Silver-gilt or gilded/gilt silver, sometimes known in American English by the French term vermeil, is silver (either pure or sterling) which has been gilded with gold. Most large objects made in goldsmithing that appear to be gold are actually silver-gilt; for example most sporting trophies (including medals such as the gold medals awarded in all Olympic Games after 1912)[1] and many crown jewels are silver-gilt objects.
Apart from the raw materials being much less expensive to acquire than solid gold of any karat, large silver-gilt objects are also noticeably lighter if lifted, as well as more durable (gold is much heavier than even lead and is easily scratched and bent). For objects that have intricate detail like monstrances, gilding greatly reduces the need for cleaning and polishing, and so reduces the risk of damage. Ungilded silver would suffer oxidation and need frequent polishing; gold does not oxidize at all. The "gold" threads used in embroidered goldwork are normally also silver-gilt.
Techniques
Silver gilt toilet service by Johann Jacob Kirstein, 1786
Silver-gilt objects have been made since ancient times across Eurasia, using a variety of gilding techniques, and a distinctive depletion gilding technique was developed by the Incas in Pre-Columbian South America. "Overlaying" or folding or hammering on gold foil or gold leaf is mentioned in Homer's Odyssey (Bk vi, 232),[2] and fire-gilding with mercury dates to at least the 4th century BC, and was the most common method until the Early Modern period at least, though dangerous for the workers[3] and often caused blindness among French artisans who refined the technique in the 18th century.[citation needed] Today electroplating is the most commonly used method: it involves no mercury and is therefore much safer. Keum-boo is a special Korean technique of silver-gilding, using depletion gilding. In China gilt-bronze, also known as ormolu, was more common.
Vermeil (/ˈvɜːrmɪl/ or /vərˈmeɪ/; French:[vɛʁˈmɛj]) is an alternative for the usual term silver-gilt. It is a French word which came into use in the English language, mostly in America, in the 19th century, and is rare in British English.[4][5][6] "Vermeil" can also refer to gilt bronze, an even less costly alternative construction material than silver.[7]
The US Code of Federal Regulations 16, Part 23.5 defines vermeil thus: "An industry product may be described or marked as 'vermeil' if it consists of a base of sterling silver coated or plated on all significant surfaces with gold or gold alloy of not less than 10-karat fineness, that is of substantial thickness and a minimum thickness throughout equivalent to two and one half (2+1⁄2) microns (or approximately 1⁄10000 of an inch) of fine gold."[8][9]
Silver objects could be gilded at any point, not just when first made, and items regularly handled, such as toilet service sets for dressing-tables or tableware, often needed regilding after a few years, as the gold began to wear off. In 18th century London two different silversmiths charged 3 shillings per ounce of silver for an initial gilding, and 1 shilling and 9 pence per ounce for regilding.[10] Often only the interior of cups was gilded, perhaps from concern at the chemical compounds used to clean tarnish from silver. This is called parcel-gilt.
Fully silver-gilt items are visually indistinguishable from gold, and were no doubt often thought to be solid gold. When the English Commonwealth sold the Crown Jewels of England after the execution of Charles I they were disappointed in the medieval "Queen Edith's Crowne, formerly thought to be of massy gold, but upon trial found to be of silver gilt", which was valued at only £16, compared to £1,110 for the "imperial crowne".[11] The English Gothic Revival architect Sir George Gilbert Scott was concerned by the morality of this. Gilding of the interior only he accepted, but with all-over gilding "we ... reach the actual boundary of truth and falsehood; and I am convinced that if we adopt this custom we overstep it.... why make our gift look more costly than it is? We increase its beauty, but it is at the sacrifice of truth."[12] Indeed, some Early Medieval silver-gilt Celtic brooches had compartments apparently for small lead weights to aid such deception.[13]
↑ "And as when a man overlays silver with gold, a cunning workman whom Hephaestus and Pallas Athena have taught all manner of craft, and full of grace is the work he produces, even so the goddess shed grace upon his head and shoulders" from this translation
↑ Compare for example the online collection of the Museum of Fine Arts, Boston, which describes over 800 objects as "silver-gilt" against a handful of pieces of jewellery incorporating "vermeil" Accessed July 30, 2009
Inventory of the goods, jewels, etc., sold by order of the Council of State from the several places and palaces following:--The Tower Jewel-Houses, Somerset House, Whitehall, Greenwich, Wimbledon, Oatlands, Windsor, Hampton Court, Richmond, Sion House, St. James's, and several other places; with the several contracts made by the contractors for sale of the said goods, etc., from the year 1646 to the year 1652. British Library, Harleian Ms. Article
Furniture refers to objects intended to support various human activities such as seating, eating (tables), storing items, working, and sleeping. Furniture is also used to hold objects at a convenient height for work, or to store things. Furniture can be a product of design and can be considered a form of decorative art. In addition to furniture's functional role, it can serve a symbolic or religious purpose. It can be made from a vast multitude of materials, including metal, plastic, and wood. Furniture can be made using a variety of woodworking joints which often reflects the local culture.
Guilder is the English translation of the Dutch and German gulden, originally shortened from Middle High German guldin pfenninc. This was the term that became current in the southern and western parts of the Holy Roman Empire for the Fiorino d'oro. Hence, the name has often been interchangeable with florin.
Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal, wood, porcelain, or stone. A gilded object is also described as "gilt". Where metal is gilded, the metal below was traditionally silver in the West, to make silver-gilt objects, but gilt-bronze is commonly used in China, and also called ormolu if it is Western. Methods of gilding include hand application and gluing, typically of gold leaf, chemical gilding, and electroplating, the last also called gold plating. Parcel-gilt objects are only gilded over part of their surfaces. This may mean that all of the inside, and none of the outside, of a chalice or similar vessel is gilded, or that patterns or images are made up by using a combination of gilt and ungilted areas.
