"Save It for a Rainy Day" | ||||
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Single by Stephen Bishop | ||||
from the album Careless | ||||
B-side | "Careless" | |||
Released | December 1976 | |||
Recorded | 1976 | |||
Genre | Soft rock | |||
Length | 3:10 | |||
Label | ABC Records | |||
Songwriter(s) | Stephen Bishop | |||
Producer(s) | Henry Lewy, Stephen Bishop | |||
Stephen Bishop singles chronology | ||||
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"Save It for a Rainy Day" is a song by American singer/songwriter Stephen Bishop. The song was the first of two hit singles from his debut album, Careless . It features a guitar solo by Eric Clapton and Chaka Khan on backing vocals toward the close of the song.
"Save It for a Rainy Day" peaked at number 22 on the U.S. Billboard Hot 100 [1] and number 21 on the Cash Box Top 100. In Canada, the song peaked at number 20. [2]
The song was a bigger Adult Contemporary hit, peaking at number six in the U.S. [3] and number eight in Canada. [4]
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song - written and produced by regular Gaye/Terrell collaborators Ashford & Simpson - became a hit within weeks of release eventually peaking at number 8 on the Billboard Hot 100 and number 1 on the Hot Soul Singles chart, the first of the duo's two number 1 R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"I'm Easy" is an Academy Award-winning song written and performed by Keith Carradine for the 1975 movie Nashville. Carradine recorded a slightly faster version that became a popular music hit in 1976 in the United States.
"Laughter in the Rain" is a song composed and recorded by Neil Sedaka, with lyrics by Phil Cody. It includes a 20-second saxophone solo by Jim Horn.
"Bad Blood" is a popular song written by Neil Sedaka and Phil Cody. The song, with uncredited backing vocals by Elton John, reached number one on the Billboard Hot 100 in 1975, remaining at the top position for three weeks. It was certified Gold by the RIAA and was the most successful individual commercial release in Sedaka's career. "Bad Blood" was replaced at the number one spot by John's single "Island Girl".
"Baby, What a Big Surprise" is a ballad written by Chicago's then bassist/singer Peter Cetera, which appeared on their album Chicago XI (1977), with Cetera singing lead vocals. The first single released from the album reached number 4 on the US Billboard Hot 100 chart.
"More Love" is a 1967 hit single recorded by the American soul group The Miracles for Motown Records' Tamla label. The single, included on the group's 1967 album Make It Happen, later reissued in 1970 as The Tears of a Clown. Kim Carnes's 1980 cover of the song reached the Top 10 of Billboard's Adult Contemporary and Hot 100 charts.
"This Masquerade" is a song written by American singer and musician Leon Russell. It was originally recorded in 1972 by Russell for his album Carney and as a B-side for the album's hit single "Tight Rope". The song was then covered on Helen Reddy's 1972 album, I Am Woman. It was then recorded by American vocal duo, the Carpenters, for their 1973 album Now & Then and as the B-side of the Carpenters's single "Please Mr. Postman". Three years later, "This Masquerade" was recorded by American singer and guitarist George Benson, who released it on his 1976 album, Breezin'. Benson's version, featuring Jorge Dalto on piano, was released as a single and became the first big hit of his career.
"Only Yesterday" is a song recorded by the Carpenters. Released on March 14, 1975, the song was composed by Richard Carpenter and John Bettis. "Only Yesterday" peaked at number four on the Billboard Hot 100 and number one on the Adult Contemporary (AC) charts, The Carpenters' eleventh number one on that chart.
"Magic" is a song recorded by British-Australian singer Olivia Newton-John for the soundtrack to the 1980 musical fantasy film Xanadu. Written and produced by John Farrar, the song was released as the lead single from the album in May 1980 and topped the US Billboard Hot 100 for four weeks beginning on August 2. On August 30, it was displaced from the top by Christopher Cross's "Sailing".
"Make It with You" is a song written by David Gates and originally recorded by American pop-rock group Bread, of which Gates was a member. Gates and drummer Mike Botts are the only members of the group to appear on the recording which was a No.1 hit.
"The Voice" is the second single released from the Moody Blues' 1981 album Long Distance Voyager. The song continued the success of previous single "Gemini Dream", becoming a Top 40 hit on the Billboard Hot 100, where it peaked at No. 15 in October 1981. The song had previously topped the Billboard Top Rock Tracks chart for four weeks during June–July 1981. The song also reached No. 9 in Canada.
"I Believe You" is a love ballad composed by Don and Dick Addrisi which was a 1977 single for Dorothy Moore; taken from her self-titled Dorothy Moore album. "I Believe You" reached #5 R&B and crossed over to the US Pop Top 30 at number 27. The track also reached number 20 in the UK.
"I'm in You" is the hit song released by Peter Frampton as a single from his album I'm in You, released in 1977. The song is Frampton's biggest hit on charts around the world. It rose to No. 2 on the US Billboard Hot 100 and No. 1 on the Cash Box Top 100 and in Canada, becoming his most successful single. The song was kept from reaching the top spot on Billboard by Andy Gibb's "I Just Want to Be Your Everything".
"Talking Out of Turn" is a 1981 single by the English progressive rock band the Moody Blues. It was the third and final single released from their 1981 album Long Distance Voyager.
"Sweet City Woman" is a 1971 song by Canadian rock band The Stampeders, appearing on their debut album Against the Grain. It features a banjo as a primary instrument, which is also mentioned in the lyrics: "The banjo and me, we got a feel for singing."
"Never My Love" is a pop standard written by American siblings Don and Dick Addrisi, and best known from a hit 1967 recording by the Association. The Addrisi Brothers had two Top 40 hits as recording artists, but their biggest success as songwriters was "Never My Love". Recorded by dozens of notable artists in the decades since, in 1999 the music publishing rights organization Broadcast Music, Inc. (BMI) announced it was the second most-played song on radio and television of the 20th century in the U.S.
"Shannon" is a 1976 song by Henry Gross. It became an international hit, reaching #6 and achieving gold record status in the U.S. Billboard Hot 100 and #5 on the Cash Box Top 100. The song reached #1 in Canada and New Zealand.
"On and On" is a song by American singer-songwriter Stephen Bishop. The song, from his debut album Careless, became a major hit, peaking at number 11 on the U.S. Billboard Hot 100 and spending 28 weeks on the chart. In Canada, the song peaked at number 6.
"Set the Night to Music" is a song written by Diane Warren and recorded by Starship on their LP, No Protection (1987). It became a major hit for Roberta Flack in 1991. Starship's original version became a Top 10 hit on the U.S. Billboard Adult Contemporary chart, reaching number nine in the spring of 1988, and also charted minorly in Canada. The song appeared at the end credits of the 1988 fantasy-comedy film Vice Versa starring Judge Reinhold and Fred Savage.
"Starting All Over Again" is a 1972 song by the cousin duo Mel & Tim. It is the title track of their second LP. It was their second and final top 40 hit in the U.S. and Canada. It peaked at number 19 on the Billboard Hot 100, spending five months on the American charts. On the R&B chart, the song peaked at number 4.