"She's a Girl and I'm a Man" | ||||
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Single by Lloyd Cole | ||||
from the album Don't Get Weird on Me Babe | ||||
B-side | "Weird on Me" | |||
Released | 19 August 1991 [1] | |||
Length | 4:15 | |||
Label | ||||
Songwriter(s) |
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Producer(s) |
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Lloyd Cole singles chronology | ||||
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"She's a Girl and I'm a Man" is a song by English singer, songwriter and musician Lloyd Cole, released on 19 August 1991 as the lead single from his second studio album, Don't Get Weird on Me Babe . The song was written by Cole and Robert Quine, and produced by Cole, Fred Maher and Paul Hardiman. It peaked at number 55 in the UK Singles Chart and remained in the top 75 for two weeks. In the US, it reached number 7 on the Billboard Modern Rock Tracks chart.
"She's a Girl and I'm a Man" was originally recorded in the studio for use as a potential B-side. Inspired by T-Rex, Cole recalled to Hearsay Magazine in 2000, "It was knocked out in the studio as a B-side idea. We'd been playing a T-Rex song earlier that day, not dissimilar to the way the Smiths came up with 'Panic' after, rumour has it, playing around with 'Metal Guru' which is only one chord different." [2] When Cole presented Don't Get Weird on Me Babe to Polydor, the head of the label, David Munns, was enthusiastic about "She's a Girl and I'm a Man" and felt it would be a hit. [3] On the strength of the song, the label resigned Cole to their roster. [2]
The original version of the song did not finish with the chorus, so Polydor encouraged Cole to return to the studio in attempt to improve its commercial potential. He recalled in 2009, "We went back into the studio to edit, and re-record, to make the song the way it should always have been. It was not easy and the 'You wouldn't understand him, Sister it's a man thing' which we inserted to hide the edit is not one of my finest moments. Still, Polydor were happy and it was the first single." [3] When released, the single did not reach Polydor's commercial expectations and Cole recalled how there was "no Plan B". [2] The original version of the song was included on Cole's 2009 compilation Cleaning Out the Ashtrays (Collected B-Sides & Rarities 1989-2006). [3]
The song drew some criticism for what some saw as sexist lyrics. In 2016, Cole told The Mouth Magazine, "The only potentially sexist aspect is that the narrator refers to the female character as 'a girl' and not 'a woman'. That was written that way purely because it sounded better. Really, if you wanted to one could argue that there's an element of sexism to putting women on a pedestal and worshipping them. That's certainly the type of song that 'She's a Girl and I'm a Man' was. It's very clear that the narrator is in love with her and still somewhat aghast that she's in love with him. He's still dizzy from thinking that a creature as beautiful as she could fall for somebody like him." [4]
Upon its release as a single, Tony Parsons of The Daily Telegraph picked "She's a Girl and I'm a Man" as the newspaper's "single of the week", describing it as a "sour love song" which features "a crunching white-knuckled riff and great lines like 'She's got to be the stupidest girl I've ever seen'". [5] The Kilmarnock Standard praised the song as "a slice of pure, laconic pop" and added that Quine's "indomitable guitar playing could drive the new single to a lofty chart placing". [6]
Ian Gittins of Melody Maker stated, "I always thought Cole's studious dullard reputation somewhat undeserved but lines like, 'He thought women and drinking would make a man out of him, so he left his studies,' aren't going to reduce his notoriety for penning pained, self-conscious autobiography. He does spit out the line, 'She's got to be the stupidest girl I've ever seen' with a fair lorryload of feeling, mind." [7] Adam Porter of the Evening Standard was critical, describing it as "a rather silly and weak song" with a title that "British people will be very embarrassed by and rightly so". He added, "His self-enforced exile to New York has served to make him more sloppy and self-indulgent than before. Bit disappointing for his eager Metropolite fans." [8]
In the US, Larry Flick of Billboard wrote that Cole's "expressive vocals drive this dynamic, hook-driven tune". He noted the song's "strong hook", "ringing guitar", "catchy chorus" and "wild production", and felt it could achieve interest from both "modern rockers and pop programmers". [9]
7–inch and cassette single (UK and Europe) and CD single (Australia) [10] [11] [12]
12–inch single (UK and Europe), CD single (UK, Europe and US) and 12-inch promotional single (US) [13] [14] [15] [16]
CD promotional single (US) [17]
Credits are adapted from the Don't Get Weird on Me Babe CD album liner notes and the UK CD single. [18] [14]
"She's a Girl and I'm a Man"
Production
Other
Chart (1991–92) | Peak position |
---|---|
Australia (ARIA Charts) [19] | 149 |
Sweden (Sverigetopplistan) [20] | 27 |
UK Singles (OCC) [21] | 55 |
US Billboard Modern Rock Tracks [22] | 7 |
"I Want That Man" is a song by American singer Deborah Harry. The song was released as the lead single from her third solo album, Def, Dumb & Blonde, and was the first record Harry released in which she reverted to using Deborah as her name instead of Debbie. "I Want That Man" became a hit in several territories, reaching number two in Australia and on the US Billboard Modern Rock Tracks chart. It also became a top-20 hit in Ireland, New Zealand, and the United Kingdom.
