Si Pitung (Old spelling: Si Pitoeng; or sometimes written just Pitung) was a 19th-century bandit in Batavia, Dutch East Indies (modern-day Jakarta, Indonesia). His exploits have since become legendary, with numerous accounts of his life, deeds, and death.
Pitung was born in Pengumben, a slum in Rawabelong (near modern-day Palmerah Station) to Bung Piung and Mbak Pinah in what is today West Jakarta; [1] he was the fourth son born to the couple. [2] His real name was Salihoen. Based on oral tradition, the name Pitung is derived from pituan pitulung (Javanese for "group of seven"). [3] As a child, Salihoen studied at Hadji Naipin's Islamic boarding school. [1] Aside from learning his prayers, he also received training in pencak and situational awareness. [2]
Pitung's criminal career started after money earned from the sale of his father's goats was stolen in Tanah Abang. His father forced him to compensate the loss. As a result, he chased down the thief. This incident made him known as a 'jago', a cocky person or local legend. Later Pitung invited his friends – Dji-ih, Rais, and Jebul – to rob Hadji Sapiudin, a wealthy landowner who lived northeast of Batavia, on 30 July 1892. One telling has it that the four men posed as civil servants and stated that Sapiudin was under investigation for fraud, but offered to keep his money in safekeeping. Sapiudin surrendered the money, unaware that he was being conned. [1] The police suspected that the robbers had used guns to threaten the house owner and neighbors. [4] Some tellings have Pitung stealing money only from rich persons who had collaborated with the Dutch colonial overlords. [2]
According to the daily Hindia Olanda, on 18 July 1892 a schout (kind of police officer) in Tanah Abang rummaged through Bitoeng's house in one of villages of Sukabumi. [lower-alpha 1] [5] During the search, a black coat, a police uniform, and a cap were discovered. Those items were allegedly used by Pitung and his comrades to rob a village. [6] The next month, 125 guilders were found concealed under the house. The money was supposedly from the robbery of a Mrs. De C. and Hadji Sapiudin. [4]
His crimes received the attention of A.W.V. Hinne, a police officer who was stationed in Batavia from 1888 to 1912. Hinne wanted to capture Pitung and had caught him once. However, Pitung had escaped with the help of his gang members; folklore attributes the escape to Pitung's magical powers. Reports differ on what happened next. One account gives Hinne convincing Pitung's former teacher Hadji Naipin to reveal what talisman (jimat) gave Pitung his powers. Another version has Hinne asking Pitung's comrades (excluding Dji-ih, who was highly loyal to Pitung) the same question; these comrades betrayed Pitung. The jimat itself differs depending on the retelling. One source says it was his kris (a kind of dagger). Another says it was his hair, and his power would weaken if his hair was cut. Some sources suggest that Pitung would lose his supernatural powers if he was pelted with rotten eggs. [7]
Eventually, Hinne was able to kill Pitung. According to the report in the Dutch-language Locomotief, the historical Pitung was caught in an ambush and killed by Hinne and several assistants; [8] some Indonesian tellings indicate that Pitung's family had been arrested and tortured to draw him out. [2] A detail found in folklore, but not present in accounts from the period, is that Hinne shot and killed Pitung with a golden bullet. [7]
Pitung was buried in a cemetery in Sukabumi (now part of Jakarta). [5] Hinne was awarded the title Broeder van de Nederlandsche Leeuw (Brother of the Dutch Lion) for his part in stopping Pitung. [9] When the city began to develop, most of the cemetery where Pitung was buried was built over with the head offices of Telkom Indonesia. However, the grave remained undisturbed and was often the site of pilgrimages for those seeking mystical powers. [5] Another mythic figure, a Moluccan named Jonker, is buried nearby. [10]
In the lenong version, Pitung is described as a humble person, a good Muslim, a hero of Betawi people, and an upholder of justice. [1] According to Indonesian author and screenwriter Lukman Karmani, who wrote about Pitung in the 1960s, the bandit was an Indonesian Robin Hood, stealing from the rich to give to the poor. [11] In Si Pitoeng, a 1931 film and the first produced about Pitung's life, he was shown as a real bandit. [12] However, in the 1970 film of the same name, Pitung's characteristics were closer to the traditional Indonesian depictions. [13] The Indonesian-run newspaper Hindia Olanda described Pitung as a "colorful figure" in its first reports. [5]
According to the Dutch scholar Margareet van Till, views of Pitung vary depending on ethnicity. The Dutch despised him, while the Chinese and natives respected him. [2] [14]
Pitung's story appears in rancak (a kind of ballad), syair (narrative poems), and lenong (folk-plays performed by semi-professional actors). [1]
Several modern depictions of Pitung's story exist. One of the earliest, and the first film, was made in 1931. [14] It was entitled Si Pitoeng and produced by the Wong brothers, American-trained directors of Chinese descent. [15] The film starred Herman Shin as Pitung and the keroncong singer Ining Resmini as a love interest. [13] Several novels were published in the 1970s, with several films also released in that decade. [14] One of the most successful films about Pitung from that period was Si Pitung, which was released in August 1970 and became the most watched of the year, viewed by 141,140 persons; this version also introduced a love interest named Aisjah. [13] In May 1971, the film Banteng Betawi was released as the sequel of Si Pitung, which tells of the death of Pitung; two other sequels followed, in 1977 and 1981. [16] There were also television series made about him. [14]
Si Pitung Museum, a house which reportedly belonged to Hadji Sapiudin, is located in Marunda. The house has also been said to be Pitung's. [11]
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Betawi people, or Batavians, are an Austronesian ethnic group native to the city of Jakarta and its immediate outskirts, as such often described as the native inhabitants of the city. They are the descendants of the people who inhabited Batavia from the 17th century onwards.