The Crown Jewels of the United Kingdom, originally the Crown Jewels of England, are a collection of royal ceremonial objects kept in the Jewel House at the Tower of London, which include the coronation regalia and vestments worn by British monarchs.
A monstrance, also known as an ostensorium, is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic Sacramental bread (host) during Eucharistic adoration or during the Benediction of the Blessed Sacrament. A monstrance may also serve as a reliquary for the public display of relics of some saints. The word monstrance comes from the Latin word monstrare, while the word ostensorium comes from the Latin word ostendere. Either term, each expressing the concept of "showing", can refer to a vessel intended for the exposition of the Blessed Sacrament, but ostensorium has only this meaning.
The fineness of a precious metal object represents the weight of fine metal therein, in proportion to the total weight which includes alloying base metals and any impurities. Alloy metals are added to increase hardness and durability of coins and jewelry, alter colors, decrease the cost per weight, or avoid the cost of high-purity refinement. For example, copper is added to the precious metal silver to make a more durable alloy for use in coins, housewares and jewelry. Coin silver, which was used for making silver coins in the past, contains 90% silver and 10% copper, by mass. Sterling silver contains 92.5% silver and 7.5% of other metals, usually copper, by mass.
Tumbaga is the name given by Spanish Conquistadors for a non-specific alloy of gold and copper, and metals composed of these elements. Pieces made of tumbaga were widely found in pre-Columbian Mesoamerica in North America and South America.
Gold plating is a method of depositing a thin layer of gold onto the surface of another metal, most often copper or silver, by chemical or electrochemical plating. Plating refers to modern coating methods, such as the ones used in the electronics industry, whereas gilding is the decorative covering of an object with gold, which typically involve more traditional methods and much larger objects.
Verre églomisé is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy (1711–1786), who was responsible for its revival.
Ormolu is the gilding technique of applying finely ground, high-carat gold–mercury amalgam to an object of bronze, and objects finished in this way. The mercury is driven off in a kiln, leaving behind a gold coating. The French refer to this technique as "bronze doré"; in English, it is known as "gilt bronze". Around 1830, legislation in France outlawed the use of mercury for health reasons, though use continued to the 1900s.
Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or cast into the surface of a metal object, and filled with vitreous enamel. The piece is then fired until the enamel fuses, and when cooled the surface of the object is polished. The uncarved portions of the original surface remain visible as a frame for the enamel designs; typically they are gilded in medieval work. The name comes from the French for "raised field", "field" meaning background, though the technique in practice lowers the area to be enamelled rather than raising the rest of the surface.
A treasure binding or jewelled bookbinding is a luxurious book cover using metalwork in gold or silver, jewels, or ivory, perhaps in addition to more usual bookbinding material for book covers such as leather, velvet, or other cloth. The actual bookbinding technique is the same as for other medieval books, with the folios, normally of vellum, stitched together and bound to wooden cover boards. The metal furnishings of the treasure binding are then fixed, normally by tacks, onto these boards. Treasure bindings appear to have existed from at least Late Antiquity, though there are no surviving examples from so early, and Early Medieval examples are very rare. They were less used by the end of the Middle Ages, but a few continued to be produced in the West even up to the present day, and many more in areas where Eastern Orthodoxy predominated. The bindings were mainly used on grand illuminated manuscripts, especially gospel books designed for the altar and use in church services, rather than study in the library.
Gold leaf is gold that has been hammered into thin sheets by a process known as goldbeating, for use in gilding.
The Vermeil Room is located on the ground floor of the White House, the official residence of the president of the United States. The room houses a collection of silver-gilt or vermeil tableware, a 1956 bequest to the White House by Margaret Thompson Biddle. Portraits of American First Ladies hang in the room.
Depletion gilding is a method for producing a layer of nearly pure gold on an object made of gold alloy by removing the other metals from its surface. It is sometimes referred to as a "surface enrichment" process.
Angel gilding is gilding glass or gold plating by electroless chemical deposition.
Limoges enamel has been produced at Limoges, in south-western France, over several centuries up to the present. There are two periods when it was of European importance. From the 12th century to 1370 there was a large industry producing metal objects decorated in enamel using the champlevé technique, of which most of the survivals, and probably most of the original production, are religious objects such as reliquaries.
A chasse, châsse or box reliquary is a shape commonly used in medieval metalwork for reliquaries and other containers. To the modern eye the form resembles a house, though a tomb or church was more the intention, with an oblong base, straight sides and two sloping top faces meeting at a central ridge, often marked by a raised strip and decoration. From the sides there are therefore triangular "gable" areas.
The White Boar was the personal device or badge of the English King Richard III of England, and is an early instance of the use of boars in heraldry.
The Middle Ages was a period that spanned approximately 1000 years and is normally restricted to Europe and the Byzantine Empire. The material remains we have from that time, including jewelry, can vary greatly depending on the place and time of their creation, especially as Christianity discouraged the burial of jewellery as grave goods, except for royalty and important clerics, who were often buried in their best clothes and wearing jewels. The main material used for jewellery design in antiquity and leading into the Middle Ages was gold. Many different techniques were used to create working surfaces and add decoration to those surfaces to produce the jewellery, including soldering, plating and gilding, repoussé, chasing, inlay, enamelling, filigree and granulation, stamping, striking and casting. Major stylistic phases include barbarian, Byzantine, Carolingian and Ottonian, Viking, and the Late Middle Ages, when Western European styles became relatively similar.
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