Shadow family

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"Family amalgamation among the Men-stealers" (Picture of Slavery in the United States of America by Rev. George Bourne, published by Edwin Hunt in Middletown, Conn., 1834) Bourne,+George,+Picture+of+Slavery+in+the+United+States+of+America page 6.jpg
"Family amalgamation among the Men-stealers" (Picture of Slavery in the United States of America by Rev. George Bourne, published by Edwin Hunt in Middletown, Conn., 1834)

A shadow family was an unacknowledged child or children created by a white male slave owner with a female black slave. Often they lived in physical proximity to their father, and a "married maverick reared a white family in the front of the house even as he reared a mulatto family in the back." [1]

Contents

In 1834, abolitionist George Bourne wrote, "In the houses of slave-holders, you behold young ladies elegantly attired and attended by their coloured sisters, children of the same father, and yet slaves. You recognise the driver of the carriage, the footman, and other domestics as manifestly the planter's own offspring...Two ladies of the first rank in Virginia affirmed, that the Northern citizens were totally incompetent to form any correct idea of a slave plantation. One of them remarked: 'We are called wives, and as such are recognised in law; but we are little more than superintendents of a coloured seraglio.' When the old slave-driver is dead, the 'boy' who is most like him is generally called by his title; and you are often surprised to hear a mulatto coachman or footman denominated captain, major or colonel. You ask the cause, and are informed; 'the man is so like his father, that if it were not for the colour of his skin, he is such a chip off the old block, that you could not know them apart.'" [2]

In the United States, the most notable example is Thomas Jefferson's six children with Sally Hemings. [3] However, the concept appears throughout the slave economy and influenced American race relations and social history long after slavery was abolished. For example, it has a strong presence in the novels of William Faulkner: "This extreme fear of miscegenation and existence of 'shadow families' is a wrong that Faulkner aims to resurrect from the past." [4]

The documentary record of these families is meager at best and, as a rule, "Nobody's shadow family from slavery times shows up on ancestry websites—not even Faulkner's." [5] Secrecy was of the utmost, for reasons both social and economic: "Sometimes, members of shadow families were abandoned or mistreated, either by the man or by his legitimate white heirs. A white father and husband rarely left his legitimate heirs for his shadow family...Polite Southern society, meanwhile, would criticize a man who did not keep his shadow family sufficiently secret." [6] Talking about shadow families in the public sphere was taboo; for example, when an 18th-century Tidewater woman took her husband to court for adultery and physical abuse, "Elizabeth Yerby transgressed all polite conventions by publicizing evidence of her husband's shadow family. By confronting George in front of William Brown, by drawing a guest's attention to mulatto children in her household, she humiliated her husband, damaging his community standing. This action was a misstep on her part."

"It is evident, from the tenor of the will of Carter, and of the contract, and the evasive statements in the answer to the petition, that...Harriet is the offspring of...Fanny, by testator...No court certainly would lend its aid to enforce rights predicated upon immorality of the grossest and most dangerous kind—dangerous, because the example of a negress, or mulatto, brought up in the style specified...would necessarily exert a most baleful influence upon the surrounding negro population."

Barksdale v. Elam, 30 Miss. 694, April 1856, Judicial Cases Concerning Slavery and the American Negro, Volume III (1932)

Influence

Scholar Arlene R. Keizer, writing about a work by the African-American artist Kara Walker, argues that she uses cut-paper silhouette to cast "the entire family, white and black, slave masters, slave mistresses, enslaved 'concubines,' and children (following the condition of the mother), into shadow...a dysfunctional family portrait, referencing both the biological families engendered through slavery and the nation as a whole. Walker's work calls us to acknowledge and to witness the hypersexualized, often incestuous nature of these families and its implications for the American and African American collective imagination, but offers no path toward resolution." [7]

See also

Related Research Articles

Mulatto is a racial classification that refers to people of mixed African and European ancestry only. When speaking or writing about a singular woman in English, the word is mulatta The use of this term began in the United States of America shortly after the Atlantic Slave Trade began and its use was widespread, derogatory and disrespectful. After the post Civil Rights Era, the term is now considered to be both outdated and offensive in America. In other Anglophone countries such as the British Isles, the Caribbean and English and Dutch-speaking West Indian countries, the word mulatto is still used. The use of this word does not have the same negative associations found among English speakers. Among Latinos in both the US and Latin America, the word is used in every day speech and it's meaning is a source of racial and ethnic pride. In four of the Latin-based languages, the default, masculine word ends with the letter "o" and is written as follows: Spanish and Portuguese – mulato; Italian – mulatto. The French equivalent is mulâtre. In English, the masculine plural is written as mulattoes while in Spanish and Portuguese it is mulatos. The masculine plural in Italian is mulatti and in French it is mulâtres. The feminine plurals are: English – mulattas; Spanish and Portuguese – mulatas; Italian – mulatte; French – mulâtresses.

In the colonial societies of the Americas and Australia, a quadroon or quarteron was a person with one-quarter African/Aboriginal and three-quarters European ancestry. Similar classifications were octoroon for one-eighth black and quintroon for one-sixteenth black.

