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A show globe is a glass vessel of various shapes and sizes containing a colorful liquid. [1] It has been a symbol of pharmacy from the 17th century England to the early 20th century in the United States. It marked the drugstore or apothecary in much the same way as the barber's pole marked tonsorial establishments in some countries. People who were illiterate needed such symbols to locate these medical practitioners.
Show globes were displayed almost exclusively in English-speaking countries, contrasting with the wider use of the mortar and pestle as a pharmaceutical symbol.
The most dramatic story of their origin goes back to the time of Julius Caesar 100–44 BC. When the Romans invaded England, according to this report, Caesar's forces found an ideal landing site opposite a pharmacy window which displayed large containers of colored liquids. Julius Caesar's forces guaranteed the pharmacist that he would be safe from the invading forces as long as he kept lighted lanterns in his windows which would serve as a beacon for the landing forces. As a token of his appreciation, Caesar "decreed that henceforth all apothecaries would be permitted to exhibit containers of colored liquids in their windows as a symbol of their calling." [2]
The main problem with this theory is that this would have occurred at least twelve centuries before there was any recognizable profession of pharmacy. [2] This story was reported in The Pharmaceutical Journal (the journal of the Royal Pharmaceutical Society of Great Britain) in 1931. As the columnist wrote, "Surely further research is needed." [3]
Another theory says that show globes had their origins in the Middle East during the period of Islamic domination. Shops were outdoors and pharmacists may have placed their material in elaborate jars or containers which could be the forerunners of show globes. Travelers from Western Europe admired these urns and took the idea back home. There are two reasons why this is probably false; there is no evidence that show globes were popular as a symbol in the Middle East, and instead of show globes appearing throughout Europe they are almost exclusively Anglo-American.
Another hypothesis says that show globes may have been maceration vessels, which were used to steep organic material in sunlight. The trouble with this explanation is that "England is not famous for its sunny days." [4]
Another theory makes the show globe a kind of first aid beacon. Apothecary shops in coastal regions filled vessels with red and green liquids to show sailors where to obtain medical attention.
Apothecaries in England had been competing with physicians since an act passed in 1542 permitted them to practice medicine along with anyone else. [5] According to another theory which puts pharmacists in a good light, during the Great Plague of London (1665–66), while many physicians were fleeing the city, apothecaries placed containers of colored liquids in their windows "to assure the threatened citizenry that they were still there ready to provide needed help." [2] Apothecaries may have seen this as a chance to expand their medical activities, as well as acting altruistically.
George Griffenhagen, pharmacist and acting curator of the Smithsonian Institution, did extensive research into the evolution of the show globe and laid to rest many of the more unusual stories about its origin. [6] He thought that the show globe appeared when the apothecaries and alchemists merged their professions during the mid 16th to mid 17th century. In England in the mid 1550s, just as physicians competed against apothecaries, the apothecaries, who delivered surgical services along with compounding and dispensing herbal medicines, competed with chemists and druggists. Druggists bought drugs in bulk and sold them as merchants (not as medical practitioners like the apothecaries); while chemists, who were derived from alchemists, prepared and sold chemical preparations used for medicinal purposes, like mercurials. [7] To attract attention to themselves and to symbolize the mystery and art of their profession these chemists displayed show globes with solutions of colored chemicals. Apothecaries and physicians were usually considered more conservative in their practice before the 18th century and often restricted themselves to non-chemical drugs using material of largely botanical origins. Most historians today feel the show globe began as a symbol of the chemist's shop. Eventually the apothecaries began to use chemical remedies, and also adopted the globe as their symbol.
