| Single Piece Flow | ||||
|---|---|---|---|---|
 | ||||
| Studio album by The Vandermark 5 | ||||
| Released | 1997 | |||
| Recorded | August 10 & 11, 1996 | |||
| Studio | Überstudio, Chicago | |||
| Genre | Jazz | |||
| Length | 58:07 | |||
| Label | Atavistic | |||
| Ken Vandermark chronology | ||||
| ||||
Single Piece Flow is an album by American jazz reedist Ken Vandermark, which was recorded in 1996 and released on Atavistic. It was the debut of the Vandermark 5, which features Mars Williams on reeds, Jeb Bishop on trombone and guitar, Kent Kessler on bass and Tim Mulvenna on drums.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| The Penguin Guide to Jazz |  [2] |
| Down Beat | [3] |
In his review for AllMusic, Brian Olewnick states "The musicians are all up to the task... But the 'stars' of the album are the compositions themselves, probing and muscular, offering a fresh way through the stasis that was building in some circles of avant jazz by the mid-'90s." [1]
The Penguin Guide to Jazz says "Almost temperate in parts, there's some exemplary use of the group as a unit, with a piece like 'The Mark Inside' offering a sort of jaundiced twist on jazz tradition." [2]
The Down Beat review by Aaron Cohen notes that "Vandermark's themes are often based around endearing riffs that are never merely cute and provide a lively framework for each performer's agility." [3]
Ken Vandermark is an American composer, saxophonist, and clarinetist.
Jeb Bishop is an American jazz trombone player.
Kent Kessler is an American jazz double-bassist.
Fred Anderson / DKV Trio is an album by the American jazz saxophonist Fred Anderson with the DKV Trio, composed of drummer Hamid Drake, bassist Kent Kessler and reedist Ken Vandermark. The album was recorded in 1996 and released on Okka Disk. The DKV Trio formed in the summer of 1994 and started performing at Anderson's Velvet Lounge very early in their career. Those meetings led to the idea of doing a record with Fred. "Black Woman", a classic Anderson composition that appears on several of his other recordings, is a tenor sax duet.
Calling All Mothers is an album by American jazz group the NRG Ensemble, their first after the death of bandleader, and multi-instrumentalist Hal Russell, which was recorded in 1993 and released on the Quinnah label.
Big Head Eddie is the debut album by American jazz reedist Ken Vandermark, which was recorded in 1993 and released on Platypus.
International Front is an album by American jazz reedist Ken Vandermark, which was recorded in 1994 and released on Okka Disk. He leads the Steelwool Trio with longtime partner bassist Kent Kessler and Boston drummer Curt Newton.
Utility Hitter is an album by American jazz reedist Ken Vandermark, which was recorded in 1995 and released on the Quinnah label. He leads the Barrage Double Trio, composed of one bass-drums-reeds trio from Boston and other from Chicago. The whole band plays six Vandermark compositions, the remaining five tracks are short improvisations: one for each of the trios and three duos.
Blow Horn is an album by FJF, a quartet formed by Swedish saxophonist Mats Gustafsson and American reedist Ken Vandermark with the Chicago's NRG Ensemble rhythm section of bassist Kent Kessler and drummer Steve Hunt. It was recorded in 1995 and released on Okka Disk.
A Meeting in Chicago is an album by trumpeter/saxophonist Joe McPhee, reedist Ken Vandermark and bassist Kent Kessler, which was released in 1997 on Eighth Day Music and reissued the following year with new artwork by Okka Disk. The album documents trio, duo and solo improvisations recorded all in a single take with no rehearsal, before playing their first concert later that night at The Empty Bottle. Vandermark cites McPhee’s solo recording Tenor as a major influence.
Real Time is an album by American jazz reedist Ken Vandermark, which was released in 1997 on Eighth Day Music and reissued in 2000 with new artwork by Atavistic. He leads the quartet Steam with pianist Jim Baker, bassist Kent Kessler and drummer Tim Mulvenna. The band was formed in part to dip into the repertoire of the post-changes jazz tradition, playing live covers of tunes by Anthony Braxton, Sun Ra, Ornette Coleman and Eric Dolphy. On their debut, the group chose exclusively to deal with its own pieces: six by Vandermark and three by Baker.
