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Sebastian Goldspink is a Sydney-based independent curator whose work has played a key role in shaping Australia's contemporary art scene [1] . Goldspink is known for his advocacy of emerging and First Nations [2] artists.
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In 2011, Goldspink founded ALASKA Projects, [3] an artist-run initiative that transformed unused urban spaces into art venues, showcasing over 500 artists across more than 150 exhibitions.
Goldspink has curated exhibitions in Australia and on international stages, including London, Los Angeles, New Orleans, and Christchurch. In 2022, he was the appointed curator of the Adelaide Biennial of Australian Art [4] [5] at the Art Gallery of South Australia. Free/State [6] [7] featured a multi-generational group of 25 Australian artists and explored themes of autonomy, identity, and cultural expression. [8] [9]
In 2021, Goldspink was inaugural Director of the Woollahra Gallery [10] at Redleaf [11] .He served as Director of Hazelhurst Arts Centre in Sydney’s Sutherland Shire, and had been a lecturer at the University of NSW (School of Art & Design). He had also been Creative Producer at the National Art School, mentoring the next generation of artists and curators.
Goldspink has also held other positions at Australian institutions including the Museum of Contemporary Art, Art Month Sydney, National Art School, and Dlux Media Arts. He has also collaborated with the Museum of Old and New Art (MoNA), Performance Space, Sydney Symphony, Art Bank, and Kaldor Public Art Projects.
Goldspink is regularly invited to judge art prizes nationally [12] . Examples include: MA Art Prize [13] [14] CIAF Cairns Indigenous Art Fair [15] The Churchie Emerging Art Prize, Institute of Modern Art (IMA) [16] Tim Olsen Drawing Prize Award, UNSW Art & Design [17] and Emerging 2025. [18]
Goldspink is also a writer and speaker. He has contributed to several publications including Art Link, Art Collector [19] , Art Monthly, Russh, and Artist Profile [20] [21] and been engaged to speak at Guildhouse [22] , South Australia. He is noted for his curatorial philosophy, which focuses on diversity, accessibility, and art's ability to foster dialogue and transformation.
