Editor | Umberto Eco |
---|---|
Original title | Storia della bruttezza |
Translator | Alastair McEwen |
Cover artist | Quentin Matsys |
Country | Italy |
Language | Italian |
Subject | Aesthetics, ugliness |
Genre | Essay |
Publisher | IT: Bompiani UK: Harvill Secker US: Rizzoli USA |
Publication date | 2007 |
Published in English | 2007 |
Media type | Print (hardcover) |
Pages | 455 pp. |
Preceded by | On Beauty: A History of a Western Idea |
On Ugliness (Italian : Storia della bruttezza) is a 2007 essay edited by Italian author Umberto Eco, originally published by Bompiani in 2007. The book is a continuation of Eco's 2004 aesthetic work On Beauty: A History of a Western Idea . [1] Like the previous work, this essay combines literary excerpts and illustrations of artworks from ancient times to the present to define the concept of what it means to be ugly. [2] "Ugliness is more fun than beauty", said Eco himself and some other reviews. [3] [4] [5]
Eco begins with an introduction trying to define the idea of ugliness, to verify that it is a polysemic concept, and that is associated with emotional expressions such as rejection or disgust which impede a rational approach. The first chapter approaches the Greek conception of beauty, trying to discern by opposition what is ugly, and ugliness is associated with the lack of harmony according to ancient Greeks.
Ugliness is not only in the physical but also in the moral sense, Christianity denies to some extent the existence of ugliness, since the whole universe is a divine work and God can not create something ugly if He is a perfect being. Only sin and suffering are ugly because they move away from the precepts of faith. That is why everything monstrous or disgusting links to hell, the art of death and demon exaggerates the horrific features of this sphere to instill the fear of the believers, to prevent them from being tempted.
A second topic begins in chapter 5, with the association between ugly and obscenity, and also absurdity, which can make people laugh. Humour thus indicates the aesthetic measure, as seen in the costumbrist descriptions or the art of caricature, where women and enemies are easy targets of jokes about ugliness.
In the present day, new aesthetic categories are added to the traditional dichotomy between beauty and ugliness, such as kitsch and camp. [6] The book ends with a review of the current polysemy of ugliness, in line with postmodern relativism.
The Independent : "Though sales of this anthology of the repellent and weird are unlikely to match those of Eco's On Beauty, published two years ago, this is by far the more interesting. […] this book is full of amazements." [5] New York Public Library: "On Ugliness is an extraordinary road map to the perception of the grotesque over the centuries." [7]
Aesthetics is the branch of philosophy concerned with the nature of beauty and the nature of taste; and functions as the philosophy of art. Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgements of artistic taste; thus, the function of aesthetics is the "critical reflection on art, culture and nature".
Beauty is commonly described as a feature of objects that makes them pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, together with art and taste, is the main subject of aesthetics, one of the major branches of philosophy. As a positive aesthetic value, it is contrasted with ugliness as its negative counterpart.
Umberto Eco was an Italian medievalist, philosopher, semiotician, novelist, cultural critic, and political and social commentator. In English, he is best known for his popular 1980 novel The Name of the Rose, a historical mystery combining semiotics in fiction with biblical analysis, medieval studies and literary theory, as well as Foucault's Pendulum, his 1988 novel which touches on similar themes.
Camp is an aesthetic style and sensibility that regards something as appealing because of its bad taste and ironic value. Camp aesthetics disrupt many of modernism's notions of what art is and what can be classified as high art by inverting aesthetic attributes such as beauty, value, and taste through an invitation of a different kind of apprehension and consumption.
Kitsch is a term applied to art and design that is perceived as naïve imitation, overly eccentric, gratuitous or of banal taste.
The Name of the Rose is the 1980 debut novel by Italian author Umberto Eco. It is an historical murder mystery set in an Italian monastery in the year 1327, and an intellectual mystery combining semiotics in fiction, biblical analysis, medieval studies, and literary theory. It was translated into English by William Weaver in 1983.
Ugly Kid Joe is an American hard rock band from Isla Vista, California, formed in 1989. The band's name spoofs the glam metal band Pretty Boy Floyd's name.
"Notes on 'Camp'" is a 1964 essay by Susan Sontag that brought the aesthetic sensibility known as "camp" to mainstream consciousness.
In aesthetics, the concept of taste has been the interest of philosophers such as Plato, Hume, and Kant. It is defined by the ability to make valid judgments about an object's aesthetic value. However, these judgments are deficient in objectivity, creating the 'paradox of taste'. The term 'taste' is used because these judgments are similarly made when one physically tastes food.
Christopher Brookmyre is a Scottish novelist whose novels, generally in a crime or police procedural frame, mix comedy, politics, social comment and action with a strong narrative. He has been referred to as a Tartan Noir author. His debut novel was Quite Ugly One Morning; subsequent works have included All Fun and Games until Somebody Loses an Eye (2005), Black Widow (2016) and Bedlam (2013), which was written in parallel with the development of a first-person shooter videogame, also called Bedlam. He also writes historical fiction with his wife, Dr Marisa Haetzman, under the pseudonym Ambrose Parry.
This is an alphabetical index of articles about aesthetics.
Uglies is a 2005 science fiction novel by Scott Westerfeld. It is set in a future post scarcity dystopian world in which everyone is considered an "ugly," but then turned "Pretty" by extreme cosmetic surgery when they reach the age of 16. It tells the story of teenager Tally Youngblood who rebels against society's enforced conformity, after her friends Shay and David show her the downsides to becoming a "Pretty".
Frank Noel Sibley was a British philosopher who worked mainly in the field of aesthetics. He held the first Chair of Philosophy at Lancaster University. Sibley is best known for his 1959 paper "Aesthetic Concepts", and for "Seeking, Scrutinizing and Seeing". Both papers have been anthologized, "Aesthetic Concepts" multiple times.
Aesthetic of Ugliness is a book by German philosopher Karl Rosenkranz, written in 1853. It is among the earliest writings on the philosophy of ugliness and "draws an analogy between ugliness and moral evil".
The following outline is provided as an overview of and topical guide to aesthetics:
Arnold Jerome Berleant is an American scholar and author who is active in both philosophy and music.
Carolyn Korsmeyer is an author and Professor of Philosophy at the University of Buffalo in New York. She is generally recognized for her study and research on aesthetics, feminism, and emotion theory.
Black Devil Doll from Hell is a 1984 American blaxploitation horror film written, produced, and directed by Chester Novell Turner, in his directorial debut. The film stars Shirley L. Jones.
Medieval aesthetics refers to the general philosophy of beauty during the Medieval period. Although Aesthetics did not exist as a field of study during the Middle Ages, influential thinkers active during the period did discuss the nature of beauty and thus an understanding of medieval aesthetics can be obtained from their writings.