"A Little Respect" is a song written and recorded by British synth-pop duo Erasure, released in September 1988 by Mute. It was written by Vince Clarke and Andy Bell. The lyrics are a plea to a lover to show compassion and respect. The heavily synthesized instrumentation is accentuated by acoustic guitar and Bell's vocal falsetto in the chorus. It was their tenth single and was taken from their third studio album, The Innocents (1988). Known as one of their signature songs, the single reached number four on the UK Singles Chart and was Erasure's second consecutive top-20 hit on the US Billboard Hot 100, where it made number 14, and reached number two on the US Billboard Dance Club Play chart.
"The Grease Megamix" is a megamix released in 1990 to commemorate the video release of Grease. The single was credited to John Travolta and Olivia Newton-John and released via Polydor Records. It was created by Phil Harding and Ian Curnow for PWL by the request of Polydor Records, who supplied copies of the original multi-track recordings. The megamix topped the charts of Australia and Spain and became a top-five hit in Denmark, Ireland, the Netherlands, Norway, and the United Kingdom.
"You Give Me Something" is the debut single of English singer James Morrison, released on 17 July 2006. The song is featured on his 2006 debut album, Undiscovered. The single reached number one in New Zealand and charted within the top 10 in several nations, including Australia, the Netherlands, Switzerland, and the United Kingdom. The song was nominated for a BRIT Award in the category Best British Single Shortlist in 2007. This song was ranked number 100 on MTV Asia's list of the "Top 100 Hits of 2007".
"James Dean (I Wanna Know)" is a song by British singer Daniel Bedingfield. It was released in August 2002 as the second single from his debut studio album, Gotta Get Thru This. Like his debut single "Gotta Get Thru This", "James Dean" was also a hit, reaching number four on the UK Singles Chart, making it his second top-10 hit. It entered the top 20 in Australia, peaking at number 19. The song name checks Freddie Mercury, Brad Pitt, Sly Stone and Daddy Warbucks.
"For Whom the Bell Tolls" is a song by the Bee Gees, released on 15 November 1993 by Polydor Records as the second single from their 20th studio album, Size Isn't Everything (1993). It was both written and produced by the brothers, peaking at number four on the UK Singles Chart and number six in Ireland. This song would be the band's highest-charting single in the UK during the 1990s, giving them a UK top-five single in four consecutive decades: the 1960s, 1970s, 1980s, and 1990s. A music video, filmed in New York, was also released for this song.
"Sunshine on a Rainy Day" is a song by British pop singer and songwriter Zoë, released by M&G and Polydor as the first single from her debut album, Scarlet Red and Blue (1991). The song, written by Zoë and Youth, received positive reviews from music critics, reaching number four on the UK Singles Chart in September 1991. It also charted within the top 40 in Ireland, Luxembourg, Sweden and Zimbabwe, where it reached number-one. Three different music videos were produced to promote the single, one of them was filmed in India and another for the US market. In 2008, Zoë re-recorded the song with her folk band Mama. This version is available on their debut CD, Crow Coyote Buffalo.
"Perfect Skin" is a song by the British rock and pop band Lloyd Cole and the Commotions, released in 1984 as the debut single from their debut studio album Rattlesnakes. The song was written by Lloyd Cole and produced by Paul Hardiman. It peaked at number 26 in the UK Singles Chart and remained in the top 100 for ten weeks.
