 First edition | |
| Author | Umberto Eco |
|---|---|
| Country | United States |
| Language | English |
| Subject | Linguistics |
| Publisher | Harvard University Press |
Publication date | 1994 |
| Pages | 153 pp. |
| ISBN | 0-674-81050-3 |
| OCLC | 29184587 |
| 808.3 20 | |
| LC Class | PN3355 .E28 1994 |
Six Walks in the Fictional Woods is a non-fiction book by Umberto Eco. Originally delivered at Harvard for the Charles Eliot Norton Lectures in 1992 and 1993, the six lectures were published in the fall of 1994.
The book derives its title from Italo Calvino's Six Memos for the Next Millennium , but Eco also cites Calvino's If on a Winter's Night a Traveler as inspiration because the novel "is concerned with the presence of the reader in the story", which was also the subject of the lectures and book. Furthermore, it is based on René Descartes' metaphorical representation of a text as a forest where his readers wander, however, without Descartes' hylophobia (fear of forests). [1] In six chapters titled "Entering the Woods", "The Woods of Loisy", "Lingering in the Woods", "Possible Woods", "The Strange Case of Rue Servandon", and "Fictional Protocols", Eco contemplates on storytelling, the process of creation of a literary text, and how readers understand them. [2]
Eco introduces two types of readers and authors – model and empirical ones. Empirical writers and readers are of no interest to Eco as not being part of the text itself. On the contrary, model author and reader are integral parts of the text. The model author, by Eco, is a nexus of discursive strategies that builds the essence of the text. Meanwhile, the model reader is a set of textual instructions, integrated into the narrative. Eco mentioned that his view of a model reader resembled the implied reader of Wolfgang Iser. [3] [4]
Eco suggests two ways through the 'forest' for the 'model' reader: choose a broad path that will help one reach one's destination as quickly as possible, or walk by exploring side paths and figuring out the workings of the 'forest'. [5] The second way, according to Eco, is harder and longer, but provides an incomparably deeper understanding and appreciation of the work. In the second chapter of the book, Eco explains that the 'second level model reader' seeks to understand the narrative strategy realized by the model author, such a reader analyzes the text and extracts from it the structures that affect the recipient, which allow him to 'complete' the text through interpretation. [1] In addition, Eco encourages re-reading books, because each time the text will unfold differently and give room for new interpretations. [6]
The author also discusses the three dimensions of time in a text, and ways to send the reader on an imaginary walk through it. He explains the high value of fiction, how it is able to comfort and reconcile people with the real world through made-up stories, and that fiction helps to overcome our metaphysical limitations. [7]
In Six Walks, Eco demonstrates an encyclopedic knowledge of literature and a remarkable mental acuity. He skilfully draws parallels and examples from a wide range of cultural fields, from modern to classical works of various forms, not shying away from peering into the lowest genres. [8] In this book, Eco browses through the works of Edgar Allan Poe, Jorge Luis Borges, James Joyce, Italo Calvino, Marcel Proust. He analyses Gérard de Nerval's Sylvie , Homer's Odyssey , Dante Alighieri's Divine Comedy , The Three Musketeers , and some own works, such as The Name of the Rose , and Foucault's Pendulum . [9]
A book for the sophisticated reader, it was nevertheless extremely popular and topped European bestseller lists for a long time. [10] According to literary scholars, Eco's work as a promoter of humanities knowledge and fiction changed the face of popular culture for decades and generated numerous followers. [11]
Italo Calvino was an Italian writer and journalist. His best-known works include the Our Ancestors trilogy (1952–1959), the Cosmicomics collection of short stories (1965), and the novels Invisible Cities (1972) and If on a winter's night a traveler (1979).
Umberto Eco was an Italian medievalist, philosopher, semiotician, novelist, cultural critic, and political and social commentator. In English, he is best known for his popular 1980 novel The Name of the Rose, a historical mystery combining semiotics in fiction with biblical analysis, medieval studies and literary theory, as well as Foucault's Pendulum, his 1988 novel which touches on similar themes.
If on a winter's night a traveler is a 1979 novel by the Italian writer Italo Calvino. The postmodernist narrative, in the form of a frame story, is about the reader trying to read a book called If on a winter's night a traveler. Each chapter is divided into two sections. The first section of each chapter is in second person, and describes the process the reader goes through to attempt to read the next chapter of the book they are reading. The second half is the first part of a new book that the reader ("you") finds. The second half is always about something different from the previous ones. The book was published in an English translation by William Weaver in 1981.