Baraka is an album by the DKV Trio, composed of drummer Hamid Drake, bassist Kent Kessler and reedist Ken Vandermark. It was recorded in 1997 and released on Okka Disk.
Target or Flag is an album by the American jazz reedist Ken Vandermark, recorded in 1997 and released on Atavistic. It was the second recording of the Vandermark 5, which includes Mars Williams on reeds, Jeb Bishop on trombone and guitar, Kent Kessler on bass and Tim Mulvenna on drums.
Straight Lines is an album by the American jazz reedist Ken Vandermark, recorded in 1998 and released on Atavistic. The Joe Harriott Project, a pianoless quartet with four members of the Vandermark 5, plays the music of the Jamaican saxophonist Joe Harriott, transcribed and arranged by Vandermark. Three tunes are from the album Free Form and four from Abstract.
Simpatico is an album by American jazz reedist Ken Vandermark, which was recorded in 1998 and released on Atavistic. It was the third recording of the Vandermark 5, the first with Dave Rempis replacing former saxophonist Mars Williams.
Design in Time is an album by American jazz reedist Ken Vandermark, which was recorded in 1999 and released on Delmark. It was the debut recording by the Sound in Action Trio, which features two drummers: former Sun Ra percussionist Robert Barry and frequent Vandermark collaborator Tim Mulvenna. Most of the tunes are classics written by Ornette Coleman, Thelonious Monk, Sun Ra, Don Cherry and Albert Ayler.
Double Trouble is an album by Barry Guy and the London Jazz Composers' Orchestra. Documenting a large-scale, 46-minute composition by Guy, it was recorded in April 1989 in Zürich, Switzerland, and was released in 1990 by Intakt Records.
Stone/Water is a live album by the Peter Brötzmann Chicago Tentet, led by saxophonist Brötzmann, and featuring an ten-piece ensemble. Documenting a performance of a single 39-minute work, it was recorded on May 23, 1999, at the Festival de Musique de Actuelle Victoriaville in Victoriaville, Quebec, Canada, and was released on CD in 2000 by Okka Disk. On the album, Brötzmann is joined by saxophonists Mats Gustafsson and Ken Vandermark, trumpeter and electronic musician Toshinori Kondo, trombonist Jeb Bishop, violinist and cellist Fred Lonberg-Holm, double bassists Kent Kessler and William Parker, and percussionists Hamid Drake and Michael Zerang.
The Chicago Octet/Tentet is a live album by saxophonist Peter Brötzmann on which he is joined by two large ensembles known as the Chicago Octet and Tentet. Six tracks were recorded live at The Empty Bottle in Chicago on January 29, 1997, and September 17, 1997, while the remaining six tracks were recorded at AirWave Studio in Chicago on September 16, 1997. The album was released in 1998 as a limited-edition three-CD set by the Okka Disk label, and, in addition to Brötzmann, features saxophonists Mats Gustafsson, Joe McPhee, Ken Vandermark, and Mars Williams, trombonist Jeb Bishop, cellist Fred Lonberg-Holm, double bassist Kent Kessler, and drummers Hamid Drake and Michael Zerang.
3 Nights in Oslo is a five-disc live box set album by the Peter Brötzmann Chicago Tentet + 1, led by saxophonist Brötzmann, and featuring an eleven-piece ensemble. It was recorded during February 19–21, 2009, at Victoria, Nasjonal Jazzscene in Oslo, Norway, and was released on CD in 2010 by the Norwegian Smalltown Superjazzz label. On the album, Brötzmann is joined by saxophonists Mats Gustafsson and Ken Vandermark, trumpeter and saxophonist Joe McPhee, trombonists Jeb Bishop and Johannes Bauer, tubist Per Åke Holmlander, cellist Fred Lonberg-Holm, double bassist Kent Kessler, and drummers Paal Nilssen-Love and Michael Zerang. The entire ensemble is heard on discs 1 and 5, while the remaining discs feature duo, trio, and quartet combinations.
