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Taiko are a broad range of Japanese percussion instruments. In Japanese, the term taiko refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called wadaiko and to the form of ensemble taiko drumming more specifically called kumi-daiko. The process of constructing taiko varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method.
Obon or just Bon is a fusion of the ancient Japanese belief in ancestral spirits and a Japanese Buddhist custom to honor the spirits of one's ancestors. This Buddhist custom has evolved into a family reunion holiday during which people return to ancestral family places and visit and clean their ancestors' graves when the spirits of ancestors are supposed to revisit the household altars. It has been celebrated in Japan for more than 500 years and traditionally includes a dance, known as Bon Odori.
Japantown, commonly known as J Town, is a historic cultural district of San Jose, California, north of Downtown San Jose. Historically a center for San Jose's Japanese American and Chinese American communities, San Jose's Japantown is one of only three Japantowns that still exist in the United States, alongside San Francisco's Japantown and Los Angeles's Little Tokyo.
The Buddhist Churches of America is the United States branch of the Nishi Honganji subsect of Jōdo Shinshū Buddhism.
Kodō (鼓童) is a professional taiko drumming troupe. Based on Sado Island, Japan, they have had a role in popularizing taiko drumming, both in Japan and abroad. They regularly tour Japan, Europe, and the United States. In Japanese the word "Kodō" conveys two meanings: "heartbeat" the primal source of all rhythm and, read in a different way, the word can mean "children of the drum".
Los Angeles temple may refer to:
Kenny Endo is an American musician and taiko master. He is the leader of several taiko ensembles and regularly tours, performing traditional and contemporary taiko music. Endo is also the first non-Japanese national to receive a natori in the field of hogaku hayashi, Japanese classical drumming. Today Endo composes his own music and plays taiko professionally as a solo artist, with his ensembles, and in collaboration with other artists.
Johnny Mori is a third-generation (Sansei) Japanese American musician and arts educator/administrator from Los Angeles. He was one of the seminal members of the taiko group Kinnara Taiko and the original taiko drummer for the Grammy nominated jazz-fusion band Hiroshima.
Roy Hirabayashi is a Japanese American composer, performer, teacher and activist known for his work as a leader in North American Taiko. He is co-founder of San Jose Taiko, the group's former Artistic and Executive Director, and was active in developing San Jose's Japantown and arts community.
The Midwest Buddhist Temple Taiko group is a self-taught taiko group based in Chicago, Illinois, at the Midwest Buddhist Temple. The group started in 1977 based upon Buddhistic principals after the model of Kinnara Taiko in Los Angeles. The Midwest Buddhist Temple Taiko group performs for the temple, the Buddhist community, the Japanese American community, other communities, commercial gigs, business conferences, and different ethnic fairs. They do not consider themselves to be primarily a performing group, and they do service projects with the temple such as performing at the Midwest Buddhist Temple Ginza Holiday Festival.
Denver Taiko is the fourth taiko group founded in North America and the first taiko ensemble outside of California, United States. The group has a close partnership with the Tri-State Denver Buddhist Temple and performs throughout Colorado and neighboring states. In 2001, Denver Taiko received the Excellence in the Arts Award from Denver Mayor Wellington Webb. Today, Denver Taiko is an ensemble of third, fourth, and fifth generation Japanese Americans with a shared interest in honoring their Japanese American cultural heritage.
Jodaiko is a performing group based in University of California, Irvine that is specialized in taiko. Originally named "Tomo No Taiko", Jodaiko's origins lie in UCI's Japanese-American student group, Tomo No Kai ; it is often referred to as Tomo No Kai's sister group. Tomo No Taiko was founded in 1992 by Peggy Kamon and David Shiwota, both integral members in the Tomo No Kai community, in preparation for 1993 ‘’’Cultural Night’’’. Their influence on the group is reflected through the group's core values of bringing enjoyment of taiko--to both drummers and the audience alike--and spreading Japanese culture. Kamon, in charge of teaching interested Tomo No Kai members how to play taiko, also integrated core Buddhist values into Tomo No Taiko’s practices, performances, and policies. These Buddhist influences are also a result of Jodaiko's connection with Reverend Mas Kodani of Gardena Buddhist Church and Reverend George Matsubayashi of Venice Buddhist Church. Both provided the group with drums or their first performances in 1992, and continue to support their growth as a collegiate taiko group.