Kramat Jati is a district (kecamatan) of East Jakarta, Indonesia. The boundaries of Kramat Jati are Jagorawi Toll Road to the east, Ciliwung to the west, and Jakarta-Cikampek Tollway to the north.
Cilincing is a historic neighborhood of the coast of Jakarta, Indonesia. It is sandwiched between the Port of Tanjung Priok to the west and River Titram to the east. Cilincing has been for some decades one of the districts of North Jakarta which in turn encompasses as far as Marunda and some non-coastal hinterland.
Si Pitoeng is a film from the Dutch East Indies that was released in 1931. Directed by the Wong brothers and starring Herman Shim and Ining Resmini, it was the first film based on the life of Si Pitung, a bandit from Batavia.
The Wong brothers were three ethnic Chinese film directors and cameramen active in the cinema of the Dutch East Indies. The sons of an Adventist preacher, the brothers – Nelson (1895–1945), Joshua (1906–1981), and Othniel (1908–1986) – received much of their education in the United States before going to Shanghai and establishing The Great Wall Productions.
Lie Kim Hok was a peranakan Chinese teacher, writer, and social worker active in the Dutch East Indies and styled the "father of Chinese Malay literature". Born in Buitenzorg, West Java, Lie received his formal education in missionary schools and by the 1870s was fluent in Sundanese, vernacular Malay, and Dutch, though he was unable to understand Chinese. In the mid-1870s he married and began working as the editor of two periodicals published by his teacher and mentor D. J. van der Linden. Lie left the position in 1880. His wife died the following year. Lie published his first books, including the critically acclaimed syair (poem) Sair Tjerita Siti Akbari and grammar book Malajoe Batawi, in 1884. When van der Linden died the following year, Lie purchased the printing press and opened his own company.
Tirto Adhi Soerjo was an Indonesian journalist known for his sharp criticism of the Dutch colonial government. Born to a noble Javanese family in Blora, Central Java, Tirto first studied to become a doctor but later focused on journalism. A freelancer since 1894, in 1902 he was made an editor of the Batavia based Pembrita Betawi. Tirto established his first newspaper in 1903 and, four years later, created Medan Prijaji as a medium for educated native Indonesians. This proved his longest-lived publication, lasting over five years before Tirto was exiled in 1912 to Bacan for his staunch anti-colonial criticism.
Si Ronda is a 1930 silent film from the Dutch East Indies which was directed by Lie Tek Swie and starred Bachtiar Effendi. Based on contemporary Betawi oral tradition, it follows the exploits of a bandit, skilled in silat, known as Si Ronda. In the lenong stories from which the film was derived, Ronda was often depicted as a Robin Hood type of figure. The production, now thought lost, was one of a series of martial arts films released between 1929 and 1931. Si Ronda received little coverage in the media upon its release. A second adaptation of the tale, Si Ronda Macan Betawi, was made in 1978.
Si Tjonat is a likely lost 1929 bandit film from the Dutch East Indies directed by Nelson Wong and produced by Wong and Jo Eng Sek. Based on the novel by F.D.J. Pangemanann, the silent film followed an indigenous man who, having killed his fellow villager, flees to Batavia and becomes a bandit. After kidnapping an ethnic Chinese woman, he is defeated and brought to justice.
Tjěrita Si Tjonat, Sato Kěpala Pěnjamoen di Djaman Dahoeloe Kala is a 1900 novel written by the journalist F. D. J. Pangemanann. One of numerous bandit stories from the contemporary Indies, it follows the rise and fall of Tjonat, from his first murder at the age of thirteen until his execution some twenty-five years later. The novel's style, according to Malaysian scholar Abdul Wahab Ali, is indicative of a transitional period between orality and written literature. Tjerita Si Tjonat has been adapted to the stage multiple times, and in 1929 a film version was made.
Frederick D. J. Pangemanann was a journalist and novelist from the Dutch East Indies.
Nawi Ismail was an Indonesian film director and actor. He often worked with Dicky Zulkarnaen and Benyamin Sueb.
Lenong is a traditional theatrical form of the Betawi people in Jakarta, Indonesia.
Lauw Giok Lan was a Chinese Indonesian journalist and writer. He was one of the founders of the newspaper Sin Po.
Abdul Hamid Arief was an Indonesian actor who appeared in more than 120 films. Born in Batavia, Dutch East Indies, he started his acting career in theatre before migrating to film with 1948's Anggrek Bulan. His first starring role, and the one from which he first gained recognition, was as the title character in Pangeran Hamid. Over subsequent decades he was a productive film actor, often appearing in four or five films a year. He also acted in various television series.
Cafe Batavia is a restaurant located in Kota Tua, Jakarta, Indonesia. It is one of the colonial landmarks facing the square Taman Fatahillah. The building where Cafe Batavia is established is the second oldest building in the square, second only to the former City Hall building of Batavia, which had been reestablished as the Jakarta History Museum.
The following outline is provided as an overview of and topical guide to Jakarta:
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