Sarnath capital (3rd-1st century BCE) | |
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![]() ![]() The Sarnath capital front (actual view) and back (reconstructed from available photographs). | |
Material | Stone |
Created | 3rd-1st century BCE |
Present location | Sarnath Museum, India |
The Sarnath capital is a pillar capital, sometimes also described as a "stone bracket", discovered in the archaeological excavations at the ancient Buddhist site of Sarnath in 1905. [1] The pillar displays Ionic volutes and palmettes. [2] [3] It used to be dated to the 3rd century BCE, during the Mauryan Empire period, [4] [1] but is now dated to the 1st century BCE, during the Sunga Empire period. [2]
One of the faces shows a galloping horse carrying a rider, while the other face shows an elephant and its mahaut. [2]
The capital is suggestive of the Hellenistic Ionic order, and is often discussed in conjunction with the Pataliputra capital. [5] [6] The two capitals have also been described as "quasi-Ionic", and compared for example to the anta capitals of the Temple of Apollo in Didyma. [7]
The capital is now located in the Sarnath Museum. [2]
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan, and the rich variant of Corinthian called the composite order, both added by 16th-century Italian architectural writers, based on Roman practice. Of the three classical canonic orders, the Ionic order has the narrowest columns.
Chandragupta Maurya was the founder of the Maurya Empire in ancient India. He was born in a humble family, was picked up, taught and counselled by Chanakya – a Hindu Brahmin also known as Kautilya and the author of the Arthashastra. Chandragupta with his counsellor Chanakya thereafter together built one of the largest empires ever on the Indian subcontinent. According to Jain sources, he then renounced it all, became a monk in the Jain tradition. His grandson was emperor Ashoka, famous for his historic pillars and for his role in helping spread Buddhism outside of ancient India. Chandragupta's life and accomplishments are described in ancient Greek, Hindu, Buddhist and Jain texts, but they vary significantly. In Greek and Latin accounts, Chandragupta is referred to as Sandrokottos or Androcottus.
Sanchi Stupa is a Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town in Raisen District of the State of Madhya Pradesh, India. It is located in 46 kilometres (29 mi) north-east of Bhopal, capital of Madhya Pradesh.
In architecture the capital or chapiter forms the topmost member of a column. It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves.
The Maurya Empire was a geographically extensive Iron Age historical power based in Magadha and founded by Chandragupta Maurya which dominated the Indian subcontinent between 322 and 185 BCE. Comprising the majority of South Asia, the Maurya Empire was centralized by the conquest of the Indo-Gangetic Plain, and its capital city was located at Pataliputra. The empire was the largest political entity that has existed in the Indian subcontinent, extending over 5 million square kilometres at its zenith under Ashoka.
Vihara(Pali:විහාර) generally refers to a monastery for Buddhist renunciates. The concept is ancient and in early Pali and Sanskrit texts, it meant any arrangement of space or facilities for pleasure and entertainment. The term evolved into an architectural concept wherein it refers to living quarters for monks with an open shared space or courtyard, particularly in Buddhism. The term is also found in Ajivika, Hindu and Jain monastic literature, usually referring to temporary refuge for wandering monks or nuns during the annual Indian monsoons. In modern Jainism, the monks continue to wander from town to town except during the rainy season (Chaturmas), the term "vihara" refers their wanderings.
The pillars of Ashoka are a series of columns dispersed throughout the Indian subcontinent, erected or at least inscribed with edicts by the Mauryan Emperor Ashoka during his reign from c. 268 to 232 BC. Ashoka used the expression Dhaṃma thaṃbhā, i.e. "pillars of the Dharma" to describe his own pillars. These pillars constitute important monuments of the architecture of India, most of them exhibiting the characteristic Mauryan polish. Of the pillars erected by Ashoka, twenty still survive including those with inscriptions of his edicts. Only a few with animal capitals survive of which seven complete specimens are known. Two pillars were relocated by Firuz Shah Tughlaq to Delhi. Several pillars were relocated later by Mughal Empire rulers, the animal capitals being removed. Averaging between 12 and 15 m in height, and weighing up to 50 tons each, the pillars were dragged, sometimes hundreds of miles, to where they were erected.
The Northern Black Polished Ware culture is an urban Iron Age Indian culture of the Indian Subcontinent, lasting c. 700–200 BCE, succeeding the Painted Grey Ware culture and Black and red ware culture. It developed beginning around 700 BC, in the late Vedic period, and peaked from c. 500–300 BC, coinciding with the emergence of 16 great states or mahajanapadas in Northern India, and the subsequent rise of the Mauryan Empire.
