The Secret Museum or Secret Cabinet (Italian : Gabinetto Segreto) in Naples is the collection of 1st-century Roman erotic art found in Pompeii and Herculaneum, now held in separate galleries at the National Archaeological Museum in Naples, the former Museo Borbonico. The term "cabinet" is used in reference to the "cabinet of curiosities" - i.e. any well-presented collection of objects to admire and study.
Re-opened, closed, re-opened again and then closed again for nearly 100 years, the secret room was briefly made accessible again at the end of the 1960s before being finally re-opened in 2000. Since 2005 the collection has been kept in a separate room in the Naples National Archaeological Museum.
Although the excavation of Pompeii was initially an Enlightenment project, once artifacts were classified through a new method of taxonomy, those deemed obscene and unsuitable for the general public were termed pornography and in 1821 [1] they were locked away in a Secret Museum. The doorway was bricked up in 1849. [2] Throughout ancient Pompeii and Herculaneum, erotic frescoes, depictions of the god Priapus, sexually explicit symbols and inscriptions, and household items such as phallic oil lamps were found. The ancient Roman understanding of sexuality viewed explicit material very differently from most present-day cultures. [lower-alpha 1] Ideas about obscenity developed from the 18th century to the present day into a modern concept of pornography. [3]
At Pompeii, locked metal cabinets were constructed over erotic frescos, which could be shown, for an additional fee, to gentlemen but not to ladies. This peep show was still in operation at Pompeii in the 1960s. [4] The cabinet was only accessible to "people of mature age and respected morals", which in practice meant only educated men.
The catalogue of the secret museum was also a form of censorship, as engravings and descriptive texts played down the content of the room.
Erotica is literature or art that deals substantively with subject matter that is erotic, sexually stimulating or sexually arousing. Some critics regard pornography as a type of erotica, but many consider it to be different. Erotic art may use any artistic form to depict erotic content, including painting, sculpture, drama, film or music. Erotic literature and erotic photography have become genres in their own right. Erotica also exists in a number of subgenres including gay, lesbian, women's, bondage, monster and tentacle erotica.
Erotic art in Pompeii and Herculaneum has been both exhibited as art and censored as pornography. The Roman cities around the bay of Naples were destroyed by the eruption of Mount Vesuvius in 79 AD, thereby preserving their buildings and artefacts until extensive archaeological excavations began in the 18th century. These digs revealed the cities to be rich in erotic artefacts such as statues, frescoes, and household items decorated with sexual themes.
Erotic art is a broad field of the visual arts that includes any artistic work intended to evoke arousal. It usually depicts human nudity or sexual activity, and has included works in various visual mediums, including drawings, engravings, films, paintings, photographs, and sculptures. Some of the earliest known works of art include erotic themes, which have recurred with varying prominence in different societies throughout history. However, it has also been widely considered taboo, with either social norms or laws restricting its creation, distribution, and possession. This is particularly the case when it is deemed pornographic, immoral, or obscene.
The Villa of the Papyri was an ancient Roman villa in Herculaneum, in what is now Ercolano, southern Italy. It is named after its unique library of papyri scrolls, discovered in 1750. The Villa was considered to be one of the most luxurious houses in all of Herculaneum and in the Roman world. Its luxury is shown by its exquisite architecture and by the large number of outstanding works of art discovered, including frescoes, bronzes and marble sculpture which constitute the largest collection of Greek and Roman sculptures ever discovered in a single context.
The National Archaeological Museum of Naples is an important Italian archaeological museum, particularly for ancient Roman remains. Its collection includes works from Greek, Roman and Renaissance times, and especially Roman artifacts from the nearby Pompeii, Stabiae and Herculaneum sites. From 1816 to 1861, it was known as Real Museo Borbonico.
The Doryphoros of Polykleitos is one of the best known Greek sculptures of Classical antiquity, depicting a solidly built, muscular, standing warrior, originally bearing a spear balanced on his left shoulder. Rendered somewhat above life-size, the lost bronze original of the work would have been cast circa 440 BC, but it is today known only from later marble copies. The work nonetheless forms an important early example of both Classical Greek contrapposto and classical realism; as such, the iconic Doryphoros proved highly influential elsewhere in ancient art.
The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry.
Pierre-François Hugues, Baron d'Hancarville was an art historian and historian of ideas.
