Sheila Murnaghan

Last updated
Murnaghan, Sheila (1988-01-01). "How a Woman Can Be More Like a Man: The Dialogue Between Ischomachus and his Wife in Xenophone's Oeconomicus". Helios. 15 (1): 9–22.
  • Murnaghan, Sheila (1992). "Maternity and Mortality in Homeric Poetry". Classical Antiquity. 11 (2): 242–264. doi:10.2307/25010975. ISSN   0278-6656. JSTOR   25010975. PMID   18080407.
  • Murnaghan, Sheila (1994). "Reading Penelope". In Oberhelman, Steven M.; Kelly, Van; Golsan, Richard Joseph (eds.). Epic and Epoch: Essays on the Interpretation and History of a Genre. Texas Tech University Press. ISBN   9780896723313.
  • Murnaghan, Sheila (1995-05-11). "The Plan of Athena". In Cohen, Beth (ed.). The Distaff Side: Representing the Female in Homer's Odyssey. Oxford University Press. ISBN   9780195344738.
  • Murnaghan, Sheila (1995-11-01). "Sucking the Juice Without Biting the Rind: Aristotle and Tragic Mimesis". Arethusa. 26 (4): 755–773. doi:10.1353/nlh.1995.0058. ISSN   1080-661X. S2CID   170468444.
  • Beissinger, Margaret; Tylus, Jane; Wofford, Susanne; Wofford, Susanne Lindgren (1999-03-31). Epic Traditions in the Contemporary World: The Poetics of Community. University of California Press. ISBN   9780520210387.
  • Murnaghan, Sheila (2009-01-01). "Tragic Bystanders: Choruses And Other Survivors In The Plays Of Sophocles". The Play of Texts and Fragments: 321–333. doi:10.1163/ej.9789004174733.i-580.56. ISBN   9789047428190.
  • Murnaghan, Sheila (2009). "Penelope's Agnoia: Knowledge, Power, and Gender in the Odyssey". In Doherty, Lillian Eileen (ed.). Homer's Odyssey. Oxford University Press. ISBN   9780199233328.
  • Co-authored works

    • with Sandra R. Joshel Women and Slaves in Greco-Roman Culture: Differential Equations (Routledge 1998)
    • with Deborah H. Roberts "Penelope's Song: The Lyric Odysseys of Linda Pastan and Louise Glück," Classical and Modern Literature 22 (2002): 1-33 [1]
    • with Hunter Gardner Odyssean Identities In Modern Cultures: The Journey Home (Ohio State University Press 2014)
    • with Deborah H. Roberts Childhood and the Classics: Britain and America, 1850-1965 (Oxford University Press 2018)
    • with Ralph M. Rosen Hip Sublime: Beat Writers and the Classical Tradition (Ohio State University Press 2018)

    Related Research Articles

    <span class="mw-page-title-main">Classics</span> Study of classical antiquity

    Classics or classical studies is the study of classical antiquity. In the Western world, classics traditionally refers to the study of Ancient Greek and Roman literature and their original languages, Ancient Greek and Latin. Classics may also include as secondary subjects Greco-Roman philosophy, history, archaeology, anthropology, art, mythology, and society.

    <span class="mw-page-title-main">Herodotus</span> Greek historian and geographer (c.484–c.425 BC)

    Herodotus was a Greek historian and geographer from the Greek city of Halicarnassus, part of the Persian Empire and a later citizen of Thurii in modern Calabria, Italy. He wrote the Histories, a detailed account of the Greco-Persian Wars, and was the first writer to apply a scientific method to historical events. He has been described as "The Father of History", a title conferred on him by the ancient Roman orator Cicero, and the "Father of Lies" by others.

    <span class="mw-page-title-main">Homer</span> Author of the Iliad and the Odyssey

    Homer was an Ancient Greek poet who is credited as the author of the Iliad and the Odyssey, two epic poems that are foundational works of ancient Greek literature. Homer is considered one of the most revered and influential authors in history.

