A smirk is a smile evoking insolence, scorn, or offensive smugness, falling into the category of what Desmond Morris described as Deformed-compliment Signals. [1]
A smirk may also be an affected, ingratiating smile, [2] as in Mr Bennet's description of Mr Wickham as making smirking love to all his new in-laws in the novel Pride and Prejudice . [3]
The word derives from Old English smearcian, via Middle English smirken. It is from the same root as smile , from Proto-Germanic *smar-, but with a velar root extension -k- (with intensive or frequentative function) particular to English also found in talk (from the root of tell ) and stalk (from the root of steal ) etc.
The specific meaning of a mocking or unpleasant, malicious smile or grin develops in Early Modern English, but until the 18th century, it could still be used in the generic sense "to smile". [4]
George Puttenham in the 16th century described what he called “a mock with a scornful countenance as in some smiling sort looking aside”. [5]
"A constant smirk upon the face, and a whiffling activity of the body, are strong indications of futility," the Earl of Chesterfield once wrote in a letter to his son. [6]
German-born psychiatrist Fritz Perls considered the most difficult patients to be the clever know-it-alls, recognisable by what he called “a specific kind of smile, a kind of smirk, a smirk that says, 'Oh, you're an idiot! I know better. I can outwit you and control you'”. [7]
Desmond John MorrisFLS hon. caus. is an English zoologist, ethologist and surrealist painter, as well as a popular author in human sociobiology. He is known for his 1967 book The Naked Ape, and for his television programmes such as Zoo Time.
Pride and Prejudice is the second novel by English author Jane Austen, published in 1813. A novel of manners, it follows the character development of Elizabeth Bennet, the protagonist of the book, who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness.
An insult is an expression, statement, or behavior that is often deliberately disrespectful, offensive, scornful, or derogatory towards an individual or a group. Insults can be intentional or unintentional, and they often aim to belittle, offend, or humiliate the target. While intentional insults can sometimes include factual information, they are typically presented in a pejorative manner, intended to provoke a negative emotional response or have a harmful reaction effect when used harmfully. Insults can also be made unintentionally or in a playful way but could in some cases also have negative impacts and effects even when they were not intended to insult.
A couch, also known as a sofa, settee, chesterfield, or davenport, is a cushioned item of furniture that can seat multiple people. It is commonly found in the form of a bench with upholstered armrests and is often fitted with springs and tailored cushion and pillows. Although a couch is used primarily for seating, it may be used for sleeping. In homes, couches are normally put in the family room, living room, den, or lounge. They are sometimes also found in non-residential settings such as hotels, lobbies of commercial offices, waiting rooms, and bars. Couches can also vary in size, color, and design.
Decorum was a principle of classical rhetoric, poetry, and theatrical theory concerning the fitness or otherwise of a style to a theatrical subject. The concept of decorum is also applied to prescribed limits of appropriate social behavior within set situations.
Philip Dormer Stanhope, 4th Earl of Chesterfield, was a British statesman, diplomat, man of letters, and an acclaimed wit of his time.
Pride and Prejudice is a six-episode 1995 British television drama, adapted by Andrew Davies from Jane Austen's 1813 novel of the same name. Jennifer Ehle and Colin Firth starred as Elizabeth Bennet and Fitzwilliam Darcy, respectively. Produced by Sue Birtwistle and directed by Simon Langton, the serial was a BBC production with additional funding from the American A&E Network. BBC1 originally broadcast the 55-minute episodes from 24 September to 29 October 1995. The A&E Network aired the series in double episodes on three consecutive nights beginning 14 January 1996.
Pride & Prejudice is a 2005 historical romantic drama film directed by Joe Wright, in his feature directorial debut, and based on Jane Austen's 1813 novel. The film features five sisters from an English family of landed gentry as they deal with issues of marriage, morality, and misconceptions. Keira Knightley stars as Elizabeth Bennet, while Matthew Macfadyen plays Mr Darcy, who falls in love with her.
Elizabeth Bennet is the protagonist in the 1813 novel Pride and Prejudice by Jane Austen. She is often referred to as Eliza or Lizzy by her friends and family. Elizabeth is the second child in a family of five daughters. Though the circumstances of the time and environment push her to seek a marriage of convenience for economic security, Elizabeth wishes to marry for love.