In fiction, a character is a person or other being in a narrative. The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word χαρακτήρ, the English word dates from the Restoration, although it became widely used after its appearance in Tom Jones by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed. Character, particularly when enacted by an actor in the theater or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. Since the end of the 18th century, the phrase "in character" has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating characters, as practiced by actors or writers, has been called characterization.
Foucault's Pendulum is a novel by Italian writer and philosopher Umberto Eco. It was first published in 1988, with an English translation by William Weaver being published a year later.
William Howard Gass was an American novelist, short story writer, essayist, critic, and philosophy professor. He wrote three novels, three collections of short stories, a collection of novellas, and seven volumes of essays, three of which won National Book Critics Circle Award prizes and one of which, A Temple of Texts (2006), won the Truman Capote Award for Literary Criticism. His 1995 novel The Tunnel received the American Book Award. His 2013 novel Middle C won the 2015 William Dean Howells Medal.
An unreliable narrator is a narrator whose credibility is compromised. They can be found in fiction and film, and range from children to mature characters. The term was coined in 1961 by Wayne C. Booth in The Rhetoric of Fiction. While unreliable narrators are almost by definition first-person narrators, arguments have been made for the existence of unreliable second- and third-person narrators, especially within the context of film and television, and sometimes also in literature.
Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to.
Marie-Joseph "Eugène" Sue was a French novelist. He was one of several authors who popularized the genre of the serial novel in France with his very popular and widely imitated The Mysteries of Paris, which was published in a newspaper from 1842 to 1843.
Maurice Joly was a French political writer and lawyer known for The Dialogue in Hell Between Machiavelli and Montesquieu, a political satire of Napoleon III.
The Island of the Day Before is a 1994 historical fiction novel by Umberto Eco set in the 17th century during the historical search for the secret of longitude. The central character is Roberto della Griva, an Italian nobleman stranded on a deserted ship in the Pacific Ocean, and his slowly decaying mental state, in a backdrop of Baroque-era science, metaphysics, and cosmology.
William Fense Weaver was an English language translator of modern Italian literature.
The Russian Booker Prize was a Russian literary award modeled after the Booker Prize. It was awarded from 1992 to 2017. It was inaugurated by English Chief Executive Sir Michael Harris Caine. It was awarded each year to the best work of fiction, written in the Russian language, as decided by a panel of judges, irrespective of the writer's citizenship. As of 2012, the chair of the Russian Booker Prize Committee was British journalist George Walden. The prize was the first Russian non-governmental literary award since the country's 1917 Revolution.
Sister Pelagia is the heroine of a trilogy of mystery novels by Boris Akunin.
A parallel novel is an in-universe pastiche piece of literature written within, derived from, or taking place during the framework of another work of fiction by the same or another author with respect to continuity. Parallel novels or "reimagined classics" are works of fiction that "borrow a character and fill in his story, mirror an 'old' plot, or blend the characters of one book with those of another". These stories further the works of already well-known novels by focusing on a minor character and making them the major character. The revised stories may have the same setting and time frame and even the same characters.
Conversations on the Plurality of Worlds is a popular science book by French author Bernard le Bovier de Fontenelle, published in 1686.
The Protocols of the Elders of Zion, or The Protocols of the Meetings of the Learned Elders of Zion, is a fabricated text purporting to detail a Jewish plot for global domination. Largely plagiarized from several earlier sources, it was first published in Imperial Russia in 1903, translated into multiple languages, and disseminated internationally in the early part of the 20th century. It played a key part in popularizing belief in an international Jewish conspiracy.
A classic is a book accepted as being exemplary or particularly noteworthy. What makes a book "classic" is a concern that has occurred to various authors ranging from Italo Calvino to Mark Twain and the related questions of "Why Read the Classics?" and "What Is a Classic?" have been essayed by authors from different genres and eras. The ability of a classic book to be reinterpreted, to seemingly be renewed in the interests of generations of readers succeeding its creation, is a theme that is seen in the writings of literary critics including Michael Dirda, Ezra Pound, and Sainte-Beuve. These books can be published as a collection or presented as a list, such as Harold Bloom's list of books that constitute the Western canon. Although the term is often associated with the Western canon, it can be applied to works of literature from all traditions, such as the Chinese classics or the Indian Vedas.
Nina Simonovich-Efimova was a Russian artist, puppet designer and one of the first professional Russian puppeteers. Together with her husband Ivan Efimov she founded the tradition of Soviet puppet theater, acting as the driving force behind the Efimovs' presentations.
The Reconstructor is a short story by Victor Pelevin, published in 1990.