Shore Leave | |
---|---|
Directed by | John S. Robertson |
Written by | Josephine Lovett Agnes Smith (titles) |
Based on | Shore Leave by Hubert Osborne |
Produced by | Richard Barthelmess |
Cinematography | Roy Overbaugh Stewart Nelson |
Edited by | William Hamilton |
Production company | Inspiration Pictures |
Distributed by | First National Pictures |
Release date |
|
Running time | 7 reels |
Country | United States |
Language | Silent (English intertitles) |
Shore Leave is a 1925 American silent comedy film directed by John S. Robertson and starring Richard Barthelmess and Dorothy Mackaill. It was produced by Barthelmess's production company, Inspiration, and released by First National Pictures. [1]
Shore Leave is based on the stage play of the same name written by Hubert Osborne. The play ran on Broadway at the Lyceum Theatre from August 8 to December 1922 for a total of 151 performances. The play starred James Rennie and Frances Starr in the leads played by Barthelmess and Mackaill in the film. [2]
Shore Leave survives in the public domain and is available for download at archive.org. It is also available with musical accompaniment from online streaming services.
A print of Shore Leave is in a private collection. [3]
Richard Semler Barthelmess was an American film actor, principally of the Hollywood silent era. He starred opposite Lillian Gish in D. W. Griffith's Broken Blossoms (1919) and Way Down East (1920) and was among the founders of the Academy of Motion Picture Arts and Sciences in 1927. The following year, he was nominated for the Academy Award for Best Actor for two films: The Patent Leather Kid and The Noose.
The Barker is a 1928 American part-talkie pre-Code romantic drama film produced and released by First National Pictures, a subsidiary of Warner Bros., acquired in September 1928. The film was directed by George Fitzmaurice and stars Milton Sills, Dorothy Mackaill, Betty Compson, and Douglas Fairbanks Jr. The Barker is a part-talkie with talking sequences and sequences with synchronized musical scoring and sound effects. The film was adapted by Benjamin Glazer, Joseph Jackson and Herman J. Mankiewicz from the play by Kenyon Nicholson.
Dorothy Mackaill was a British-American actress, most active during the silent-film era and into the pre-Code era of the early 1930s.
Hit the Deck is a 1930 American pre-Code musical film directed by Luther Reed and starring Jack Oakie and Polly Walker, with Technicolor sequences. It was based on the 1927 musical Hit the Deck, which was itself based on the 1922 play Shore Leave by Hubert Osborne. It was one of the most expensive productions of RKO Radio Pictures up to that time, and one of the most expensive productions of 1930. This version faithfully reproduced the stage version of the musical.
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James Malachi Rennie was a Canadian American actor who performed on the New York stage and also appeared in several Hollywood films during the 1920s, 1930s and 1940s. He became a U.S. citizen in New York in 1933.
The Enchanted Cottage is a 1924 American silent drama film directed by John S. Robertson based upon a 1923 play by Arthur Wing Pinero. The film was produced by Richard Barthelmess, through his company Inspiration, and released through Associated First National. Barthelmess and May McAvoy star in the drama.
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The Great Divide is a 1929 American pre-Code Western film directed by Reginald Barker and starring Dorothy Mackaill. Released in both silent and sound versions, it was produced and distributed by First National Pictures. The film is a remake of The Great Divide, made at MGM in 1925 and also directed by Barker. There was another remake in 1931 as the full sound film Woman Hungry. All three films are based on the 1906 Broadway play The Great Divide by William Vaughn Moody.
The Love Racket is a 1929 American early sound crime drama film produced and distributed by First National Pictures. It was directed by William A. Seiter and starred Dorothy Mackaill. It is based on a Broadway play, The Woman on the Jury by Bernard K. Burns, and is a remake of a 1924 silent film of the same name which starred Bessie Love. The film is now considered lost.
Ranson's Folly is a 1926 American silent Western film produced by and starring Richard Barthelmess and co-starring Dorothy Mackaill. It is based on a Richard Harding Davis novel and 1904 play, Ranson's Folly, and was filmed previously in 1910 and in 1915 by Edison.
The Fighting Blade is a 1923 American silent drama film directed by John S. Robertson and released by Associated First National Pictures in 1923.
Hard to Get is a 1929 American all-talking sound pre-Code comedy film directed by William Beaudine and starring Dorothy Mackaill, Charles Delaney and James Finlayson.
The Whip is a 1928 American synchronized sound drama film directed by Charles Brabin and starring Dorothy Mackaill. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was based on a 1912 play The Whip by Cecil Raleigh and Henry Hamilton and distributed by First National. This sound film was released with a synchronized Vitaphone soundtrack of music and sound effects. It is set in the horse racing world of England.
The Beautiful City is a 1925 American silent drama film directed by Kenneth Webb and starring Richard Barthelmess, Dorothy Gish, and William Powell. For their mother's sake, a man takes the blame for a robbery committed by his brother and his brother's gangster boss.
The Streets of New York is a lost 1922 American silent drama film directed by Burton King and starring Dorothy Mackaill. The film is based on a Victorian era play by Dion Boucicault The Streets of New York.
The Man Who Came Back is a 1924 silent film drama directed by Emmett J. Flynn and starring George O'Brien and Dorothy Mackaill. It was produced and released by Fox Film Corporation.
Twenty-One is a 1923 American silent drama film directed by John S. Robertson and starring Richard Barthelmess, Dorothy Mackaill, and Joe King.