 | This article needs additional citations for verification .(November 2019) |
Sangita Makaranda is an ancient work on classical music written by Narada. This work is a rare collection of definitions, descriptions and comments on all the essential music by other ancient reputed authors from Bharata Muni to Sharangdeva. Its main feature is the treatment of Ragas; categorizing them as male, female and neuter. [1]
It also hints on the uniqueness of the raga-nomenclaturing. On close study of it, one learns of three distinct stages on the nomenclaturing of the Indian ragas.
A raga is a melodic framework for improvisation in Indian classical music akin to a melodic mode. Rāga is central to classical Indian music and a unique feature of the tradition: no equivalent concept exists in Western classical music. Each rāga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience.
A Thaat is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term Melakartha raga of Carnatic Music. The concept of the thaat is not exactly equivalent to the western musical scale because the primary function of a thaat is not as a tool for music composition, but rather as a basis for classification of ragas. There is not necessarily strict compliance between a raga and its parent thaat; a raga said to 'belong' to a certain thaat need not allow all the notes of the thaat, and might allow other notes. Thaats are generally accepted to be heptatonic by definition.
The Mahājanapadas were sixteen kingdoms or aristocratic republics that existed in ancient India from the sixth to fourth centuries BCE, during the second urbanisation period.
The Rishikas was an ancient Kingdom of Central Asia and South Asia, who are mentioned in Hindu and Sanskrit literary texts, including the Mahabharata, the Ramayana, the Brhat-Samhita, the Markendeya Purana and Patanjali's Mahabhashya.
Arta was the elder brother of the well known Gandhara ruler Maues or Moga.
The Chinas are a people mentioned in ancient Indian literature, such as the Mahabharata, Manusmriti, and the Puranic literature.
The Panchala kingdom was one of the historical Mahajanapadas of ancient India. It was annexed into the Nanda Empire during the reign of Mahapadma Nanda. Ahichchhatra was capital of northern Panchala and Kampilya was capital of southern Panchala.
Shivi is mentioned as a kingdom and as the name of a king in the ancient Indian epic Mahabharata. There was a king named Shivi who became famous as Shivi or the kingdom itself may be named after him. Shivi king was famous for his truthfulness. The legend about his truthfulness and compassion goes as follows: King Shivi protected a dove who was chased by a hawk, and gave flesh from his thigh, as a substitute meal to the hawk.
The kingdom of Tushara, according to ancient Indian literature, such as the epic Mahabharata, was a land located beyond north-west India. In the Mahabharata, its inhabitants, known as the Tusharas, are depicted as mlechchas ("barbarians") and fierce warriors.
Sakas are described in Sanskrit sources as a Mleccha tribe grouped along with the Yavanas, Tusharas and Barbaras. There were a group of Sakas called Apa Sakas meaning water dwelling Sakas, probably living around some lake in central Asian steppes. Sakas took part in Kurukshetra War.
Kirata Kingdom in Sanskrit literature and Hindu mythology refers to any kingdom of the Kirati people, who were dwellers mostly in the Himalayas. They took part in the Kurukshetra War along with Parvatas (mountaineers) and other Himalayan tribes.
Parvata Kingdom refers to the territory of a tribe known as Parvatas (Mountaineers), mentioned in the epic Mahabharata. Most of the descriptions of Parvata kingdom in the epic refer to a mountainous country in the Himalayas. Tribes belonging to other mountainous regions in the north west, west and the east of the Indo-Gangetic Plain were also known as Parvatas, when used as a collective name. Parvatas took part in the Kurukshetra War. The epic also mentions a sage named Parvata who was a companion of sage Narada.
Kambhoji or Kambodhi is a popular Raga in Carnatic Music. It is classified as a derived raga from 28th Melakartha, Harikambhoji, and has existed since the 7th century.
Svara is a word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or saptaka. More comprehensively, it is the ancient Indian concept about the complete dimension of musical pitch. Most of the time a svara is identified as both musical note and tone, but a tone is a precise substitute for sur, related to tunefulness. Traditionally, Indians have just seven svaras/notes with short names, e.g. saa, re/ri, ga, ma, pa, dha, ni which Indian musicians collectively designate as saptak or saptaka. It is one of the reasons why svara is considered a symbolic expression for the number seven.
The Pahlavas are a people mentioned in ancient Indian texts like the Manu Smriti, various Puranas, the Ramayana, the Mahabharata, and the Brihat Samhita. According to P. Carnegy, In the 4th century BCE, Vartika of Katyayana mentions the Sakah-Parthavah demonstrating an awareness of these Saka-Parthians, probably by way of commerce.
The Bahlikas were the inhabitants of Bahlika, mentioned in Atharvaveda, Mahabharata, Ramayana, Puranas, Vartikka of Katyayana, Brhatsamhita, Amarkosha etc. and in the ancient Inscriptions. The other variations of Bahlika are Bahli, Balhika, Vahlika, Valhika, Bahlava, Bahlam/Bahlim, Bahlayana and Bahluva.
Central Asia and Ancient India have long traditions of social-cultural, religious, political and economic contact since remote antiquity. The two regions have common and contiguous borders, climatic continuity, similar geographical features and geo-cultural affinity. For millennia, there has been a flow of people, material and ideas between the two.
Odissi music is a genre of classical music in India, originated from the eastern state of Odisha. The traditional ritual music for the service of Lord Jagannatha, Odissi music has a history spanning over two thousand years, authentic sangita-shastras or treatises, unique Ragas & Talas and a distinctive style of rendition.
The Kingdom of Kapisa was a state located in what is now Afghanistan during the late 1st millennium CE. Its capital was the city of Kapisa. The kingdom stretched from the Hindu Kush in the north to Bamiyan and Kandahar in the south and west, out as far as the modern Jalalabad District in the east.
The Janapadas were the realms, republics (ganapada) and kingdoms (sāmarājya) of the Vedic period in the Indian subcontinent. The Vedic period reaches from the late Bronze Age into the Iron Age: from about 1500 BCE to the 6th century BCE. With the rise of sixteen Mahajanapadas, most of the states were annexed by more powerful neighbours, although some remained independent.