Daigaku, stating "The brother of my lord is not my lord." Some of the Rōnin worked at non-warrior occupations and some even pretended to be drunks. Samurai from other provinces would happen upon the men laying drunk in the streets and ridicule their inaction. The drunken and unruly behavior of the Akō rōnin fooled the spies into lowering their guard after two years.
On a dark and snowy December night (December 14, 1702), disguised as firemen, the 47 men attacked the fortress of Lord Kira. A member of a wealthy family, Kira was surrounded by an armed retinue of 60 samurai bodyguards.
Using a giant sledge, the rōnin stormed the front and back gates at the same time. Archers were posted on the roof tops to kill any escaping samurai. Because no one liked him, none of Kira's neighbors or his nearby family came to his aid.
(note: The 47 Rōnin are always depicted [9] wearing clothing with a zig-zag pattern on them meant to symbolize eternal fidelity, the faithfulness of night following day.)
Lord Kira was captured and members of his clan were put to the sword. Kira was presented with the same knife which Lord Asano used for his seppuku. Instead of killing himself, he knelt trembling and Oishi was forced to behead him. The Rōnin marched through the snow with Lord Kira's head in a firebucket. People along the path praised the men and offered them food.
"The forty-six retainers without Terasaka Kichiemon arrived at the Sengakuji Temple at 10 o'clock. They placed Kira Kozukenosuke's severed head on the tomb of Asano Takuminokami." Also placed on the tomb is the knife used by Lord Asano in his seppuku ritual. The same knife was used to kill lord Kira. The 46 men then prayed for the soul of Asano to rest in peace.
Gathering all of the money they had left, the Rōnin of Ako begged the Abbot of Sengaku-ji for a proper burial after death. Normally a stern and stoic man, it is said that he had tears in his eyes when he heard their final request. After a months long debate among legal scholars, the Rōnin of Ako were condemned to hara-kiri.
In the 1860s, Lord Redesdale lived in a house within sight of Sengaku-ji where the 47 Rōnin were buried. Impressed by the loyalty displayed by the rōnin, he toured Sengaku-ji and finding tattered and yellowed letters amongst the relics, he translated them for his book "Tales of Old Japan." Each of the rōnin carried letters spelling out their intentions in case they were captured or killed. Also translated were the receipt provided by the relatives of Lord Kira for the return of his severed head and the final statement placed by the men on Lord Asano's tomb before surrendering for court martial.
Each of the men were aware of the seriousness of their actions. Onodera Junai would state in a letter to his wife in Kyoto:
In John Allyn's book, "The 47 Ronin Story", the leader of the 47 Rōnin Oishi Kuranosuke is quoted as saying:
"Sengakuji Temple (Resting Place of the 47 Ronin)"
Examples of important Japanese literature related to samurai and bushido from the 13th to the 21st century:
Author | English Title | Japanese Title | Date |
---|---|---|---|
Hōjō Shigetoki | The Message of Master Gokurakuji | 1198–1261 | |
Ogasawara Sakuun | Shoke no Hyōjō | 1621 | |
Shiba Yoshimasa | The Chikubashō | 1350–1410 | |
Imagawa Sadayo | The Regulations of Imagawa Ryoshun | 1325–1420 | |
Asakura Toshikage | The Seventeen-Article Injunction of Asakura Toshikage | 1428–1481 | |
Hōjō Sōun | The Twenty-One Precepts Of Hōjō Sōun | 1432–1519 | |
Asakura Norikage | The Recorded Words Of Asakura Soteki | 1474–1555 | |
Takeda Shingen | The Iwamizudera Monogatari | 1521–1573 | |
Takeda Nobushige | Opinions In Ninety-Nine Articles | 1525–1561 | |
Torii Mototada | The Last Statement of Torii Mototada | 1539–1600 | |
Nabeshima Naoshige | Lord Nabeshima's Wall Inscriptions | 1538–1618 | |
Katō Kiyomasa | The Precepts of Kato Kiyomasa | 1562–1611 | |
Kōsaka Masanobu | Kōyō Gunkan | 甲陽軍鑑 | 1616 |
Kuroda Nagamasa | Notes On Regulations | 1568–1623 | |
Saitō Chikamori | Kashoki | 可笑記 | 1642 |
Miyamoto Musashi | The Book of Five Rings | 五輪書 | 1645 |
Hishikawa Moronobu | Kokon Bushido Ezukushi (Bushido Through The Ages) | 古今武士道絵つくし | 1685 |
Yamamoto Tsunetomo and Tsuramoto Tashiro | Hagakure | 葉隠 | 1716 |
Taira Shigesuke, Daidōji Yūzan | Bushido Shoshinshu | 武道初心集 | Before 1730 |
Takashi Araya | To those who Fight: Japan's Cause and Bushido | 戦う者たちへ (日本の大義と武士道) | 2015 |
Samurai or bushi were members of the warrior class in Japan. Originally provincial warriors who served the Kuge and imperial court in the late 12th century, they eventually came to play a major political role until their abolition in the late 1870s during the Meiji era.