The Secretum was a British Museum collection of the nineteenth and early twentieth centuries that held artefacts and images deemed sexually graphic. Many of the items were amulets, charms and votive offerings, often from pre-Christian traditions, including the worship of Priapus, a Greco-Roman god of fertility and male genitalia. Items from other cultures covered wide ranges of human history, including ancient Egypt, the classical era Greco-Roman world, the ancient Near East, medieval England, Japan and India.
The history of erotic depictions includes paintings, sculpture, photographs, dramatic arts, music and writings that show scenes of a sexual nature throughout time. They have been created by nearly every civilization, ancient and modern. Early cultures often associated the sexual act with supernatural forces and thus their religion is intertwined with such depictions. In Asian countries such as India, Nepal, Sri Lanka, Japan, Korea, and China, representations of sex and erotic art have specific spiritual meanings within native religions. The ancient Greeks and Romans produced much art and decoration of an erotic nature, much of it integrated with their religious beliefs and cultural practices.
The Lupanar is the ruined building of an ancient Roman brothel in the city of Pompeii. It is of particular interest for the erotic paintings on its walls, and is also known as the Lupanare Grande or the "Purpose-Built Brothel" in the Roman colony. Pompeii was closely associated with Venus, the ancient Roman goddess of love, sex, and fertility, and therefore a mythological figure closely tied to prostitution.
The Suburban Baths are a building in Pompeii, Italy, a town in the Italian region of Campania that was buried by the eruption of Mount Vesuvius in 79 AD, which consequently preserved it.
A spintria is a small bronze or brass Roman token. The tokens usually have on one side an image of a sexual scene or symbols and on the reverse side a numeral in the range I - XVI.
Pompeii was an ancient city in what is now the comune (municipality) of Pompei, near Naples, in the Campania region of Italy. Along with Herculaneum, Stabiae, and many surrounding villas, the city was buried under 4 to 6 m of volcanic ash and pumice in the eruption of Mount Vesuvius in 79 AD.
Herculaneum was an ancient Roman town, located in the modern-day comune of Ercolano, Campania, Italy. Herculaneum was buried under volcanic ash and pumice in the eruption of Mount Vesuvius in 79 AD.
The Venus Callipyge, also known as the Aphrodite Kallipygos or the Callipygian Venus, all literally meaning "Venus of the beautiful buttocks", is an Ancient Roman marble statue, thought to be a copy of an older Greek original. In an example of anasyrma, it depicts a partially draped woman, raising her light peplos to uncover her hips and buttocks, and looking back and down over her shoulder, perhaps to evaluate them. The subject is conventionally identified as Venus (Aphrodite), though it may equally be a portrait of a mortal woman.
In ancient Rome, a tintinnabulum was a wind chime or assemblage of bells. A tintinnabulum often took the form of a bronze ithyphallic figure or of a fascinum, a magico-religious phallus thought to ward off the evil eye and bring good fortune and prosperity.
The Le Antichità di Ercolano Esposte is an eight-volume book of engravings of the findings from excavating the ruins of Herculaneum in the Kingdom of Naples. It was published between 1757 and 1792, and copies were given to selected recipients across Europe. Despite the title, the Antichità di Ercolano shows objects from all the excavations the Bourbons undertook around the Gulf of Naples. These include Pompeii, Stabiae, and two sites in Herculaneum: Resina and Portici.
The Pompeii Lakshmi is an ivory statuette that was discovered in the ruins of Pompeii, a Roman city destroyed in the eruption of Mount Vesuvius 79 CE. It was found by Amedeo Maiuri, an Italian scholar, in 1938. The statuette has been dated to the first-century CE. The statuette is thought of as representing an Indian goddess of feminine beauty and fertility. It is possible that the sculpture originally formed the handle of a mirror. The yakshi is evidence of commercial trade between India and Rome in the first century CE.
Several non-native societies had an influence on Ancient Pompeian culture. Historians’ interpretation of artefacts, preserved by the Eruption of Mount Vesuvius in 79, identify that such foreign influences came largely from Greek and Hellenistic cultures of the Eastern Mediterranean, including Egypt. Greek influences were transmitted to Pompeii via the Greek colonies in Magna Graecia, which were formed in the 8th century BC. Hellenistic influences originated from Roman commerce, and later conquest of Egypt from the 2nd century BC.