<span class="mw-page-title-main">Children of the plantation</span> Mixed race children of slave women and white men, often via rape

"Children of the plantation" is a euphemism used to refer to people with ancestry tracing back to the time of slavery in the United States in which the offspring was born to black African female slaves in the context of the trans-Atlantic slave trade and Non-Black men, usually the slave's owner, one of the owner's relatives, or the plantation overseer. These children were often considered to be the property of the slave owner and were often subjected to the same treatment as other slaves on the plantation. Many of these children were born into slavery and had no legal rights, as they were not recognized as the legitimate children of their fathers. The men who fathered these children often used their power and authority to force themselves upon the black females who were under their control.

<i>Queen: The Story of an American Family</i> Novel by Alex Haley and David Stevens

Queen: The Story of an American Family is a 1993 partly factual historical novel by Alex Haley and David Stevens.

<i>Clotel</i> Novel by William Wells Brown

Clotel; or, The President's Daughter: A Narrative of Slave Life in the United States is an 1853 novel by United States author and playwright William Wells Brown about Clotel and her sister, fictional slave daughters of Thomas Jefferson. Brown, who escaped from slavery in 1834 at the age of 20, published the book in London. He was staying after a lecture tour to evade possible recapture due to the 1850 Fugitive Slave Act. Set in the early nineteenth century, it is considered the first novel published by an African American and is set in the United States. Three additional versions were published through 1867.

<span class="mw-page-title-main">Margaret Garner</span> United States fugitive slave

Margaret Garner, called "Peggy", was an enslaved African American woman who killed her own daughter and intended to kill her other three children and herself rather than be forced back into slavery. Garner and her family had escaped enslavement in January 1856 by traveling across the frozen Ohio River to Cincinnati, but they were apprehended by U.S. Marshals acting under the Fugitive Slave Act of 1850. Garner's defense attorney, John Jolliffe, moved to have her tried for murder in Ohio, to be able to get a trial in a free state and to challenge the Fugitive Slave Law. Garner's story was the inspiration for the novel Beloved (1987) by Nobel Prize-winning author Toni Morrison and its subsequent adaptation into a film of the same name starring Oprah Winfrey (1998).

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The tragic mulatto is a stereotypical fictional character that appeared in American literature during the 19th and 20th centuries, starting in 1837. The "tragic mulatto" is a stereotypical mixed-race person, who is assumed to be depressed, or even suicidal, because they fail to completely fit into the "white world" or the "black world". As such, the "tragic mulatto" is depicted as the victim of the society that is divided by race, where there is no place for one who is neither completely "black" nor "white".

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Living in a wide range of circumstances and possessing the intersecting identity of both black and female, enslaved women of African descent had nuanced experiences of slavery. Historian Deborah Gray White explains that "the uniqueness of the African-American female's situation is that she stands at the crossroads of two of the most well-developed ideologies in America, that regarding women and that regarding the Negro." Beginning as early on in enslavement as the voyage on the Middle Passage, enslaved women received different treatment due to their gender. In regard to physical labor and hardship, enslaved women received similar treatment to their male counterparts, but they also frequently experienced sexual abuse at the hand of their enslavers who used stereotypes of black women's hypersexuality as justification.

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<span class="mw-page-title-main">Le Mulâtre</span>

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<span class="mw-page-title-main">Treatment of slaves in the United States</span>

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<span class="mw-page-title-main">Slave marriages in the United States</span> Generally not legal before the American Civil War

Slave marriages in the United States were typically illegal before the American Civil War abolished slavery in the US. Enslaved African Americans were legally considered chattel, and they were denied civil and political rights until the United States abolished slavery with the passage of the Thirteenth Amendment to the United States Constitution. Both state and federal laws denied, or rarely defined, rights for enslaved people.

References

  1. Williamson, Joel (1980). New people: miscegenation and mulattoes in the United States. Free Press. pp. 50–51. ISBN   9780807120354. OCLC   566271068.
  2. "Picture of slavery in the United States of America". HathiTrust. hdl:2027/nyp.33433075911556 . Retrieved 2023-08-04.
  3. Lewis, Jan Ellen (2021-10-26). Family, Slavery, and Love in the Early American Republic: The Essays of Jan Ellen Lewis. UNC Press Books. p. 290. ISBN   978-1-4696-6564-1.
  4. Mitchell, Lisa (2023). Burning Down the House: Racial and Architectural Deterioration of the Southern Plantation Home in Works by William Faulkner (Thesis). Middle Tennessee State University. p. 114. ProQuest   2816696905.
  5. Thomas, George Porter (2023). "Faulkner's Subversive Genealogies". In Watson, Jay; Thomas Jr., James G. (eds.). Faulkner's Families. Faulkner and Yoknapatawpha Series. University Press of Mississippi. pp. 136–146. doi:10.2307/jj.4256581.12. ISBN   9781496845030. JSTOR   jj.4256581.12.
  6. Clinton, Catherine (2010), Brooten, Bernadette J. (ed.), "Breaking the Silence: Sexual Hypocrisies from Thomas Jefferson to Strom Thurmond", Beyond Slavery, New York: Palgrave Macmillan US, pp. 213–228, doi:10.1057/9780230113893_13, ISBN   978-0-230-10017-6 , retrieved 2023-07-08
  7. Keizer, Arlene R. (2008). "Gone Astray in the Flesh: Kara Walker, Black Women Writers, and African American Postmemory". PMLA. 123 (5): 1649–1672. doi:10.1632/pmla.2008.123.5.1649. ISSN   0030-8129. JSTOR   25501968. S2CID   162311249.