UCLA Kyodo Taiko is a collegiate taiko group specializing in taiko drumming. Founded in 1990, Kyodo is the first collegiate taiko group in the country. Kyodo is a Japanese term that means both "family" and "loud children." Many of Kyodo's members are not of Japanese descent.
Seattle Kokon Taiko is a North American taiko ensemble based in Seattle, Washington.
Kinnara Taiko is a Japanese American drumming ensemble based out of Senshin Buddhist Temple in Los Angeles, US. They began playing taiko in 1969 when a few third-generation Japanese Americans gathered after an Obon festival and had an impromptu experimental session on an odaiko drum.
Eitetsu Hayashi is an acclaimed Japanese musician best known for his solo performance work in taiko. Hayashi joined the group Ondekoza at an early age. Later, after parting from group, helped found the taiko group Kodo, though he quickly left to begin a solo career. Hayashi has performed in notable venues such as Carnegie Hall in 1984 and was the first featured taiko performer at the institution. He is also the recipient of multiple awards recognizing the cultural value of his work.
Osuwa Daiko (御諏訪太鼓) is a Japanese percussion group credited as the earliest groups to develop and perform the ensemble-style of taiko called kumi-daiko. Formed in Okaya, Japan in 1951 and founded by Daihachi Oguchi, Osuwa Daiko created a style of performance independent from performance during festivals, theatrical performance, and religious ceremonies, and transformed them into an ensemble performance. Contemporary taiko performance in Japan and in the rest of the world is widely based on the practices of Osuwa Daiko.
Seidō Kobayashi is the founder and current leader of the Tokyo-based taiko group, Oedo Sukeroku Taiko. Under Kobayashi's leadership, his taiko group, founded in 1959, was the first to tour professionally. He is considered a master performer of taiko. Kobayashi was well known for attempting to assert intellectual control of the group's performance style, which many believe has influenced taiko performance among many groups, particularly in North America.
The Seabrook Buddhist Temple is a Buddhist temple of the Jōdo Shinshū Hongwanji-ha sect in the Seabrook section of Upper Deerfield Township, New Jersey. It is an affiliate of the Buddhist Churches of America.
San Jose Taiko, founded in 1973, joined San Francisco Taiko Dojo and Kinnara Taiko as only the third Kumi-daiko, or ensemble taiko group, in North America. Initially a youth program at the San Jose Betsuin, a member of the Buddhist Churches of America, the group has evolved into a leading arts group not only in the Japanese American community but also in Asian American arts while maintaining unwaivering allegiance to Japantown, San Jose.
References
- 1 2 Bronner, Simon J. (2005). Manly Traditions: The Folk Roots of American Masculinities. Indiana University: Indiana University Press. pp. 136, 144–145. ISBN 0253217814.
- ↑ Gary Laderman & Luis D. León, ed. (2003). Religion and American Cultures: An Encyclopedia of Traditions, Diversity, and Popular Expressions, Volume 1. ABC-CLIO. p. 56. ISBN 157607238X.
- ↑ Franklin Odo, ed. (2002). The Columbia Documentary History of the Asian American Experience . Columbia University: Columbia University Press. p. 432. ISBN 0231110308.
- ↑ Tagashira, Gail (3 February 1989). "Local Groups Share Taiko Drum Heritage". Los Angeles Times . Retrieved 12 April 2014.
- ↑ Ellen Koskoff, ed. (2013). Music Cultures in the United States: An Introduction. Routledge. p. 280. ISBN 1135888817.
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