Since We've Become Translucent | ||||
---|---|---|---|---|
Studio album by | ||||
Released | August 20, 2002 | |||
Recorded | April 4, 2000–February 23, 2002 | |||
Studio |
| |||
Genre | Alternative rock | |||
Length | 46:34 | |||
Label | Sub Pop [1] | |||
Producer |
| |||
Mudhoney chronology | ||||
| ||||
Singles from Since We've Become Translucent | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Pitchfork Media | 5.2/10 [3] |
Rolling Stone | [4] |
Since We've Become Translucent is the sixth studio album by American rock band Mudhoney, released in 2002. [5] The album was the first to be recorded after the departure of their original bassist Matt Lukin, three years earlier. [6] It was also the first to be released through Sub Pop after the band returned to the label.
Since We've Become Translucent marked a prominent change in the band's sound. The album departed from their typical grunge sound and features a relatively accessible rock sound. However, on tracks such as "Baby, Can You Dig the Light?", psychedelica, synthpop, and jazz are explored.
The bulk of the album was recorded over three weekends with three different producers – Johnny Sangster, Martin Feveyear and Scott Colburn – between November 2001 and February 2022. The band focused on three songs at a time, which they rehearsed and recorded before moving on to the next songs. [7] This approach would also be used on the band's next album Under a Billion Suns . [8] One track, "Inside Job", was recorded with Jack Endino in a single day in April 2000 with former MC5 Wayne Kramer on bass, [9] before new bassist Guy Maddison joined the band in 2001. [10]
All tracks are written by Mudhoney
Chart (2002) | Peak position |
---|---|
UK Rock & Metal Albums (OCC) [12] | 32 |
Mudhoney is an American rock band formed in Seattle, Washington, on January 1, 1988, following the demise of Green River. Its members are singer and rhythm guitarist Mark Arm, lead guitarist Steve Turner, bassist Guy Maddison and drummer Dan Peters. Original bassist Matt Lukin left the band in 1999, but rejoined the band in December 2000 for a tour that lasted through January 2001.
Every Good Boy Deserves Fudge is the second studio album by American rock band Mudhoney. It was recorded at a time when the band was thinking of signing to a major record label, but decided to release the album on Sub Pop in 1991. The album shipped 50,000 copies on its original release. It was credited with helping to keep Sub Pop in business.
Mudhoney is the debut studio album by American rock band Mudhoney, released in 1989. It was their first LP after several singles and two EPs.
Screaming Life is the debut EP by American rock band Soundgarden, released in October 1987 by Sub Pop. Screaming Life was later combined with the band's next EP, Fopp (1988), and released as the Screaming Life/Fopp compilation album in 1990.
Mark Arm is an American singer and songwriter, best known as the vocalist for the grunge band Mudhoney. His former group, Green River, was one of the first grunge bands, along with Malfunkshun, Soundgarden, Skin Yard, the U-Men, and others. He is also the manager of the Sub Pop warehouse and previously worked at Fantagraphics Books.
Superfuzz Bigmuff is the debut EP and first major release by the Seattle grunge band Mudhoney. It was released on October 20, 1988, through record label Sub Pop. The album was later re-released in 1990 in the form of Superfuzz Bigmuff Plus Early Singles.
Sieg Howdy! is the second album by Jello Biafra and The Melvins. It consists of songs recorded during the same sessions that produced their first collaboration Never Breathe What You Can't See but not used on that album, plus remixes of four songs from the first album.
Jack Endino is an American producer and musician based in Seattle, Washington. Long associated with Seattle label Sub Pop and the grunge movement, Endino worked on seminal albums from bands including Mudhoney, Soundgarden and Nirvana. He was also the guitarist for Seattle band Skin Yard, which was active between 1985 and 1992. Endino currently manages a studio in Seattle called Soundhouse, owned by Mike Sebring.
Under a Billion Suns is the seventh studio album by American rock band Mudhoney, released in the United States in March 7th, 2006. The album further departed from grunge and a continued a more commercial direction that began with their previous album Since We've Become Translucent. Of note is the unusual amount of saxophones and trumpets featured on the album. A few of the songs also feature female backing vocals. It was recorded with three producers: Phil Ek, Johnny Sangster and Tucker Martine.
Turn Back is the third studio album by the American rock group Toto, released in 1981. Although it yielded the band's first top-ten hit in Japan and steady sales in that country, the album was a commercial disappointment elsewhere, failing to produce any charting singles and selling approximately 900,000 copies worldwide.
As Dez Mais is the tenth studio album by Brazilian rock band Titãs, and their first cover album. It was released in 1999, selling more than 400,000 copies. It was their last album with guitarist Marcelo Fromer, who died in 2001 just a few days before the first days of recordings of As Dez Mais' studio successor, A Melhor Banda de Todos os Tempos da Última Semana.
Guy Bernard Maddison is an Australian punk and grunge musician. From 1986 to 1989 he worked as a member of noise rock group Lubricated Goat and appeared on their album Paddock of Love. He was a member of Bloodloss (1993–97), a blues-punk band, alongside Mark Arm on vocals. From 2001 Maddison is the bass guitarist of the United States-based grunge band, Mudhoney, and has worked on their studio albums, Since We've Become Translucent (2002), Under a Billion Suns (2006), The Lucky Ones (2008), Vanishing Point (2013), Digital Garbage (2018) and Plastic Eternity (2023).
The Lucky Ones is the eighth studio album by American rock band Mudhoney, released on Sub Pop Records on May 20, 2008.
Martin John Feveyear born late 1966 is a British record producer and audio engineer based in Seattle, Washington. Beginning as a singer-songwriter and musician, Feveyear soon began recording work for artists in both the UK and US before moving to Seattle at the age of 25. Together with Christian Fulghum, he opened Jupiter Studios in Seattle in 1996. He has since worked with artists and groups — producing, engineering, arranging, mixing, mastering and additional instruments — such as Mark Lanegan, Mudhoney, Duff McKagan's Loaded, Kings of Leon, The Presidents of the United States of America, Queens of the Stone Age, Amber Pacific, Jesse Sykes, Sirens Sister, Green Apple Quick Step, Nevada Bachelors, The Minus 5, and Brandi Carlile, among others.
Deep Six is a 1986 compilation album featuring six Seattle-based rock bands. It was the first release by C/Z Records, with a catalogue number of CZ01 for 2,000 copies. The album was reissued as a joint C/Z Records/A&M Records release on April 5, 1994.
Vanishing Point is the ninth studio album by American rock band Mudhoney. It was released on April 2, 2013 as their sixth studio album release on Sub Pop.
The Tripwires are a Seattle, Washington–based rock supergroup made up of well known local musicians Dan Peters, John Ramberg, and brothers Jim and Johnny Sangster, all of whom have been members of bands that include The Minus 5, Screaming Trees, and The Young Fresh Fellows.
Digital Garbage is the tenth studio album by American rock band Mudhoney. It was released on September 28, 2018. This is their seventh studio album release on Sub Pop.
Plastic Eternity is the eleventh studio album by American grunge band Mudhoney, released on April 7, 2023, and their eighth released on Sub Pop. It has received positive reviews from critics.
Morning in America is a vinyl and download only EP by American rock band Mudhoney, released on September 20, 2019, by Sub Pop. It contains tracks recorded during the sessions for 2018's Digital Garbage, but not included on that album, plus a couple completed at a later time.