Fulcrum Gallery was an American art gallery that opened underneath the Guggenheim Museum SoHo in New York City in January 1993, by Valerie Monroe Shakespeare. It was designed by her husband, Tery Fugate-Wilcox, who contributed the gallery motto: "Without Art we are but Monkeys with Car Keys". Fugate-Wilcox is credited as photographer on all of the gallery's ads, and was listed as one of the nineteen artists represented by the gallery. The owner said in an interview, that the name "Fulcrum", came from Archimedes, "Give me a place to stand, a lever long enough and a fulcrum. and I can move the Earth". She said she hoped Fulcrum would become a "pivotal point in art history". Fulcrum Gallery was founded to exhibit Actual Art exclusively and did so until the effects of the attacks of 9/11 caused the gallery to close in February 2002.
Gloria Graham is an American artist based in New Mexico. Her work includes sculpture, painting, and photography.
Akiko Ichikawa is a transdisciplinary artist, editor, and writer-activist based in New York City. She has written on contemporary art and culture for Flash Art,Art in America, Hyperallergic, and zingmagazine. Ichikawa's article on the photography of Dorothea Lange, Toyo Miyatake, and Ansel Adams at Manzanar became popular in fall 2016, following comments by a spokesperson of a Trump-supporting PAC on Fox News.
Harmony Hammond is an American artist, activist, curator, and writer. She was a prominent figure in the founding of the feminist art movement in 1970s New York.
Tameka Norris, also known as T.J. Dedeaux-Norris and Meka Jean, is an American visual and performing artist. Norris uses painting, sculpture, and performance art to create work about racial identity and the simultaneous visibility and invisibility of blackness through cultural appropriation in modern society. Her work critiques the presence of the Black body in the history of painting and fine art.
Tanya Aguiñiga is a Los Angeles–based artist, designer, and activist.
Kameelah Janan Rasheed is an American writer, educator, and artist from East Palo Alto, California. She is a 2021 Guggenheim Fellow in Fine Arts known for her work in installations, book arts, immersive text-based installations, large-scale public text pieces, publications, collage, and audio recordings. Rasheed's art explores memory, ritual, discursive regimes, historiography, and archival practices through the use of fragments and historical residue. Based in Brooklyn, NY, she is currently the Arts Editor for SPOOK magazine. In 2021 her work was featured in an Art 21 documentary, "The Edge of Legibility."
Paula Wilson is an African American "mixed media" artist creating works examining women's identities through a lens of cultural history. She uses sculpture, collage, painting, installation, and printmaking methods such as silkscreen, lithography, and woodblock. In 2007 Wilson moved from Brooklyn, New York, to Carrizozo, New Mexico, where she currently lives and works with her woodworking partner Mike Lagg.
Cara Romero is an American photographer known for her digital photography that examines Indigenous life through a contemporary lens. She lives in both Santa Fe, NM and the Mojave Desert. She is of Chemehuevi descent.
Ann Lewis is a multidisciplinary activist artist often working in public spaces. She focuses her attention on social justice and environmental issues and is best known for her politically charged and sometimes uncommissioned takeovers of public space. She is a 2018 artist-in-residence at the Santa Fe Art Institute Residency for Equal Justice. She lives and works between Detroit, MI and Brooklyn, NY.
Torkwase Dyson is an interdisciplinary artist based in Beacon, New York, United States. Dyson describes the themes of her work as "architecture, infrastructure, environmental justice, and abstract drawing." Her work is informed by her own theory of Black Compositional Thought. This working term considers how spatial networks—paths, throughways, water, architecture, and geographies—are composed by Black bodies as a means of exploring potential networks for Black liberation. She is represented by Pace Gallery and Richard Gray Gallery.
Aisha Tandiwe Bell is an American visual artist known for her work that creates myth and ritual through mixed media including sculpture performance, video, sound, drawing, and installation that addresses themes of fragmentation, shape-shifting, code-switching, hyphenated identities and multiple consciousness, marginalization, and lack of agency people in the African Diaspora struggle with. Through her mixed media, Aisha Tandiwe Bell's art focuses on and looks at the societal constraints of sex, race, and class. She uses each piece of her art to look at the norms that society has created around sex, race, and class and the limitations that people have placed upon themselves when it comes to these ideas. As a Jamaican-American woman in the United States, Bell uses her art to represent the displacement that she feels and the alter egos that black women have to uphold publicly and privately. The sculptures that Bell creates are intentionally cracked, fragmented, and imperfect to reflect her fractured identity.
Jesse Krimes is an American artist and curator who focuses on criminal injustice and contemporary perceptions of criminality.
Karyn Olivier is a Philadelphia-based artist who creates public art, sculptures, installations and photography. Olivier alters familiar objects, spaces, and locations, often reinterpreting the role of monuments. Her work intersects histories and memories with present-day narratives.
Sable Elyse Smith is an interdisciplinary artist, writer and educator based in New York. Smith works in photography, neon, text, appropriated imagery, sculpture, and video installation connecting language, violence, and pop culture with autobiographical subject matter. In 2018, Smith was an Artist-in Residence at the Studio Museum in Harlem. Her work was first featured at several areas such as MoMA ps1, New Museum, Brooklyn Museum, Philadelphia, MIT list visual arts center, Cambridge, Massachusetts, and other places. The artist lives and works in Richmond, Virginia, and New York City. She has been an assistant professor of Visual Arts at Columbia University since 2020.
Ayana M. Evans is an African-American performance artist and educator based in New York City and an adjunct professor of visual art at Brown University. She also serves as editor-at-large of Cultbytes, an online art publication.
Deborah Koenker is an interdisciplinary artist. Her installation art explores social and feminist themes using a wide range of media. She is currently interested in a number of issues, such as social justice. She is also a writer and curator.
Caroline Kent is an American visual artist based in Chicago, best known for her large scale abstract painting works that explore the interplay between language and translation. Inspired by her own personal experiences and her cultural heritage, Kent creates paintings that explore the power and limitations of communication. Her work, influenced by her Mexican heritage, delves into the potentials and confines of language and reconsiders the modernist canon of abstraction. She likens her composition process to choreography, revealing an interconnectedness between language, abstraction, and painting. Kent's artwork showcases an evolving dialogue of space, matter, and time, resulting in a confluence of drawings, paintings, sculpture, and performance, blurring the lines between these mediums.
Phoebe Adams is an American painter, sculptor, and educator. She is known for her biomorphic artwork. Adams was active in New York City for a decade from 1985 to 1995, and has lived in Maine and New Mexico.
M & J Sanitary Tortilla Factory is a historical tortilla factory and restaurant in Downtown Albuquerque, New Mexico located near the historic Barelas Neighborhood. They closed in 2004.