Indo-Corinthian capitals are capitals crowning columns or pilasters, which can be found in the northwestern Indian subcontinent, and usually combine Hellenistic and Indian elements. These capitals are typically dated to the first centuries of the Common Era, and constitute an important aspect of Greco-Buddhist art. However, earlier Indian types reflecting Ionic influence are known from the 3rd century BCE, particularly with the Pataliputra capital.
Partly because the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, the great majority of survivals of older Indian art, from before the last few centuries, are sculpture in stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a few survivals. The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread.
Mauryan art is the art, mostly sculpture, produced during the period of the Mauryan Empire, which was the first empire to rule, at least in theory, over most of the Indian subcontinent, between 322 and 185 BCE. It represented an important transition in Indian art from use of wood to stone. It was a royal art patronized by Mauryan kings especially Ashoka. Pillars, Stupas, caves are the most prominent survivals.
The Lion Capital of Ashoka is a sculpture of four Asiatic lions standing back to back, on an elaborate base that includes other animals. A graphic representation of it was adopted as the official Emblem of India in 1950. It was originally placed on the top of the Ashoka pillar at the important Buddhist site of Sarnath by the Emperor Ashoka, in about 250 BCE. The pillar, sometimes called the Aśoka Column, is still in its original location, but the Lion Capital is now in the Sarnath Museum, in the state of Uttar Pradesh, India. Standing 2.15 metres high including the base, it is more elaborate than the other very similar surviving capitals of the pillars of Ashoka bearing the Edicts of Ashoka that were placed throughout India several of which feature single animals at the top; one other damaged group of four lions survives, at Sanchi.
The Achaemenid conquest of the Indus Valley refers to the Achaemenid military conquest and occupation of the territories of the North-western regions of the Indian subcontinent, from the 6th to 4th centuries BC. The conquest of the areas as far as the Indus river is often dated to the time of Cyrus the Great, in the period between 550-539 BCE. The first secure epigraphic evidence, given by the Behistun Inscription, gives a date before or about 518 BCE. Achaemenid penetration into the area of the Indian subcontinent occurred in stages, starting from northern parts of the River Indus and moving southward. These areas of the Indus valley became formal Achaemenid satrapies as mentioned in several Achaemenid inscriptions. The Achaemenid occupation of the Indus Valley ended with the Indian campaign of Alexander the Great circa 323 BCE. The Achaemenid occupation, although less successful than that of the later Greeks, Sakas or Kushans, had the effect of acquainting India to the outer world.
The Pataliputra capital is a monumental rectangular capital with volutes and Classical Greek designs, that was discovered in the palace ruins of the ancient Mauryan Empire capital city of Pataliputra. It is dated to the 3rd century BCE.
Jandial near the city of Taxila in Pakistan is the site of an ancient temple well known for its Ionic columns. The temple is located 630 meters north of the northern gate of Sirkap. The Temple was excavated in 1912–1913 by the Archaeological Survey of India under John Marshall. It has been called the most Hellenic structure yet found on Pakistani soil.
An anta capital is the crowning portion of an anta, the front edge of a supporting wall in Greek temple architecture. The anta is generally crowned by a stone block designed to spread the load from superstructure (entablature) it supports, called an "anta capitals" when it is structural, or sometimes "pilaster capital" if it is only decorative as often during the Roman period.
Hellenistic influence on Indian art reflects the artistic influence of the Greeks on Indian art following the conquests of Alexander the Great, from the end of the 4th century BCE to the first centuries of our era. The Greeks in effect maintained a political presence at the doorstep, and sometimes within India, down to the 1st century CE with the Greco-Bactrian Kingdom and the Indo-Greek Kingdoms, with many noticeable influences on the arts of the Maurya Empire especially. Hellenistic influence on Indian art was also felt for several more centuries during the period of Greco-Buddhist art.
Mauryan polish describes one of the frequent characteristics of architecture and sculptures of the Maurya Empire in India, which gives a very smooth and shiny surface to the stone material, generally of sandstone or granite. Mauryan polish is found especially in the Ashoka Pillars as well as in some constructions like the Barabar Caves. The technique did not end with the empire, but continued to be "used on occasion up to the first or second century A.D.", although the presence of the polish sometimes complicates dating, as with the Didarganj Yakshi. According to the archaeologist John Marshall: the "extraordinary precision and accuracy which characterizes all Mauryan works, and which has never, we venture to say, been surpassed even by the finest workmanship on Athenian buildings".
The Masarh lion is a stone sculpture found at Masarh, a town in the Bhojpur district in the Indian state of Bihar. This sculpture is generally dated to the 3rd century B.C.
Ancient Indian architecture is the architecture of the Indian subcontinent from the Indian Bronze Age to around 800 CE. By this endpoint Buddhism in India had greatly declined, and Hinduism was predominant, and religious and secular building styles had taken on forms, with great regional variation, which they largely retained until and beyond the great changes brought about by the arrival of first Islam, and then Europeans.