For a largely illiterate public the show globe was a welcoming symbol. Charles Dickens once declared they were the only "bright and cheery spot in a London street on a dark and wet night." [8]
According to Charles Richardson, a collector of pharmaceutical artifacts, two apothecaries arrived in Jamestown, Virginia (1607) shortly after it was founded, and the colonists asked the Virginia Company to send more physicians and apothecaries to the colony. [5] In the early American settlements there was a shortage of health professionals; public officials, religious leaders, educators and household heads served as health advisors. Herbs and Indian remedies were used and apothecary shops were set up in large population centers. During the Revolutionary War medicine and pharmacy emerged as separate professions, and the first American Pharmacopoeia was printed in 1778. [9] By the 19th century, pharmacists had stopped practicing medicine and even the name apothecary faded away. Pharmacies developed the warmth and comfort of country stores and were displaying show globes, which by 1789 were being exported to America. [10] According to one writer, the only way pharmacies distinguished themselves from other stores was this unique sign. "Bakeries and hardware stores did not differ greatly from pharmacies in their façades." [11] It was in the United States 19th century that the show globes started to develop their elaborate design and diverse forms. Although the show globe became a pharmacy symbol of mainly English-speaking countries, it did appear in a few other countries notably France. [12]
Next to their origins, the greatest debate about show globes is what, if anything, the colors of the liquids symbolized. Red and blue may have indicated arterial and venous blood. One belief was that if the globe was filled with red liquid there was a plague in town, but if it was filled with green all was well. Pharmacists could create vibrant colors with chemicals in their shops, often following a recipe book. [4]
Most globes were plain glass, but sometimes they were punty cut or etched glass. Some had multiple stoppers, each stopper smaller than the one below, tapering to a small finial at the top. They could be freestanding or wall-mounted. If they were freestanding, they hung from a brass chain; the most elaborate had multiple tiers, each chamber containing a different color of water. It was not so much the pharmacists who were responsible for the evolution of show globes to works of arts, but American glass manufacturers. Pharmaceutical catalogs during the 1870s advertised numerous styles of show globes with each glass manufacturer developing his own design. A U.S. patent was granted in 1869 to Henry Whitney of Cambridge, Massachusetts, for a show globe with a colored glass body with a neck and base of transparent uncolored glass. The purpose of this design was to eliminate the need to use colored liquids, which could leave a residue inside the bottle. [13] Though oil could be used to illuminate the colored glass panes in windows, gas lighting in the early 19th century led to the general use of show globes. They could be lit from the interior or placed in front of a gas jet. In the United States, globes were usually illuminated by a light placed behind them.
Despite many attempts to revive show globes, they have disappeared from American pharmacies. By the early 20th century, new stores shunned them, and they were disappearing from many older pharmacies. Renewed support for the globes in the 1930s moved the Owens-Illinois Glass Company to introduce a new style with an electric bulb inside to illuminate the globe. [4] However, a 1935 American news article notes "rarely is a show globe ever seen in a modern druggist's emporium". [14] Through the 1950s, American Druggist urged pharmacists to bring back the show globe, terming it "the greatest trademark ever invented."
Pharmacy is the science and practice of discovering, producing, preparing, dispensing, reviewing and monitoring medications, aiming to ensure the safe, effective, and affordable use of medicines. It is a miscellaneous science as it links health sciences with pharmaceutical sciences and natural sciences. The professional practice is becoming more clinically oriented as most of the drugs are now manufactured by pharmaceutical industries. Based on the setting, pharmacy practice is either classified as community or institutional pharmacy. Providing direct patient care in the community of institutional pharmacies is considered clinical pharmacy.
A pharmacopoeia, pharmacopeia, or pharmacopoea, in its modern technical sense, is a book containing directions for the identification of compound medicines, and published by the authority of a government or a medical or pharmaceutical society.
A mortar and pestle is a set of two simple tools used to prepare ingredients or substances by crushing and grinding them into a fine paste or powder in the kitchen, laboratory, and pharmacy. The mortar is characteristically a bowl, typically made of hardwood, metal, ceramic, or hard stone such as granite. The pestle is a blunt, club-shaped object. The substance to be ground, which may be wet or dry, is placed in the mortar where the pestle is pounded, pressed, or rotated into the substance until the desired texture is achieved.
Apothecary is an archaic English term for a medical professional who formulates and dispenses materia medica (medicine) to physicians, surgeons and patients. The modern terms 'pharmacist' and 'chemist' have taken over this role.
The Royal Pharmaceutical Society is the body responsible for the leadership and support of the pharmacy profession (pharmacists) within England, Scotland, and Wales. It was created along with the General Pharmaceutical Council (GPhC) in September 2010 when the previous Royal Pharmaceutical Society of Great Britain was split so that representative and regulatory functions of the pharmacy profession could be separated. Membership in the society is not a prerequisite for engaging in practice as a pharmacist within the United Kingdom. Its predecessor the Pharmaceutical Society of Great Britain was founded on 15 April 1841.
