Satta Massagana | ||||
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Studio album by | ||||
Released | Original: 1976 Reissues: 1977, 1993, 2007 | |||
Recorded | 1975–76 | |||
Studio | Harry J. Studio & Joe Gibbs Studio, Kingston, Jamaica | |||
Genre | Reggae | |||
Length | 33:58 | |||
Label | Jam Sounds, Heartbeat | |||
Producer | The Abyssinians | |||
The Abyssinians chronology | ||||
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Alternative covers | ||||
Alternative cover | ||||
Review scores | |
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Source | Rating |
Allmusic | [1] |
The Encyclopedia of Popular Music | [2] |
Satta Massagana is a roots reggae album released by The Abyssinians officially in 1976. It is widely considered The Abyssinians' crowning achievement and a classic roots reggae album.
The title track "Satta Massagana" was a huge hit and has been covered numerous times by both The Abyssinians and other artists since. It has even been adopted by some Rastafarian groups as a hymn used during services. The song,which translates from the Amharic language "አመሰገነ" as "He Gave Praise", [3] was originally recorded for Studio One in 1969,but the label's owner,Clement "Coxsone" Dodd declined to release it. [4]
The Abyssinians debut album has had a very complex release history. [5] The first unofficial editions,very limited in quantity,were released by Clive Hunt in 1975. The first official release occurred in Jamaica in 1976 on Pentrate Label,issued by Clive Hunt and Geoffrey Chung,and shortly after in the United States on Jam Sounds.
The following years,1977 and 1978,saw the album released by three labels under the title Forward On To Zion. The album was released in the United Kingdom on the UK Klik Chart Sounds and Different labels,as well as on Bernard Collins' own Clinch label. Similarly,Clive Hunt's US-based Azul label released the album under the title Satta. A note on track-listings:the Klik &Different releases reverted to the original track listing of the limited pre-release editions which placed the title track as the final track,furthermore,the Azul edition renamed some tracks and did not include "African Race". [6]
The album would see numerous re-releases over the next decade,including in 1988 by Clinch and in 1989 by the Blue Moon label.
In 1993 the album was released on compact disc for the first time by Heartbeat Records. This edition included four previously unreleased bonus tracks. [4] And once again in 2007 as a deluxe edition which included four additional bonus tracks.
The title track off the album 'Satta Massagana' was covered by Ethiopian dub outfit Dub Colossus in 2011 and released on Real World Records.
The title phrase is name-checked by Joe Strummer near the outset of the 1979 song 'Jimmy Jazz' by The Clash ("Satta Massagana for Jimmy Dread"...).
The Abyssinians are a Jamaican roots reggae group,famous for their close harmonies and promotion of the Rastafari movement in their lyrics.
Third World is a Jamaican reggae fusion band formed in 1973. Their sound is influenced by soul,funk and disco. Although it has undergone several line-up changes,Stephen "Cat" Coore and Richard Daley have been constant members.
Mystic Man is the fourth studio album by Peter Tosh. All songs were composed by Peter Tosh. It was released in 1979 by Rolling Stones Records,EMI,and Intel Diplo.
King Tubbys Meets Rockers Uptown is a dub studio album by Augustus Pablo and King Tubby,released in 1976. It features Carlton Barrett on drums,Robbie Shakespeare and Aston Barrett on bass guitar,and Earl "Chinna" Smith on guitar. Pablo produced the album and played melodica,piano,organ and clavinet. The album was recorded at Randy's in Kingston,Jamaica. A distinctly different mix of the title song with vocals and dub,titled "Baby I Love You So",can be found on the Jacob Miller and Augustus Pablo 1975 album,Who Say Jah No Dread.
Heartbeat Records is an independent record label based in Burlington,Massachusetts. The label specializes in Jamaican music.
Blood and Fire is a British reggae record label specialising in reissues of 1970s dub.
Clive Hunt is a Jamaican reggae multi-instrumentist,arranger,composer and producer.
Leroy Sibbles is a Jamaican reggae musician and producer. He was the lead singer for The Heptones in the 1960s and 1970s.
Carlton and the Shoes are a Jamaican vocal group who had their greatest success in the late 1960s,as rocksteady gradually became reggae and are still active in 2008,most notably in Japan and Jamaica. The group had several Studio One recorded hits in Jamaica,most notably "Love me Forever" in 1968.
Earl "Chinna" Smith,a.k.a. Earl Flute and Melchezidek the High Priest,is a Jamaican guitarist active since the late 1960s. He is most well known for his work with the Soul Syndicate band and as guitarist for Bob Marley &the Wailers,among others,and has recorded with many reggae artists,appearing on more than 500 albums.
Basque Dub Foundation,more often known as B D F,started in the early 1990s as studio project by Iñaki Yarritu,a London-based reggae musician originally from the Basque Country. Iñaki moved into music production in the late 1980s,having been previously involved in Reggae since the late 1970s as a radio DJ,journalist and promoter. In their early days BDF toured as a sound system,supporting Mad Professor in the first dub sessions to take place in Spain.
Forward is The Abyssinians' third album,released in 1982.
The soundtrack to the film Rockers was released in 1979.
Huford Brown,better known by the stage name U Brown,is a reggae deejay who released eleven albums between 1976 and 1984.
Neville Beckford,better known as Jah Woosh,was a Jamaican reggae deejay and record producer,primarily known for his work in the 1970s.
Jarret Lloyd Vincent,better known by one of his stage aliases Bim Sherman,was a Jamaican musician and singer-songwriter.
Pick a Dub is a 1974 album by Jamaican producer and musician Keith Hudson. Critically well received,it is widely regarded as an important work in the dub music genre which evolved out of reggae. Featuring remixes of earlier material,it focuses on heavy drums and bass guitar,with echoing vocals to underscore the intense percussive rhythm. Carlton and Aston Barrett and Augustus Pablo contributed music,while vocal fragments include Hudson,Horace Andy and Big Youth. The album was originally released under the labels of Klik and Atra,with a 1994 reissue by Blood and Fire.
Foul Play is a 1981 album by reggae singer Dennis Brown,the first of three albums to be released as part of his international record deal with A&M. The album features two tracks which have been described as "two of the greatest roots cuts in major label history",in "The Existence of Jah" and "The World is Troubled". The album was reissued on the Joe Gibbs label as a double-set with its follow-up,Love Has Found Its Way,and with both of the other A&M albums on the double-CD set The Complete A&M Years. The album mixed roots reggae tracks and sociopolitical themes with love songs such as "If I Had The World","Your Man",and a new version of one of his early hits,"If I Follow My Heart". Klive Walker,in his book Dubwise:Reasoning from the Reggae Underground suggested that the lyric of "If I Had the World" suggests that Brown was already using cocaine at the time that the album was recorded.
King David's Melody is a reggae compilation album by Augustus Pablo,originally released in 1983 on his Rockers record label.
Revelation Time is an album by Max Romeo,released in 1975. It was re-released by United Artists Records in 1978 as Open the Iron Gate.