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References
- 1 2 Richardson, Brenda (1971). "Women, Wives, Film-Makers: An Interview with Gunvor Nelson and Dorothy Wiley". Film Quarterly . 25 (1): 35. doi:10.2307/1211465. JSTOR 1211465.
- ↑ MacDonald, Scott (1998). A Critical Cinema 3: Interviews with Independent Filmmakers . University of California Press. p. 186. ISBN 978-0-520-20943-5.
- 1 2 Gill, June M. (1977). "The Films of Gunvor Nelson". Film Quarterly . 30 (3): 29. doi:10.2307/1211771. JSTOR 1211771.
- 1 2 Lipzin, Janis Crystal (2010). "Why Didn't I Work in Granite?". In Anker, Steve; Geritz, Kathy; Seid, Steve (eds.). Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000. University of California Press. p. 261. ISBN 978-0-520-24911-0.
- ↑ Holmlund, Chris (2007). "Signature, Translation and Resonance in Gunvor Nelson's Films". Framework: The Journal of Cinema and Media. 48 (2). Wayne State University Press: 155. doi:10.1353/frm.2007.0013. S2CID 191530680.
- ↑ Ahlgren, Calvin (October 16, 1983). "Onscreen Strength from Offscreen Fragility". San Francisco Chronicle . p. 31.
- 1 2 3 Rabinowitz, Paula (2000). "Medium Uncool: Women Shoot Back; Feminism, Film and 1968—A Curious Documentary". Science & Society . 65 (1): 92–96.
- ↑ Knickerbocker, Paine (September 7, 1970). "S.F. Art Museum's New Curator". San Francisco Chronicle . p. 42.
- ↑ Callenbach, Ernest (1966). "Schmeerguntz". Film Quarterly . 19 (4): 67. doi:10.2307/1210411. JSTOR 1210411.
- ↑ Giardina, Carol (2010). Freedom for Women: Forging the Women's Liberation Movement, 1953–1970. University Press of Florida. p. 197. ISBN 978-0-8130-3456-0.
