Scout Niblett | |
---|---|
Background information | |
Birth name | Emma Louise Niblett |
Born | Stone, Staffordshire, England | 29 September 1973
Origin | Nottingham, Nottinghamshire, England |
Genres | |
Occupations |
|
Instruments |
|
Years active | 2001–present |
Labels | |
Website | ScoutNiblett.com |
Emma Louise Niblett (born 29 September 1973), [2] better known by the stage name Scout Niblett, is an English singer, songwriter, and multi-instrumentalist. Niblett debuted in 2001 with her first full-length studio album Sweet Heart Fever , and has gone on to release five more studio albums. In 2013, Niblett released her sixth studio album, It's Up to Emma , which she mixed and produced.
Niblett's music is frequently minimalist in style, many of her songs consisting merely of vocals accompanied by either drums or guitar. She is also known for her intimate live shows. [3] In addition to songwriting and music, Niblett is also a professional astrologer, and often incorporates astrological themes into her song lyrics. [4]
Niblett was born in Stone, Staffordshire, England, and was raised in the nearby historic market town of Rugeley. [5] She was classically trained on piano and violin as a child. [6] Niblett began recording compositions she made up on the piano as a child, and later in early adulthood on the guitar. She studied music, fine art and performance art at Nottingham Trent University. [7]
Niblett began performing at clubs in Nottingham while attending college. She chose her stage name in honour of Jean Louise "Scout" Finch, the protagonist in Harper Lee's 1960 novel To Kill a Mockingbird . [3]
After sending out her EP demo CD "Alene Had It All" (recorded under the name Lion, and accompanied by drummer Kristian Godard), consisting of vocals, guitar, and drums, to multiple record companies, Niblett was approached by Secretly Canadian, who had been given her demos by Jason Molina of Songs: Ohia. [8] The following year, Niblett released a 7" split-single with Songs: Ohia, contributing the track "Miss My Lion". [8] Niblett followed the single with her debut album, Sweet Heart Fever , released by Secretly Canadian in 2001, which she recorded at Chem Nineteen Recordings in Hamilton, Scotland with producer Andy Miller.
Her follow-up release was a one-sided 10" EP, I Conjure Series, recorded live, where Niblett plays all the instruments herself. [9]
Niblett relocated to the United States in 2003 to continue pursuing a music career, saying: "The underground music culture in America is big enough so that you can make a living from it without being super famous. The mainstream culture of music [in England] is so different, because it's all based on selling things... In America you don't have to enter into that, you can still survive. You don't have to be in the industry there and you do [in England], so I had to leave". [10] She has resided in Portland, Oregon since 2005. [11] [12]
In 2010, Niblett released her fifth studio album, The Calcination of Scout Niblett , marking her debut release with Drag City. The album received positive critical reviews from Pitchfork and Spin , who noted: "[Niblett's] minimal songs – just one guitar and sporadic drums – unfold laboriously, as though forcing themselves from Niblett's clenched mouth and hands." [13] Niblett followed this with a single, No More Nasty Scrubs, in 2012, which featured covers of TLC's "No Scrubs" and "Nasty" by Janet Jackson. [14] Her sixth studio album, It's Up to Emma , which she recorded in Portland, Oregon, and mixed the record herself. It was released on 21 May 2013 also on Drag City, and received positive critical acclaim from Pitchfork , Allmusic , and NME . [15] [16]
Niblett's unorthodox musical arrangements have been noted by critics, particularly her sparse instrumentation and dramatic shifts in tempos. [17] In her earlier work, specifically I Am and Kidnapped by Neptune, many of Niblett's songs consisted of vocals accompanied only by drums; "[I wanted to] make drumming and singing be as accessible as me playing guitar and singing," she said in a 2004 interview. [8] Her later albums featured Niblett mainly on guitar, and with a backing drummer.
