Former name | Moorilla Museum of Antiquities |
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Established | 2011 |
Location | Hobart, Tasmania, Australia |
Coordinates | 42°48′46″S147°15′40″E / 42.81278°S 147.26111°E |
Type | |
Key holdings | |
Collection size | 1,900 |
Visitors | 347,000 (2018) [1] |
Curator | Olivier Varenne Jarrod Rawlins Emma Pike |
Architect | Fender Katsalidis Architects |
Owner | David Walsh |
Public transit access | |
Nearest car park | On site |
Website | www |
The Museum of Old and New Art (MONA) is an art museum located within the Moorilla winery on the Berriedale peninsula in Hobart, Tasmania, Australia. It is the largest privately funded museum in the Southern Hemisphere. [2] MONA houses ancient, modern and contemporary art from the David Walsh collection. Noted for its central themes of sex and death, the museum has been described by Walsh as a "subversive adult Disneyland". [3]
MONA was officially opened on 21 January 2011. Along with its frequently updated indoor collection, Mona also hosts the annual Mona Foma and Dark Mofo music and arts festivals which showcase large-scale public art and live performances.
The precursor to MONA, the Moorilla Museum of Antiquities, was founded in 2001 by Tasmanian millionaire David Walsh. [4] It closed on 20 May 2006 [5] to undergo $75 million renovations.
The new museum was officially opened on 21 January 2011, coinciding with the third MOFO festival. The afternoon opening party was attended by 1,350 invited guests. 2,500 members of the public were selected by random ballot for the evening event which included performances by The DC3, True Live, The Scientists of Modern Music, Wire, Health and The Cruel Sea. [6]
The single-storey MONA building appears at street level to be dominated by its surroundings, but its interior possesses a spiral staircase that leads down to three larger levels of labyrinthine display spaces built into the side of the cliffs around Berriedale peninsula. [7] [8] The decision to build it largely underground was taken, according to Walsh, to preserve the heritage setting of the two Roy Grounds houses on the property. Walsh has also said that he wanted a building that "could sneak up on visitors rather than broadcast its presence ... 'a sense of danger' that would enliven the experience of viewing art". [9] Most visitors approach by ferry up the River Derwent. [8]
There are no windows and the atmosphere is intentionally ominous. On entering the museum, visitors descend a "seemingly endless flight of stairs", an experience one critic compared with "going down into Petra". [9] To see the art, the visitor must work back upwards towards the surface, a trajectory that has been contrasted with the descending spiral that many visitors follow in New York's Guggenheim Museum. [10]
Katsalidis's architecture for the museum has been praised as not only fulfilling its function as a showcase for a collection, but also succeeding as it "extends and magnifies into an experience ... there is a sense that the work, the lighting, the space and the materiality have been choreographed with subtlety and skill into a singular if hugely idiosyncratic whole." [10]
Operational costs of A$8 million per annum are underpinned by the winery, brewery, restaurant and hotel on the same site. [11] In May 2011, it was announced that the museum would end its policy of free entry and introduce an entry fee to interstate and overseas visitors while remaining free for Tasmanians. [12]
MONA also offers an unusual membership program called "Eternity Membership", which not only includes lifetime free admission but notably earns members the right to be cremated and their remains housed in the MONA Cemetery. [13] [14]
The museum houses over 1,900 artistic works from David Walsh's private collection. Notable works in its inaugural exhibition, Monanism, included Australia's largest modernist artwork, Sidney Nolan's Snake mural, displayed publicly for the first time in Australia; [15] Wim Delvoye's Cloaca Professional , a machine which replicates the human digestive system and turns food into faeces, excreting it daily; [7] Stephen Shanabrook's On the road to heaven the highway to hell, remains of a suicide bomber cast in dark chocolate; [16] and Chris Ofili's The Holy Virgin Mary , a painting created partially with elephant dung. [7] The collection was valued in 2011 at more than $100 million. [17]
The artworks on display are in non-chronological order and without museum labels. Instead, visitors can download a mobile application called 'The O', which displays information about nearby artworks and a map of the users current location by using sensors located inside the building. Previously, 'The O' was an iPod-like device, which had similar functionality. Users of The O can select different interpretations of any given piece: 'Summary' (a brief description of the work and its artist); 'Art Wank' (curator's notes); 'Gonzo' (Walsh's personal opinions and stories), 'Ideas' (quotes and talking points); and 'Media' (oftentimes interviews with artists). Walsh also commissioned Damian Cowell, frontman of satirical Melbourne band TISM, to write and record songs about certain works for the original 'The O' device. They were released as a free album, Vs Art , with MONA's 2010 book Monanisms. [18]
