Shack-man | ||||
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Studio album by | ||||
Released | October 15, 1996 | |||
Recorded | June 1996 (The Shack, Hawaii) | |||
Genre | Jazz-funk, soul jazz, acid jazz | |||
Label | Rykodisc [1] Gramavision | |||
Producer | Medeski Martin & Wood, David Baker [2] | |||
Medeski Martin & Wood chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
MusicHound Rock: The Essential Album Guide | ![]() ![]() ![]() ![]() ![]() |
The New Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Shack-man is the fourth album by experimental jazz fusion trio Medeski Martin & Wood, released in 1996. [1] [6] [7] It was widely considered their commercial breakthrough, peaking at #7 on the Billboard Contemporary Jazz Albums chart. [8]
The album was recorded in an isolated shack in Hawaii, with power supplied by solar energy and generators. [9]
AllMusic called the album "the best example to date of the trio's cerebral fusion of soul-jazz, hip-hop, and post-punk worldbeat." [3] New York wrote that "the changes are episodic, as in funk, rather than conversational, as in jazz." [10] Relix called it a "dark, funky dorm room breakthrough." [11]
The Cleveland Scene wrote that the group "made it cool to groove again with 1996s Shack-man, a Hammond-hammered Phish-lot mainstay that opened the door for instrumental improv groups like Soulive and Particle." [12]
All music by Medeski Martin & Wood except where noted.