Sisara is a 1793 Latin oratorio by Simon Mayr to a libretto by Giuseppe Foppa who also supplied the Latin texts for Iacob a Labano fugiens (1791) and Tobiae matrimonium (1794). [1]
Sisera was commander of the Canaanite army of King Jabin of Hazor, who is mentioned in Judges 4–5 of the Hebrew Bible. After being defeated by the forces of the Israelite tribes of Zebulun and Naphtali under the command of Barak and Deborah, Sisera was killed by Jael, who hammered a tent peg into his temple while he slept.
Pietro Alessandro Guglielmi was an Italian opera composer of the classical period.
Johann(es) Simon Mayr, also known in Italian as Giovanni Simone Mayr or Simone Mayr, was a German composer. His music reflects the transition from the Classical to the Romantic musical era. He was an early inspiration to Rossini and taught and advocated for Donizetti.
Giuseppe Gazzaniga was a member of the Neapolitan school of opera composers. He composed fifty-one operas and is considered to be one of the last Italian opera buffa composers.
La passione di Gesù Cristo is a libretto by Pietro Metastasio which was repeatedly set as an azione sacra or oratorio by many composers of the late baroque, Rococo and early classical period.
Quirino Colombani was an Italian composer, and cellist. He was active in both 17th and 18th centuries.
San Lazzaro dei Mendicanti is an ancient church in the sestiere of Castello, Venice, northern Italy, with a facade facing a Rio of the same name. It now serves as the chapel of the Civic Hospital of Venice.
Sisara or Si Sara may refer to:
Antonio Simeone Sografi, also known as Antonio Simon, or just Antonio, was an Italian librettist and playwright.
Demetrio, Re di Siria is an 1823 Italian language opera by Mayr, staged in Turin. It was Mayr's last opera, followed only by the Oratorio Gioas in 1824. The libretto is a revision of Metastasio's 1732 libretto originally set by Hasse.
Tobiae matrimonium, actio sacra pro filiabus chori S. Lazari is a 1794 oratorio by Simon Mayr to a Latin libretto by Giuseppe Maria Foppa. It was the third of Mayr's works written for the Ospedale dei Mendicanti. No exact date or circumstances for the original performance are known.
David in spelunca Engaddi is a 1795 oratorio by Simon Mayr. The librettist is unknown, but is possibly Giuseppe Maria Foppa who supplied the Latin texts for Iacob a Labano fugiens (1791), Sisara (1793), and Tobiae matrimonium (1794).
Iacob a Labano fugiens is a 1791 oratorio by Simon Mayr to a libretto by Giuseppe Maria Foppa for the Conservatorio dei Mendicanti, Venice.
La passione di Gesù Cristo, is a 1794 Italian-language oratorio for soloists, choir and orchestra by Simon Mayr, to an adapted version of the famous libretto La passione di Gesù Cristo by Metastasio. Unlike Mayr's four Latin-language oratorios to librettos by Giuseppe Foppa for the Conservatorio dei Mendicanti, La passione was written for a church, and not limited to girls voices.
Il sagrifizio di Jefte is a 1795 oratorio by Simon Mayr to a libretto by Giuseppe Foppa performed in Forlì.
Giuseppe Maria Foppa was an Italian librettist. He wrote around 150 libretti, mainly for comic operas, as well as Latin oratorio texts and his memoirs.
Innalzamento al trono del giovane re Gioas is an oratorio by Simon Mayr premiered in Florence in 1823. The anonymous libretto is unrelated to the two dozen other oratorios of the name Gioas, all of them based on the 1735 libretto Gioas re di Giuda by Metastasio.
Bonaventura Furlanetto was an Italian composer and music teacher, also known in his lifetime by the nickname Musin. His pupils included Anselmo Marsand and Giovanni Pacini.