Niblett cites among her influences a number of grunge period bands, including Mudhoney, Sonic Youth and Nirvana, and in particular the guitar of Kurt Cobain. [14] She also stated that she was largely influenced by Hole's first record, Pretty on the Inside (1991): [18] "I was seventeen when I first heard it. For me, the thing that I loved about them and her (Courtney Love) was the anger, and aggressiveness, along with the tender side," said Niblett. "That was something I hadn't seen before in a woman playing music. That was hugely influential and really inspiring. Women up 'til then were kind of one-dimensional, twee, sweet, [and] ethereal." [19]
Her drumming technique, however, is inspired, she says, by a man who played at an open-mic night in Nottingham and would accompany himself on the drums while playing Beatles covers. [20] This drumming technique has been a particularly distinctive feature of Niblett's records with Steve Albini, whose method is to place the drums centrally in the mix. [20] An example of Niblett's minimalist approach to songwriting is "Your Beat Kicks Back Like Death", included on I Am and as the B-side to "I'll Be a Prince." It consists solely of a drumbeat with a cheerfully delivered repeating lyric, "We're all gonna die!", eventually concluding, "We don't know when, We don't know how." According to Niblett, she had originally composed the song on guitar after nearly getting in a car accident while on tour during a winter storm. [8] [21] Also of note is her downbeat cover of Althea & Donna's 1978 reggae hit "Uptown Top Ranking", which Niblett released as a single after it became popular at live performances. [22]
Niblett has also cited Daniel Johnston as a lyrical influence, and her music has often been likened by critics to PJ Harvey, Cat Power, and Courtney Love. [23] [24] [25] [26] During the recording of her sixth album, It's Up to Emma , Niblett stated that she listened to Black Flag and the Rollins Band for inspiration. [27]
Niblett seldom discusses her personal life. Apart from her career in music, she has an obsessive interest in astrology and is also a professional astrologer. [4] [10] "My dad bought me a book about astrology when I was about seven and I literally haven't stopped studying it since," she said. [10] Themes and references to planets occasionally appear in Niblett's lyrics, and she explained the naming of her third album, Kidnapped by Neptune: "The reason that album was called Kidnapped by Neptune was because Neptune was what they call 'transiting my ascendant' at the time and it literally did feel like I didn't know who I was. The energies of Neptune are dissolving your ego and it really kind of shakes you up. Right now Pluto, but also Uranus are equally battling, challenging my Sun." [10] She also is said to use astrology to predict the best place and time to record her music.
Catie Curtis is an American singer-songwriter working primarily in the folk rock idiom. Her most recent album recording, The Raft, was released in 2020.
The Golden Palominos were an American musical group headed by drummer, producer, arranger and composer Anton Fier, first formed in 1981. Aside from Fier, the Palominos membership has been wildly elastic, with only bassist Bill Laswell and guitarist Nicky Skopelitis appearing on every album through 1996. Their final work, 2012's A Good Country Mile features vocalist Kevn Kinney. The band's early work developed out of the No Wave scene, but later branched out into alternative rock, country rock and electronic music.
Pretty on the Inside is the debut studio album by American alternative rock band Hole, released on September 17, 1991, in the United States on Caroline Records. Produced by Sonic Youth's Kim Gordon, and Gumball frontman Don Fleming, the album was Hole's first major label release after the band's formation in 1989 by vocalist, songwriter, and guitarist Courtney Love and lead guitarist Eric Erlandson.
Tanya Donelly is an American singer-songwriter and guitarist based in New England. She came to prominence as a co-founder of the band Throwing Muses with her step-sister Kristin Hersh. Donelly went on to co-form the alternative rock band The Breeders alongside Kim Deal in 1989, before leaving to front her own band Belly in 1991. By the late 1990s, she settled into a solo recording career, working largely with musicians connected to the Boston music scene.
Tiger Saw is a sadcore band from Newburyport, Massachusetts. Formed in 1999, the band currently consists of Dylan Metrano on guitar and vocals, Juliet Nelson on vocals, cello and bass, John Ryan Gallagher on guitar and Andrew Nelson on drums. The band has issued three albums on Kimchee Records and released its first record on its own label in 1999.
Mirah is an American musician and songwriter based in Brooklyn, New York. After getting her start in the music scene of Olympia, Washington, in the late 1990s, she released a number of well-received solo albums on K Records, including You Think It's Like This but Really It's Like This (2000) and Advisory Committee (2002). Her 2009 album (a)spera peaked on the Billboard Top Heatseekers chart at #46, while her 2011 collaborative album Thao + Mirah peaked at #7.