In the field of pharmacy, compounding is preparation of custom medications to fit unique needs of patients that cannot be met with mass-produced products. This may be done, for example, to provide medication in a form easier for a given patient to ingest, or to avoid a non-active ingredient a patient is allergic to, or to provide an exact dose that isn't otherwise available. This kind of patient-specific compounding, according to a prescriber's specifications, is referred to as "traditional" compounding. The nature of patient need for such customization can range from absolute necessity to individual optimality to even preference.
A pharmacy is a premises which provides pharmaceutical drugs, among other products. At the pharmacy, a pharmacist oversees the fulfillment of medical prescriptions and is available to counsel patients about prescription and over-the-counter drugs or about health problems and wellness issues. A typical pharmacy would be in the commercial area of a community.
The Apothecary Shop is a building at the Shelburne Museum in Shelburne, Vermont, that exhibits objects salvaged from New England pharmacies that were closing in the early decades of the 20th century. The main room contains dried herbs, spices, drugs, and labeled glass apothecary bottles from the nineteenth century, as well as early patent medicines, medical equipment, cosmetics, and a collection of barbers' razors. The compounding room, with its brick hearth, copper distilleries, and percolators, replicates an illustration found in Edward Parrish's 1871 Treatise on Pharmacy.
A medicinal jar, drug jar, or apothecary jar is a jar used to contain medicines. Ceramic medicinal jars originated in the Islamic world and were brought to Europe where the production of jars flourished from the Middle Ages onward. Potteries were established throughout Europe and many were commissioned to produce jars for pharmacies and monasteries. They are an important category of the Dutch and English porcelain known as Delftware.
Drug packaging is process of packing pharmaceutical preparations for distribution, and the physical packaging in which they are stored. It involves all of the operations from production through drug distribution channels to the end consumer.
The history of pharmacy as a modern and independent science dates back to the first third of the 19th century. Before then, pharmacy evolved from antiquity as part of medicine. The history of pharmacy coincides well with the history of medicine, but it's important that there is a distinction between the two topics. Pharmaceuticals is one of the most-researched fields in the academic industry, but the history surrounding that particular topic is sparse compared to the impact its made world-wide. Before the advent of pharmacists, there existed apothecaries that worked alongside priests and physicians in regard to patient care.
The history of pharmacy in the United States is the story of a melting pot of new pharmaceutical ideas and innovations drawn from advancements that Europeans shared, Native American medicine and newly discovered medicinal plants in the New World. American pharmacy grew from this fertile mixture, and has impacted U.S. history, and the global course of pharmacy.
The Pharmacy Act 1868 was an act of the Parliament of the United Kingdom. It was the major 19th-century legislation in the United Kingdom limiting the sale of poisons and dangerous drugs to qualified pharmacists and druggists.
Adolph Ferdinand Duflos was a French-born, German pharmacist and chemist.
John Blocki was one of America's pioneer perfumers. His perfumes and cosmetics were widely sold and his unique presentation earned him a U.S. patent for perfumery packaging. He was well-known in the trade for his leadership and commitment to the advancement of the American perfume industry.
Margaret Elizabeth Buchanan was a British pharmacist and pioneer of women in pharmacy.
Rose Coombes Minshull (1845–1905) was one of the first two women members of the Pharmaceutical Society of Great Britain (PSGB), admitted in 1879.
Hope Constance Monica Winch was an English pharmacist and academic.
Elsie Higgon was the first Joint Secretary of the (National) Association of Women Pharmacists; researcher for King's College, the British Medical Journal and the British Pharmaceutical Codex; Lecturer in Chemistry at Portsmouth Municipal College; proprietor pharmacist of two businesses in Hampstead, proprietor of the Gordon Hall School of Pharmacy for Women in Gordon Square, and a supporter of the suffrage movement.
William Flockhart, L.R.C.S.E. was a Scottish chemist, a pharmacist who provided chloroform to Doctor James Young Simpson for his anaesthesia experiment at 52 Queen Street, Edinburgh on 4 November 1847. This was the first use of this chemical on humans when Simpson tried it on himself and a few friends, and then used it for pain relief in obstetrics, and surgery. This changed medical practice for over a century, according to the British Medical Journal.