Michael Connor of the conservative literary and cultural magazine Quadrant said that "MONA is the art of the exhausted, of a decaying civilisation. Display lights and taste and stunning effects illuminate moral bankruptcy. What is highlighted melds perfectly with contemporary high fashion, design, architecture, cinema. It is expensive and tense decay." [19]
Richard Dorment, art critic for the UK newspaper The Daily Telegraph , said that Walsh "doesn't collect famous names; his indifference to fashion is one of the strengths of the collection. He likes art that is fun and grabs your attention, that packs a sting in the tail or a punch in the solar plexus." [20]
In March 2024, Jason Lau, a visitor from New South Wales, filed a lawsuit against the museum, saying that it engaged in illegal discrimination by barring him from seeing its "Ladies Lounge" exhibition, which its creators had intended to provide a safe place for women to enjoy each other's company and to highlight the exclusion faced by women for decades. The museum's legal counsel acknowledged that he had been discriminated against, but added that it was part of the intended experience of the artwork. Artist Kirsha Kaechele, who is also David Walsh's wife, defended the exhibition in court, saying that "It excludes men, and I would be lying if I were to say I didn't find it titillating." [21] In April 2024, a court ordered MONA to cease denying persons not identifying as women into the Ladies Lounge. [22] The museum responded by installing female toilets in the exhibit area. [23] The toilets were initially reported to feature works by Pablo Picasso that had formed part of the original exhibit, but it was later revealed in a blog post by Kaechele [24] that the paintings were forgeries that she had painted three years earlier. [25]
Mona hosts the annual outdoor Mona Foma music festival in summer, and its wintertime counterpart, Dark Mofo, with extensive public art exhibitions amid a fairground setting of food and drink, live music and entertainment. Past headliners at Mona Foma include Nick Cave and the Bad Seeds, John Cale, Godspeed You! Black Emperor, Swans, PJ Harvey and David Byrne, while Dark Mofo line-ups have featured musical acts such as Einstürzende Neubauten, Sunn O))), Laurie Anderson, Mogwai, Ulver, Autechre and Merzbow.
In 2012, Lonely Planet ranked Hobart as one of the ten must-visit cities in 2013, citing MONA as a major tourist attraction in a small city, similar to the Guggenheim Museum in Bilbao. [26]
Name | Year Built | Builder | Initial Ownership | Current Ownership / Fate | Max. Passengers |
---|---|---|---|---|---|
Mona Roma (MR1) | 2015 | Incat | Mona | Mona | 251 |
Freya (MR2) | 2018 | Richardson Devine Marine | Mona | Mona |
Hobart ( HOH-bart; is the capital and most populous city of the island state of Tasmania, Australia. Located in Tasmania's south-east on the estuary of the River Derwent, it is the southernmost capital city in Australia. Despite containing nearly half of Tasmania's population, Hobart is the least-populated Australian state capital city, and second-smallest by population and area after Darwin if territories are taken into account. Its skyline is dominated by the 1,271-metre kunanyi / Mount Wellington, and its harbour forms the second-deepest natural port in the world, with much of the city's waterfront consisting of reclaimed land. The metropolitan area is often referred to as Greater Hobart, to differentiate it from the City of Hobart, one of the seven local government areas that cover the city. It has a mild maritime climate.
Tasmania is an island state of Australia. It is located 240 kilometres to the south of the Australian mainland, and is separated from it by the Bass Strait. The state encompasses the main island of Tasmania, the 26th-largest island in the world, and the surrounding 1000 islands. It is Australia's least populous state, with 573,479 residents as of June 2023. The state capital and largest city is Hobart, with around 40% of the population living in the Greater Hobart area. Tasmania is the most decentralised state in Australia, with the lowest proportion of its residents living within its capital city.
Glenorchy City Council is a local government body in Tasmania, and one of the five municipalities that constitutes the Greater Hobart Area. The Glenorchy local government area has a population of 50,411, covering the suburbs north of central Hobart on the western shore of the Derwent River, including its namesake suburb, Glenorchy.
Brian Ritchie is an American musician, best known as the bassist for the alternative rock band Violent Femmes. Ritchie was born and raised in the United States and is currently a dual citizen of the U.S. and Australia, with his full-time residence in Australia.