    <i>Odyssey</i> Epic poem attributed to Homer

    The Odyssey is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest works of literature still widely read by modern audiences. Like the Iliad, the Odyssey is divided into 24 books. It follows the Greek hero Odysseus, king of Ithaca, and his journey home after the Trojan War. After the war, which lasted ten years, his journey from Troy to Ithaca, via Africa and southern Europe, lasted for ten additional years during which time he encountered many perils and all of his crewmates were killed. In his absence, Odysseus was assumed dead, and his wife Penelope and son Telemachus had to contend with a group of unruly suitors who were competing for Penelope's hand in marriage.

    <span class="mw-page-title-main">Odysseus</span> Legendary Greek king of Ithaca

    In Greek and Roman mythology, Odysseus, also known by the Latin variant Ulysses, is a legendary Greek king of Ithaca and the hero of Homer's epic poem the Odyssey. Odysseus also plays a key role in Homer's Iliad and other works in that same epic cycle.

    <span class="mw-page-title-main">Penelope</span> Wife of Odysseus in Greek mythology

    Penelope is a character in Homer's Odyssey. She was the queen of Ithaca and was the daughter of Spartan king Icarius and Asterodia. Penelope is known for her fidelity to her husband Odysseus, despite the attention of more than a hundred suitors during his absence. In one source, Penelope's original name was Arnacia or Arnaea.

    <span class="mw-page-title-main">Telemachus</span> Mythological son of Odysseus

    Telemachus, in Greek mythology, is the son of Odysseus and Penelope, who is a central character in Homer's Odyssey. When Telemachus reached manhood, he visited Pylos and Sparta in search of his wandering father. On his return to Ithaca, he found that Odysseus had reached home before him. Then father and son slew the suitors who had gathered around Penelope. According to later tradition, Telemachus married Circe after Odysseus's death.

    <span class="mw-page-title-main">Calypso (mythology)</span> Nymph in Homers Odyssey

    In Greek mythology, Calypso was a nymph who lived on the island of Ogygia, where, according to Homer's Odyssey, she detained Odysseus for seven years against his will. She promised Odysseus immortality if he would stay with her, but Odysseus preferred to return home. Eventually, after the intervention of the other gods, Calypso was forced to let Odysseus go.

    Aristotle's Poetics is the earliest surviving work of Greek dramatic theory and the first extant philosophical treatise to focus on literary theory. In this text, Aristotle offers an account of ποιητική, which refers to poetry, and more literally, "the poetic art," deriving from the term for "poet; author; maker," ποιητής. Aristotle divides the art of poetry into verse drama, lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes:

    1. Differences in music rhythm, harmony, meter, and melody.
    2. Difference of goodness in the characters.
    3. Difference in how the narrative is presented: telling a story or acting it out.
    <span class="mw-page-title-main">Ancient Greek literature</span>

    Ancient Greek literature is literature written in the Ancient Greek language from the earliest texts until the time of the Byzantine Empire. The earliest surviving works of ancient Greek literature, dating back to the early Archaic period, are the two epic poems the Iliad and the Odyssey, set in an idealized archaic past today identified as having some relation to the Mycenaean era. These two epics, along with the Homeric Hymns and the two poems of Hesiod, the Theogony and Works and Days, constituted the major foundations of the Greek literary tradition that would continue into the Classical, Hellenistic, and Roman periods.

    Simon Hornblower, FBA is an English classicist and academic. He was Professor of Classics and Ancient History in the University of Oxford and, before retiring, was most recently a senior research fellow at All Souls College, Oxford.

    In Greek mythology, Gorgythion was one of the sons of King Priam of Troy at the time of the Trojan War and appears as a minor character in Homer's Iliad. His mother was Castianeira of Aisyme.

