Sarah Ortegon HighWalking | |
---|---|
Born | Sarah Ortegon |
Nationality | Eastern Shoshone Tribe of the Wind River Reservation, American |
Alma mater | Metropolitan State University, BFA [1] |
Style | jingle dress dance, beadwork, painting, photography, mixed media, |
Awards | Miss Native American USA (2013) [1] |
Website | sarahortegon |
Sarah Ortegon HighWalking is a Native American visual artist, dancer, and actor. [1] She is an enrolled citizen of the Eastern Shoshone Tribe of the Wind River Reservation and a Northern Arapaho descendant. [2] [3]
Her work has been presented at the Denver Art Museum, and she danced at the opening of Jeffrey Gibson's installation at the 60th Venice Biennale, in which she was also the subject of video art by Gibson. [4] [5]
Ortegon Highwalking was born in Denver, one of 12 children. As a child, she spent summers on the Wind River Reservation in Wyoming. [6] She began attending powwows at age three, and learned jingle dress dance through observation. [4]
Ortegon graduated from Metropolitan State University of Denver in 2013 with a bachelor’s degree in fine art. [4] [7] After graduating from university, she attended the National Outdoor Leadership School which enabled her to travel to Alaska. There she hiked, for several months off-trail in the Chugack Mountains and also sea kayaked. She later became an expedition leader for the school. [4]
As of November 2023, Ortegon HighWalking works as Assistant Director of Human Resources at the Denver-based Native American Rights Fund. [4] [8]
She primarily creates beadwork on hide and painted in acrylic. She performed at the opening of Jeffrey Gibson's exhibition at the Venice Biennale. Her work has been exhibited at the National Museum of Women in the Arts and the Denver Art Museum, among other venues. [6] [9] According to the Denver Art Museum, her work "embraces the resilience of Indigenous people and acknowledges the ways in which they exist in the modern world." [2]
Ortegon HighWalking began making art in elementary school, and learned beadwork around age nine or ten from her mother. When Ortegon HighWalking first began making art as an adult, she used a mixture of graphite and turpentine, using a pencil to create her works. She later switched to traditional paints, as her early works had a tendency to fade due to the medium. She also adds beadwork to some of her paintings, creating a three-dimensional effect. The landscape of Wyoming is a long-term influence in her works. [4]
One of Ortegon HighWalking’s early projects focused on creating paired paintings, one of which would depict a Native American woman and the other of which depicted where the subject lived. [4]
She painted a mural in Denver’s River North Art District depicting Mount Blue Sky (at the time Mount Evans), with "Evans" crossed out and replaced with "Blue Sky". [10]
Ortegon HighWalking performs in a jingle dress, an experience she says "feels like there’s an inner spirit that is dancing with the regalia". The jingle dress traditions originated with the Anishinaabe people; she learned this type of dancing from other dancers at powwows since she was a child. She has also performed the jingle dance at Lincoln Center in New York City and most recently at the Venice Biennale. [4]
As an actor she had roles in the television series 1883 and Jamestown , and has performed in the play Black Elk Speaks. [4]
In 2013, Ortegon HighWalking was named Miss Native American USA. [1] [4] Following this, she began a career in acting. This allowed her to engage in a cultural exchange with Guatemala and Moldova, where she danced. [2] [4]
In 2024, the National Museum of Women in the Arts announced her as a "Wyoming Woman Artist to Watch", and she was selected as a "Global Woman to Watch." [4]
Ortegon HighWalking's beadwork on hide, Home Is Where the Heart Is, is held in the permanent collection of the Denver Art Museum. [2]
Ortegon HighWalking was chosen as the Wyoming representative for the National Museum of Women in the Arts(NMWA)'s 2024 Women to Watch exhibit. [11] She contributed a beaded cradleboard which she had made for her son, a video of her dancing jingle dress dance, and four paintings of her jingle dresses, each representing one of the seasons. [4] [12]
A video of Ortegon HighWalking dancing jingle dress was included in Jeffrey Gibson's exhibit "the space in which to place me" at the United States pavilion at the 2024 Venice Biennale. [5]
In July 2024, Ortegon HighWalking was included in the exhibition Elemental Landscapes at History Jackson Hole in Jackson Hole, Wyoming. [13]
She is married to Jason HighWalking. Their son, Aenohe, was born in 2023. [4]
Jana Sterbak is a multidisciplinary artist of Czech origin.
Emmi Whitehorse is a Native American painter and printmaker. She was born in Crownpoint, New Mexico and is a member of the Navajo Nation. She lives in Santa Fe, New Mexico.