Bushidō is a moral code concerning samurai attitudes, behavior and lifestyle, formalized in the Edo period (1603–1868). There are multiple types of bushido which evolved significantly through history. Contemporary forms of bushido are still used in the social and economic organization of Japan. Bushido is also used as an overarching term for all the codes, practices, philosophies and principles of samurai culture. It is loosely analogous to the European concept of chivalry, but there are major differences.
The revenge of the forty-seven rōnin, also known as the Akō incident or Akō vendetta, is a historical event in Japan in which a band of rōnin avenged the death of their former master on 31 January 1703. The incident has since become legendary. It is one of the three major adauchi vendetta incidents in Japan, alongside the Revenge of the Soga Brothers and the Igagoe vendetta.
Ishida Mitsunari was a Japanese samurai and military commander of the late Sengoku period of Japan. He is probably best remembered as the commander of the Western army in the Battle of Sekigahara following the Azuchi–Momoyama period of the 16th century. He is also known by his court title, Jibu-no-shō(治部少輔).
Karō were top-ranking samurai officials and advisors in service to the daimyōs of feudal Japan.
A hatamoto was a high ranking samurai in the direct service of the Tokugawa shogunate of feudal Japan. While all three of the shogunates in Japanese history had official retainers, in the two preceding ones, they were referred to as gokenin. However, in the Edo period, hatamoto were the upper vassals of the Tokugawa house, and the gokenin were the lower vassals. There was no precise difference between the two in terms of income level, but a hatamoto had the right to an audience with the shogun, whereas gokenin did not. The word hatamoto literally means "origin/base of the flag", with the sense of 'around the flag', it is described in Japanese as 'those who guard the flag' and is often translated into English as "bannerman". Another term for the Edo-era hatamoto was jikisan hatamoto (直参旗本), sometimes rendered as "direct shogunal hatamoto", which serves to illustrate the difference between them and the preceding generation of hatamoto who served various lords.
Katō Kiyomasa was a Japanese daimyō of the Azuchi–Momoyama and Edo periods. His court title was Higo-no-kami. His name as a child was Yashamaru, and first name was Toranosuke. He was one of Hideyoshi's Seven Spears of Shizugatake.
Imagawa Ujizane was a Japanese daimyō who lived in the Sengoku period through the early Edo period. He was the tenth head of the Imagawa clan and was a son of Imagawa Yoshimoto and the father of Imagawa Norimochi and Shinagawa Takahisa.
Torii Mototada was a Japanese Samurai and Daimyo of the Sengoku period through late Azuchi–Momoyama period, who served Tokugawa Ieyasu. Torii died at the siege of Fushimi where his garrison was greatly outnumbered and destroyed by the army of Ishida Mitsunari. Torii's refusal to surrender had a great impact on Japanese history; the fall of Fushimi bought Ieyasu some time to regroup his army and eventually win the Battle at Sekigahara.