"Tetris" is a song arranged by English composer Andrew Lloyd Webber and English record producer Nigel Wright, collaborating under the pseudonym Doctor Spin. The composition is based on the theme to the 1989 Game Boy game Tetris, which itself is based on the Russian folk song "Korobeiniki". Doctor Spin released their version of "Tetris" on 21 September 1992 through Polydor and Carpet Records; it reached number six on the UK Singles Chart and also charted in Austria, Finland, and Ireland. This song, along with "Supermarioland" by Ambassadors of Funk, "Supersonic" by H.W.A. and "Pac-Man" by Power-Pill, commenced a brief trend of recreated video game music entering mainstream popularity.
"No Blue Skies" is the debut solo single by English singer, songwriter and musician Lloyd Cole, released in 1990 from his self-titled studio album. The song was written by Cole and produced by Cole, Fred Maher and Paul Hardiman. It peaked at number 42 in the UK Singles Chart and remained in the top 100 for four weeks. Cole has described "No Blue Skies" as "very simple" and a "girl leaves boy or boy leave girl" song.
"Downtown" is a song by English singer, songwriter and musician Lloyd Cole, released in 1990 as the third and final single from his self-titled studio album. The song was written by Cole and Blair Cowan, and produced by Cole, Fred Maher and Paul Hardiman. It failed to enter the UK Singles Chart but reached number 5 on the US Billboard Modern Rock Tracks chart. The song was included in the soundtrack of the 1990 American psychological thriller film Bad Influence.
"Don't Look Back" is a song by English singer, songwriter and musician Lloyd Cole, released in 1990 as the second single from his self-titled studio album. The song was written by Cole and produced by Cole, Fred Maher and Paul Hardiman. It peaked at number 59 in the UK Singles Chart and remained in the top 100 for three weeks.
"Morning Is Broken" is a song by English singer, songwriter and musician Lloyd Cole, released in 1993 as the second and final single from his third studio album Bad Vibes. The song was written by Cole and produced by Adam Peters. It reached number 83 in the UK Singles Chart and remained in the top 100 for two weeks.
"Jennifer She Said" is a song by British band Lloyd Cole and the Commotions, released in 1987 as the second single from their third and final studio album Mainstream (1987). The song was written by the band and produced by Ian Stanley. It peaked at number 31 in the UK Singles Chart and remained in the top 75 for five weeks.
"My Bag" is a song by British band Lloyd Cole and the Commotions, released in 1987 as the lead single from their third and final studio album Mainstream (1987). The song was written by the band and produced by Ian Stanley. It peaked at number 46 in the UK Singles Chart and remained in the top 75 for three weeks.
"Cut Me Down" is a song by the British rock and pop band Lloyd Cole and the Commotions, released in 1986 as the third single from their second studio album Easy Pieces. The song was written by Lloyd Cole and produced by Clive Langer and Alan Winstanley. It peaked at number 38 on the UK Singles Chart and remained in the top 75 for four weeks.
"Rattlesnakes" is a song by British band Lloyd Cole and the Commotions, released in 1984 as the third and final single from their debut studio album of the same name. The song was written by Lloyd Cole and produced by Paul Hardiman. It peaked at number 65 in the UK Singles Chart and remained in the top 100 for three weeks.
"Brand New Friend" is a song by British band Lloyd Cole and the Commotions, released in 1985 as the lead single from their second studio album Easy Pieces. The song was written by band members Lloyd Cole and Blair Cowan, and produced by Clive Langer and Alan Winstanley. It peaked at number 19 in the UK Singles Chart and remained in the top 100 for nine weeks.
"Weeping Wine" is a song by English singer, songwriter and musician Lloyd Cole, released in 1991 as the second single from his second studio album Don't Get Weird on Me Babe. The song was written by Cole, and produced by Cole, Fred Maher and Paul Hardiman. It reached number 91 in the UK Singles Chart.
"Butterfly" is a song by English singer, songwriter and musician Lloyd Cole, released in 1991 as the third and final single from his second studio album Don't Get Weird on Me Babe. The song was written by Cole, and produced by Cole, Fred Maher and Paul Hardiman.
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