"Hit the Freeway" is a song by American singer Toni Braxton, released as the lead single from her fifth studio album, More Than a Woman (2002). The song, which features American rapper Loon, was written by Pharrell Williams and Loon himself, while production was handled by Pharrell's production duo The Neptunes. It is a hip hop and R&B song, with lyrics about an ex trying to rekindle with Braxton, but Braxton claims she's not interested in him anymore.
Katherine Bloom is an American folk songwriter based in Litchfield, Connecticut.
"Walkin' After Midnight" is a song written by Alan Block and Don Hecht and recorded by American country music artist Patsy Cline. The song was originally given to pop singer Kay Starr; however, her label rejected it. The song was left unused until Hecht rediscovered it when writing for Four Star Records. Originally Cline was not fond of "Walkin' After Midnight", but after making a compromise with her label she recorded it. However, the first released recording was by Lynn Howard with The Accents, released in August 1956.
Nicole Atkins is an American singer-songwriter. Her influences include 1950s crooner music, 1960s psychedelia, soul music, and the Brill Building style of writing. Atkins has been compared to Roy Orbison and singers from the Brill Building era.
Let Me In is the third studio album by American country music artist Chely Wright. The album was released on September 9, 1997 on MCA Nashville Records and was produced by Tony Brown. Let Me In was Wright's first album to chart on the Billboard Magazine album charts and also spawned her first Top 40 singles. It was also the first of three albums Wright recorded for the MCA Nashville label.
"Burnin' Up" is a song by American singer Faith Evans featuring rapper Loon. It was composed by Evans, Loon, Chad Hugo and Pharrell Williams for her third studio album Faithfully (2001), with production helmed by Hugo and Williams under their production moniker The Neptunes. A dance-inducing, beat-heavy uptempo song, "Burnin' Up" falls in line with the straightforward drums, guitar strumming, and clavichord worship of the duo's early years as producers. Lyrically, it has Evans pleading with a man she feels is destined to be her soulmate to recognize that they belong together.
It's Up to Emma is the sixth studio album by singer-songwriter Scout Niblett, released on May 21, 2013. It is Niblett's second release on Drag City records, after The Calcination of Scout Niblett in 2010. It's Up to Emma met with positive reception from indie rock critics upon release.
Sweet Heart Fever is the debut studio album by singer-songwriter Scout Niblett, released in October 2001 on Secretly Canadian records. Although the album received little media attention, Pitchfork gave the album a highly favorable review.
I Am is the second studio album by English singer-songwriter Scout Niblett, released on Secretly Canadian records. The album was produced by Steve Albini.
Kidnapped by Neptune is the third studio album by singer-songwriter Scout Niblett, released on Too Pure records. The album was Niblett's second collaboration with producer Steve Albini.
This Fool Can Die Now is the fourth studio album by singer-songwriter Scout Niblett, released on Too Pure records. The album was Niblett's third collaboration with producer Steve Albini. The album also features several duets and collaborations with Will Oldham.
The Calcination of Scout Niblett is the fifth studio album by singer-songwriter Scout Niblett, and was her first release on Drag City records. The album was Niblett's fourth collaboration with producer Steve Albini.
"I Walk on Guilded Splinters" is a song written by Mac Rebennack using his pseudonym of Dr. John Creaux. It first appeared as the closing track of his debut album Gris-Gris (1968), credited to Dr. John the Night Tripper. The song has subsequently been performed and recorded by many other musicians, including Widespread Panic, The Neville Brothers, Cher, Marsha Hunt, Johnny Jenkins, Humble Pie, King Swamp, the Allman Brothers Band, Paul Weller, the Flowerpot Men, Michael Brecker, Tedeschi Trucks Band and Jello Biafra.
"How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!"
I was 17 when I first heard it. I definitely think they had a huge role in that. For me, the thing that I loved about them and her was the anger, and aggressiveness, along with the tender side. That was something I hadn't seen before in a woman playing music. That was hugely influential and really inspiring. Women up 'til then were kind of one-dimensional, twee, sweet, ethereal, and that annoys the shit out of me.
With a voice that ranges from ethereal reediness to muscular fury, she's the bastard daughter of PJ Harvey, Kim Gordon and Courtney Love.