    <span class="mw-page-title-main">Priapea 68</span> Latin poem of disputed authorship

    Priapeia 68 or Priapea 68 is the sixty-eighth poem in the Priapeia, a collection of Latin poetry of uncertain authorship. The eighty poems lack a unified narrative, but share Priapus, an ithyphallic god of fertility worshiped in both Ancient Hellenic and Roman religions, as by turns a speaker and subject.

    Rosalind Thomas FBA is a Fellow and Tutor in Classics at Balliol College, Oxford University and professor of Ancient Greek history. She focuses on ancient literacy, oral tradition and performance culture as well as Greek law and society, Greek historiography, Greek relations with the Persians, and the Greek polis. She was elected as a Fellow of the British Academy in 2020.

    <span class="mw-page-title-main">Cynthia Damon</span> Professor of Classical Studies

    Cynthia Ellen Murray Damon is a Professor of Classical Studies at the University of Pennsylvania and has written extensively on Latin literature and Roman historiography, having published translations and commentaries on authors such as Caesar and Tacitus.

    Ann Bergren was Professor of Greek literature, Literary Theory, and Contemporary Architecture at University of California, Los Angeles. She is known for her scholarship on Ancient Greek language, gender, and contemporary architecture.

    <span class="mw-page-title-main">Emily Greenwood</span> Professor of Classics

    Emily Greenwood is Professor of the Classics and of Comparative Literature at Harvard University. She was formerly professor of Classics and the University Center for Human Values at Princeton University and John M. Musser Professor of Classics and Chair of the Department of Classics at Yale University. Her research focuses on Ancient Greek historiography, particularly Thucydides and Herodotus, the development of History as a genre and a modern critical discipline, and local and transnational black traditions of interpreting Greek and Roman classics. Her work explores the appropriation and reinvention of Greco-Roman classical antiquity from the late nineteenth century to the present.

    Deborah Kamen is Chair and Professor of Classics at the University of Washington. Her research is on Greek cultural and social history, with a particular focus on ancient slavery.

    Sasha-Mae Eccleston is a classicist and the John Rowe Workman Assistant Professor of Classics at Brown University. She is an expert on reception studies and the works of Apuleius. She is the co-founder of Eos, an academic network which focuses on Africana receptions of Ancient Greece and Rome.

    Emily Hauser is a British scholar of classics and a historical fiction novelist. She is a lecturer in classics and ancient history at the University of Exeter and has published three novels in her 'Golden Apple' trilogy: For the Most Beautiful (2016), For the Winner (2017) and For the Immortal (2018).

    References

    1. 1 2 "Sheila Murnaghan | Department of Classical Studies". www.classics.upenn.edu. Retrieved 2018-07-24.
    2. "Department of English". www.english.upenn.edu. Retrieved 2018-07-24.
    3. 1 2 Childhood and the Classics: Britain and America, 1850-1965. Classical Presences. Oxford, New York: Oxford University Press. 2018-05-29. ISBN   9780199583478.
    4. Rutherford, R. B. (1988). "Sheila Murnaghan: Disguise and Recognition in the Odyssey. Pp. ix + 197. Princeton University Press, 1987. £17.95". The Classical Review. 38 (2): 392–393. doi:10.1017/S0009840X00122139. ISSN   1464-3561. S2CID   161572158.
    5. Scott, William C. (1989). Edwards, Mark W.; Shive, David M.; Pucci, Pietro; Murnaghan, Sheila; King, Katherine Callen (eds.). "Homer: Text, Context, and Tradition". The American Journal of Philology. 110 (2): 339–356. doi:10.2307/295181. JSTOR   295181.
    6. "How Nathaniel Hawthorne Brought Mythology to Children — The Heights". bcheights.com. 2016-02-22. Retrieved 2018-07-24.
    Sheila Murnaghan
    NationalityAmerican
    Academic background
    Alma mater Harvard University, Cambridge University, University of North Carolina, Chapel Hill