| Selfhaters | ||||
|---|---|---|---|---|
 | ||||
| Live album by | ||||
| Released | 1996 | |||
| Recorded | December 29, 1993, July 29 and October 19, 1994, October 28, 1995, January 25 and March 17, 1996 | |||
| Venue | Kampo Recording Studio, Knitting Factory, Roulette, Alterknit and Baby Monster, New York City | |||
| Genre | Jazz | |||
| Length | 53:48 | |||
| Label | Tzadik TZ 7110 | |||
| Producer | Anthony Coleman | |||
| Anthony Coleman chronology | ||||
| ||||
Selfhaters is an album by keyboardist Anthony Coleman which was released on the Tzadik label in 1996. [1]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
In her review for Allmusic, Joslyn Layne notes that "Generally sounding more like a drunken choir, this instrumental group gets almost bluesy in a klezmer/avant-jazz kind of way. Coleman fans will dig it, as he has some fine organ moments throughout. The selections are, overall, more scattered, like threads tied at one end to a musical idea that are dispersed and floating in all directions, swirling around Coleman's playing". [2]
All compositions by Anthony Coleman except as indicated
Lacrosse is a double album by John Zorn. It is made up of different takes of his early game piece, "Lacrosse". The first disc is from WKCR in June 1978 where Mark Abbott, Polly Bradfield, Eugene Chadbourne, and LaDonna Smith and Zorn recorded six different takes. Takes 3, 4 and 6 were originally released on the Parachute Records double LP School (1978). The second disc is the original recording of "Lacrosse" which was made by Eugene Chadbourne, Henry Kaiser, Bruce Ackley, and Zorn in San Francisco, California in June 1977.
Eye to Ear is a studio album by English guitarist, composer and improvisor Fred Frith. It is a collection of film and theatre music composed and performed by Frith, and was recorded in Germany and the United States between 1992 and 1995. Eye to Ear was Frith's first solo album to be released on John Zorn's Tzadik label.
Filmworks 1986–1990 features the first released film scores of John Zorn. The album was originally released on the Japanese labels Wave and Eva in 1990, on the Nonesuch Records label in 1992, and subsequently re-released on Zorn's own label, Tzadik Records, in 1997 after being out of print for several years.
"For Zorn, filmscores have always been a place to experiment, and the FilmWorks Series is in many ways a microcosm of his prodigious output. This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly ; a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one-minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. This is the place where it all began."
Anthony Coleman is an avant-garde jazz pianist. During the 1980s and 1990s he worked with John Zorn on Cobra, Kristallnacht, The Big Gundown, Archery, and Spillane and helped push modern Jewish music into the 21st century.
Kristallnacht is an album by John Zorn first released in 1993 on the Japanese Eva label and subsequently in 1995 on Zorn's own Tzadik Records label.
Locus Solus is an album of improvisations by John Zorn and other musicians. Originally released as a double vinyl album on Rift records in 1983 it was re-released as a CD with additional tracks on Eva/Wave in 1990 and on Zorn's Tzadik Records label in 1997.
The Classic Guide to Strategy is a compilation album by John Zorn featuring his two early solo records The Classic Guide to Strategy Volume One (1983), (tracks 1-2) and the Classic Guide to Strategy Volume Two (1986), (tracks 3-8). The albums were first released on vinyl on Lumina Records in and later re-released on Tzadik Records in 1996 as a single CD. The second track is inspired by the work of Carl Stalling and tracks 3-8 are named after avant-garde Japanese artists. The Classic Guide to Strategy Volume Two also contained the track "Yano Akiko" (5:20) which does not appear on the CD re-release.
Ganryu Island is an collaborative album by John Zorn and Michihiro Sato. The album was first released on vinyl LP on Yukon Records in 1984 and later re-released on Tzadik Records as a CD with five additional tracks in 1998.
The Bribe: variations and extensions on Spillane is an album by American composer and saxophonist/multi-instrumentalist John Zorn, consisting of music created for three half-hour radio plays produced by Mabou Mines theater company in 1986. It utilizes compositional techniques, source material, and personnel that are similar to Zorn's Spillane.
Filmworks III: 1990–1995 features the scores for film and advertisements by John Zorn. The album was originally released on the Japanese labels Evva in 1995 and Toys Factory in 1996 and subsequently re-released on Zorn's own label, Tzadik Records, in 1997. It features the music that Zorn wrote and recorded for Thieves Quartet (1993), directed by Joe Chappelle, which was performed by the group that would become Masada; nine cues for Kiriko Kubo's Music For Tsunta (1988); eleven tracks for Hollywood Hotel (1994), directed by Mei-Juin Chen; and thirty-two pieces for advertisements by Wieden & Kennedy.
Filmworks VIII: 1997 features two scores for film by John Zorn released on Zorn's own label, Tzadik Records, in 1998. It features the music that Zorn wrote and recorded for The Port of Last Resort (1998), a documentary directed by Joan Grossman and Paul Rosdy examining the experiences of Jewish refugees in Shanghai and Latin Boys Go to Hell (1997) which was directed by Ela Troyano.
The Parachute Years: 1977–1981 is a compilation album 7-CD box set by John Zorn. It features recordings of Zorn's game pieces originally released as self-produced albums on the Parachute label as well as previously unreleased performances. All of the discs in this box set have been subsequently given their own releases on Zorn's Tzadik label.
Scelsi Morning is a 2003 album by Marc Ribot released on Tzadik Records.
Soundtracks Volume 2 is a 2003 album of film music by Marc Ribot released on Tzadik Records.
Sanctuary is the seventh album by trumpeter Dave Douglas and his second live album. It was released on the Japanese Avant label in 1997 and features performances by Douglas, Cuong Vu, Yuka Honda, Anthony Coleman, Mark Dresser, Hilliard Greene, Chris Speed and Dougie Bowne.
Melt Zonk Rewire is the second album by the New Klezmer Trio, Ben Goldberg - clarinet, Dan Seamans - bass, and Kenny Wollesen - drums, which was released on the Tzadik label in 1995.
Masks and Faces is the debut album by the New Klezmer Trio, Ben Goldberg - clarinet, Dan Seamans - bass, and Kenny Wollesen - drums, which was originally released on the Nine Winds label in 1991 and re-released on the Tzadik label in 1996.
The Abysmal Richness of the Infinite Proximity of the Same is an album by keyboardist Anthony Coleman's Selfhaters which was released on the Tzadik label in 1998.
Pushy Blueness is an album by pianist Anthony Coleman which was released on the Tzadik label in 2006.
Hallelujah, Anyway – Remembering Tom Cora is a 1999 double-CD compilation album by various artists dedicated to United States cellist and composer Tom Cora, who had died on April 9, 1998. It includes material composed in Cora's memory, songs he had written for other musicians and groups, and a selection of music he had performed and participated in. It was released in May 1999 by John Zorn's Tzadik Records.