Sarah Sze is an American artist and professor of visual arts at Columbia University. Sze's work explores the role of technology, information, and memory with objects in contemporary life utilizing everyday materials. Her work often represents objects caught in suspension. Drawing from Modernist traditions, Sze confronts the relationship between low-value mass-produced objects in high-value institutions, creating the sense that everyday life objects can be art. She has exhibited internationally and her works are in the collections of several major museums.
Jingle dress is a First Nations and Native American women's pow wow regalia and dance. North Central College associate professor Matthew Krystal notes, in his book, Indigenous Dance and Dancing Indian: Contested Representation in the Global Era, that "Whereas men's styles offer Grass Dance as a healing themed dance, women may select Jingle Dress Dance." The regalia worn for the dance is a jingle dress, which includes ornamentation with multiple rows of metal, such as cones, that create a jingling sound as the dancer moves.
Christi Marlene Belcourt is a Canadian visual artist and author. She is best known for her acrylic paintings which depict floral patterns inspired by Métis and First Nations historical beadwork art. Belcourt's work often focuses on questions around identity, culture, place and divisions within communities.
The Kiowa Six, previously known as the Kiowa Five, is a group of six Kiowa artists from Oklahoma in the early 20th century, working in the "Kiowa style". The artists were Spencer Asah, James Auchiah, Jack Hokeah, Stephen Mopope, Monroe Tsatoke and Lois Smoky.
Juanita Growing Thunder Fogarty is a Native American, Assiniboine Sioux bead worker and porcupine quill worker. She creates traditional Northern Plains regalia.
Teri Greeves is a Native American beadwork artist, living in Santa Fe, New Mexico. She is enrolled in the Kiowa Indian Tribe of Oklahoma.
Jeffrey A. Gibson is an American Mississippi Choctaw/Cherokee painter and sculptor. He has lived and worked in Brooklyn, New York; Hudson, New York; and Germantown, New York.
Ardina Moore was a Quapaw/Osage Native American from Miami, Oklahoma. A Quapaw language speaker, she taught the language to some tribal members.
Emily Waheneka (1919-2008) was a Native American artist, of Warm Springs, Wasco and Paiute tribal heritage.
Jamie Okuma is a Native American visual artist and fashion designer from California. She is known for beadwork, mixed-media soft sculpture, and fashion design. She is Luiseño, Wailaki, Okinawan, and Shoshone-Bannock. She is also an enrolled member of the La Jolla band of Indians in Southern California where she is currently living and working.
Judy Anderson is a Nêhiyaw Cree artist from the Gordon First Nation in Saskatchewan, Canada, which is a Treaty 4 territory. Anderson is currently an Associate Professor of Canadian Indigenous Studio Art in the Department of Arts at the University of Calgary. Her artwork focuses on issues of spirituality, colonialism, family, and Indigeneity and she uses in her practice hand-made paper, beadwork, painting, and does collaborative projects, such as the ongoing collaboration with her son Cruz, where the pair combine traditional Indigenous methodologies and graffiti. Anderson has also been researching traditional European methods and materials of painting.
Bethany Yellowtail is a Native American fashion designer based in Los Angeles, California. Known for her work that reflects her Indigenous heritage, she is an enrolled member of the Northern Cheyenne Tribe and a descendant of the Crow Tribe of Montana. She serves as designer and CEO for her line B.Yellowtail.
Joyce Growing Thunder Fogarty, is a Native American artist. She is of the Assiniboine Sioux, Dakota people, and is known for her beadwork and quillwork. She creates traditional Northern Plains regalia. The Smithsonian named her as "one of the West's most highly regarded beadworkers".
TahneeAhtoneharjo-Growingthunder, is a Kiowa beadwork artist, regalia maker, curator, and museum professional of Muscogee and Seminole descent, from Mountain View, Oklahoma.
The REDress Project by Jaime Black is a public art installation that was created in response to the missing and murdered Indigenous women (MMIW) epidemic in Canada and the United States. The on-going project began in 2010 and commemorates missing and murdered indigenous women from the First Nations, Inuit, Métis (FNIM), and Native American communities by hanging empty red dresses in a range of environments. The project has also inspired other artists to use red to draw attention to the issue of MMIW, and prompted the creation of Red Dress Day.
Delina White is a contemporary Native American artist specializing in indigenous, gender-fluid clothing for the LGBTQ and Two-Spirit Native communities. She is also an activist for issues such as environmental crisis, violence against women, and sex trafficking.
Brenda J. Child is an Ojibwe historian and author.
Kathleen Ash-Milby is a Navajo art historian and curator—currently Curator of Native American Art at the Portland Art Museum. She previously worked at the National Museum of the American Indian's George Gustav Heye Center for two decades.