Wim Delvoye is a Belgian neo-conceptual artist widely recognized for combining in his inventive and often shocking projects philosophical ideas, innovative use of materials, and a passion for craftsmanship. He blurs the boundaries between traditional art and the digital realm of contemporary artistic practices, creating aerodynamic, mathematically precise, and intricate sculptures that take the art and design to new levels of invention, while offering a perceptive and playful commentary on contemporary society. As the critic Robert Enright wrote in the art magazine Border Crossings, "Delvoye is involved in a way of making art that reorients our understanding of how beauty can be created". Wim Delvoye has an eclectic oeuvre, exposing his interest in a range of themes, from bodily function, and scatology to the function of art in the current market economy, and numerous subjects in between. He lives and works in Ghent (Belgium).
Moorilla Estate is a winery located in the suburb of Berriedale, 12 km north of the city centre of Hobart, in Tasmania.
Constantine Koukias is a Tasmanian composer and opera director of Greek ancestry based in Amsterdam, where he is known by his Greek name of Konstantin Koukias. He is the co-founder and artistic director of IHOS Music Theatre and Opera, which was established in 1990 in Tasmania's capital city, Hobart.
Tasmanian Gothic is a genre of Tasmanian literature that merges traditions of Gothic fiction with the history and natural features of Tasmania, an island state south of the main Australian continent. Tasmanian Gothic has inspired works in other artistic media, including theatre and film.
Kirsha Kaechele is an American contemporary art curator, artist, and practitioner of sustainable building design. She is founder of KKProjects, Life is Art Foundation.
Mona Foma, stylised as MONA FOMA was an annual music and arts festival held in Tasmania, Australia, curated by Violent Femmes member Brian Ritchie. It was billed as Tasmania's largest contemporary music festival and showcased the work of artists in a broad range of art forms, including sound, noise, dance, theatre, visual art, performance and new media.
David Dominic Walsh is an Australian professional gambler, art collector and businessman. He is the owner of the Museum of Old and New Art (MONA) and Moorilla Estate.
Dark Mofo is an annual mid-winter arts and culture festival held by the Museum of Old and New Art (MONA) in Hobart, Tasmania, Australia. Launched in 2013 as the winter counterpart of the summer MONA FOMA festival, Dark Mofo events take place at night and celebrate the darkness of the southern winter solstice, featuring many musical acts, large scale light installations and a winter feast.
United Visual Artists (UVA) is a London-based art practice founded in 2003 by British artist Matt Clark (b.1974). UVA's diverse body of work integrates new technologies with traditional media such as painting, sculpture, performance, and site-specific installation. The practice has an open and inclusive approach to collaboration. While Clark leads the UVA team, the plural use of the word "Artist" in its designation refers to the many collaborators with whom Clark works.
Spectra is the name of a series of art installations by Ryoji Ikeda which use intense white light as a sculptural material. The most recent presentation of spectra was in Hobart, Tasmania, Australia for four days ending 24 June, 2018 to mark the winter solstice, and as an installation piece at the Dark Mofo festival held by MONA. spectra [Amsterdam] was the first presentation of the work in 2008 its current form; an array of xenon lamps pointed skywards lit from dusk till dawn accompanied by a mathematically derived score audible from each of the lamp bases. The work was first commissioned and produced by Forma Arts.
Robert William Morris-Nunn is an Australian architect.
Neil Haddon is a British-Australian painter. His paintings display a wide variety of influences and styles, from hard edge geometric abstraction to looser expressive figurative painting. Haddon currently lives and works in Hobart, Tasmania.
Snake is an artwork by Australian artist Sir Sidney Nolan. Created between 1970 and 1972, it consists of 1,620 panels arranged so that the images on each panel form a larger image of a snake. It is part of the collection of the Museum of Old and New Art (MONA) in Hobart, Australia.
The COVID-19 pandemic in Tasmania is part of the ongoing worldwide pandemic of the coronavirus disease 2019 caused by severe acute respiratory syndrome coronavirus 2.
The Odeon Theatre is a historic former cinema and current live entertainment venue in the city of Hobart, Tasmania, Australia.
Hinsby Beach is a beach along the River Derwent in the Hobart suburb of Taroona, Australia. The south facing beach looks directly out to Storm Bay and the Tasman Sea, with views of the Derwent estuary, the Alum Cliffs, Taroona Shot Tower, the City of Clarence on the eastern shore and Opossum Bay, South Arm. Hinsby Beach is situated between the Alum Cliffs and Taroona Beach. A naturally secluded section of the beach, beyond the rocky south-western outcrop is a zoned naturist beach.