Asano Naganori was the daimyō of the Akō Domain in Japan (1675–1701). His title was Takumi no Kami (内匠頭). He is known as the person who triggered a series of incidents retold in a story known as Chūshingura, one of the favourite themes of kabuki, jōruri, and Japanese books and films.
Ōishi Yoshio was the chamberlain (karō) of the Akō Domain in Harima Province, Japan. He is known as the leader of the Forty-seven Rōnin in their 1703 vendetta and thus the hero of the Chūshingura. He is often referred to by his pseudonym (kemyō), Ōishi Kuranosuke (大石内蔵助).
Junshi refers to the medieval Japanese act of vassals committing suicide for the death of their lord.
The 47 Ronin is a black-and-white two-part jidaigeki Japanese film directed by Kenji Mizoguchi, adapted from a play by Seika Mayama. The first part was released on December 1, 1941 with the second part being released on February 11 of the following year. The film depicts the legendary forty-seven Ronin and their plot to avenge the death of their lord, Asano Naganori, by killing Kira Yoshinaka, a shogunate official responsible for Asano being forced to commit seppuku.
Chūshingura is the title given to fictionalized accounts in Japanese literature, theater, and film that relate to the historical incident involving the forty-seven rōnin and their mission to avenge the death of their master, Asano Naganori. Including the early Kanadehon Chūshingura (仮名手本忠臣蔵), the story has been told in kabuki, bunraku, stage plays, films, novels, television shows and other media. With ten different television productions in the years 1997–2007 alone, Chūshingura ranks among the most familiar of all historical stories in Japan.
The Fall of Ako Castle is a 1978 Japanese historical martial arts period film directed by Kinji Fukasaku. It depicts the story of the forty-seven Ronin (Chūshingura). The film is one of a series of period films by Fukasaku starring Yorozuya Kinnosuke, including Shogun's Samurai. The film received one nomination for the Award of the Japanese Academy for best cinematography.
Daidōji Yūzan was a samurai and military strategist of Edo period Japan. He was born in Fushimi in Yamashiro Province. Among the works he wrote in his late years was the widely circulated Budō Shoshin-shū (武道初心集), an introduction to warrior ethics that was influential among middle- and lower-class samurai. It has been translated into English by Arthur Lindsay Sadler as The Code of the Samurai, William Scott Wilson as Budoshoshinshu: The Warrior's Primer and by Thomas Cleary.
Chūshingura: Hana no Maki, Yuki no Maki is a 1962 Japanese jidaigeki epic film directed by Hiroshi Inagaki, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Studios, it is based on the story of the forty-seven rōnin. The film stars Toshiro Mifune as Genba Tawaraboshi, along with Matsumoto Hakuō I, Yūzō Kayama, Tatsuya Mihashi, Akira Takarada, Yosuke Natsuki, Makoto Satō, and Tadao Takashima.
47 Ronin is a 2013 American historical fantasy action film directed by Carl Rinsch in his sole theatrical directorial effort. Written by Chris Morgan and Hossein Amini from a story conceived by Morgan and Walter Hamada, the film is a work of Chūshingura, a fictionalized account of the forty-seven rōnin, a real-life group of masterless samurai in 18th-century Japan who avenged the death of their daimyō Asano Naganori by battling his rival Kira Yoshinaka. Starring Keanu Reeves in the lead role along with Hiroyuki Sanada, Tadanobu Asano, Rinko Kikuchi and Ko Shibasaki, the film bears little resemblance to its historical basis compared to previous adaptations, and instead serves as a stylized interpretation set "in a world of witches and giants."
The history of Kumamoto Prefecture has been documented from paleolithic times to the present. Kumamoto Prefecture is the eastern half of Hinokuni, and corresponds to what was once called Higo Province. Exceptions are the parts of Kuma District, which had once been part of Sagara Domain, and Nagashima which was included in Kagoshima Prefecture.
47 Ronin is a 1994 Japanese film directed by Kon Ichikawa. The film is another version of the Chūshingura, the story of the revenge of the forty-seven rōnin of Ako against Lord Kira.