Skyscraper | |
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Directed by | Shirley Clarke |
Screenplay by | John White [1] |
Produced by |
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Music by | Teo Macero [2] [3] |
Production company | |
Release date | |
Running time | 21 minutes [4] [5] |
Country | USA [4] |
Skyscraper is a 1959 documentary film by Shirley Clarke about the construction of the 666 Fifth Avenue skyscraper.
The construction of 666 Fifth Avenue skyscraper is shown. [5] The film is mostly black and white. [7] The film was sponsored by Tishman Realty & Construction Co.; Reynolds Metals Co.; Bethlehem Steel Co.; Westinghouse Elevator Co.; York Air Conditioning.
Sky was a short film, [8] [9] and a documentary. [10] [11] [12] It was considered experimental. [10] [2] [13] As well as Clarke and Van Dyke contributing it also involved Wheaton Galentine and D. A. Pennebaker. [14] Clarke said the film was a musical comedy regarding the skyscrapers construction. [15]
It won the Venice Film Festival award. [5] [16] [17] It was also nominated for an Academy Award [12] [18] in the Best Short Live Action category [19] in 1959. [20] It also won many other festival prizes. [2]
A documentary film or documentary is a non-fictional motion picture intended to "document reality, primarily for instruction, education or maintaining a historical record". Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries".
Screwball comedy is a film subgenre of the romantic comedy genre that became popular during the Great Depression, beginning in the early 1930s and thriving until the early 1950s, that satirizes the traditional love story. It has secondary characteristics similar to film noir, distinguished by a female character who dominates the relationship with the male central character, whose masculinity is challenged, and the two engage in a humorous battle of the sexes.
Dont Look Back is a 1967 American documentary film directed by D. A. Pennebaker that covers Bob Dylan's 1965 concert tour in England.
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Cinéma vérité is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda. It combines improvisation with use of the camera to unveil truth or highlight subjects hidden behind reality. It is sometimes called observational cinema, if understood as pure direct cinema: mainly without a narrator's voice-over. There are subtle, yet important, differences between terms expressing similar concepts. Direct cinema is largely concerned with the recording of events in which the subject and audience become unaware of the camera's presence: operating within what Bill Nichols, an American historian and theoretician of documentary film, calls the "observational mode", a fly on the wall. Many therefore see a paradox in drawing attention away from the presence of the camera and simultaneously interfering in the reality it registers when attempting to discover a cinematic truth.
Richard Wayne Van Dyke is an American actor and comedian. His career has spanned over seven decades in film, television, and stage. Van Dyke is the recipient of a Golden Globe, Tony, Grammy, a Daytime Emmy, and four Primetime Emmys. He was inducted into the Television Hall of Fame in 1995 and the Hollywood Walk of Fame in 2012. He was honored with the Screen Actors Guild Life Achievement Award in 2013, the Kennedy Center Honors in 2021, and was recognized as a Disney Legend.
Donn Alan Pennebaker was an American documentary filmmaker and one of the pioneers of direct cinema. Performing arts and politics were his primary subjects. In 2013, the Academy of Motion Picture Arts and Sciences recognized his body of work with an Academy Honorary Award. Pennebaker was called by The Independent as "arguably the pre-eminent chronicler of Sixties counterculture".
Richard Leacock was a British-born documentary film director and one of the pioneers of direct cinema and cinéma vérité.
Willard Ames Van Dyke was an American filmmaker, photographer, arts administrator, teacher, and former director of the film department at the Museum of Modern Art.
Shirley Clarke was an American filmmaker.
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Ziggy Stardust and the Spiders from Mars is a 1979 British documentary/concert film by D. A. Pennebaker. It features English singer-songwriter David Bowie and his backing group the Spiders from Mars performing at the Hammersmith Odeon in London on 3 July 1973, the final date of his Ziggy Stardust Tour. At this show, Bowie made the sudden surprise announcement that the show would be "the last show that we'll ever do", later understood to mean that he was retiring his Ziggy Stardust persona.
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A skyscraper is a very tall, continuously habitable building.
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Tom Weinberg is a Chicago native filmmaker, independent documentary producer, and television producer. From an early age, he held an interest in television and media. He founded the independent video archive Media Burn in 2003, and currently sits on the board of directors as president. As a producer, he focused on guerrilla television and revolutionizing ways in which the public could have access to news other than what was displayed within the mainstream media. Some of his notable works include The 90s, the Emmy Award-winning Image Union, and the TVTV video collective.
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Another commissioned film is the Oscar-nominated Skyscraper (1961), made with Pennebaker, Willard Van Dyke and Irving Jacoby. To explain how a New York building was raised, it uses the conceit of supposing that the construction workers are commenting upon this footage, thus giving a workers' point of view on their accomplishment. The last few minutes of this black and white film adds color footage that looks like it might be lifted from an industrial commercial.
Clarke's revered place in the history of cinema has so far depended on her experimental documentary films such as Bridges Go Round (1958) and Skyscraper (1959)
documentaries (Scary Time, Loops, Skyscraper with Lewis Jacobs, Willard van Dyke)
Clarke's documentary Skyscraper (1959) received an Academy Award nomination.
Skyscraper (1958), described by co-director Shirley Clarke as a "musical comedy about the building of a skyscraper."