Pride and Prejudice is a 1940 American film adaptation of Jane Austen's 1813 novel Pride and Prejudice, starring Greer Garson and Laurence Olivier. Directed by Robert Z. Leonard, the screenplay was written by Aldous Huxley and Jane Murfin, adapted specifically from the stage adaptation by Helen Jerome, in addition to Jane Austen's novel.
Persuasion is a BBC Screen Two 1995 period drama film directed by Roger Michell and based on Jane Austen's 1817 novel of the same name. In her theatrical film debut, Amanda Root stars as protagonist Anne Elliot, while Ciarán Hinds plays her romantic interest, Captain Frederick Wentworth. The film is set in early 19th-century England, eight years after Anne was persuaded by others to reject Wentworth's proposal of marriage. Persuasion follows the two as they become reacquainted with each other while supporting characters threaten to interfere.
Fitzwilliam Darcy Esquire, generally referred to as Mr. Darcy, is one of the two central characters in Jane Austen's 1813 novel Pride and Prejudice. He is an archetype of the aloof romantic hero, and a romantic interest of Elizabeth Bennet, the novel's protagonist. The story's narration is almost exclusively from Elizabeth's perspective; the reader is given a one-sided view of Darcy for much of the novel, but hints are given throughout that there is much more to his character than meets the eye. The reader gets a healthy dose of dramatic irony as Elizabeth continually censures Mr. Darcy's character despite the aforementioned hints that Mr. Darcy is really a noble character at heart, albeit somewhat prideful. Usually referred to only as "Mr. Darcy" or "Darcy" by characters and the narrator, his first name is mentioned twice in the novel.
The novel of manners is a work of fiction that re-creates a social world, conveying with detailed observation the complex of customs, values, and mores of a stratified society. The behavioural conventions (manners) of the society dominate the plot of the story, and characters are differentiated by the degree to which they meet or fail to meet the uniform standard of ideal social behaviour, as established by society.
The Letter to Chesterfield was Samuel Johnson's response to what some believed to be Lord Chesterfield's opportunistic endorsement of his A Dictionary of the English Language. Although Chesterfield was patron of the Proposal for the Dictionary, he made no moves to further the progress of the Dictionary until seven years after his original investment into the project. Suddenly, Chesterfield wrote two "puff" pieces to promote the Dictionary, which prompted Johnson to write a letter accusing Chesterfield of only providing help when it was least needed.
To be sardonic is to be disdainfully or cynically humorous, or scornfully mocking. A form of wit or humour, being sardonic often involves expressing an uncomfortable truth in a clever and not necessarily malicious way, often with a degree of skepticism.
Irony, in its broadest sense, is the juxtaposition of what appears to be the case on the surface and what is actually the case or to be expected. It typically figures as a rhetorical device and literary technique. In some philosophical contexts, however, it takes on a larger significance as an entire way of life.
Mr William Collins is a fictional character in the 1813 novel Pride and Prejudice by Jane Austen. He is the distant cousin of Mr Bennet, a clergyman and holder of a valuable living at the Hunsford parsonage near Rosings Park, the estate of his patroness Lady Catherine De Bourgh, in Kent. Since Mr and Mrs Bennet have no sons, Mr Collins is also the current heir presumptive to the Bennet family estate of Longbourn in Meryton, Hertfordshire, due to the estate being entailed to heirs male. Mr Collins is first introduced during his visit to Longbourn.
The Bennet family is a fictional family created by the English novelist Jane Austen in her 1813 novel Pride and Prejudice. The family consists of Mr and Mrs Bennet and their five daughters: Jane, Mary, Catherine, Lydia, and Elizabeth, who is the novel's protagonist.
Mockery or mocking is the act of insulting or making light of a person or other thing, sometimes merely by taunting, but often by making a caricature, purporting to engage in imitation in a way that highlights unflattering characteristics. Mockery can be done in a lighthearted and gentle way, but can also be cruel and hateful, such that it "conjures images of corrosion, deliberate degradation, even subversion; thus, 'to laugh at in contempt, to make sport of' (OED)". Mockery appears to be unique to humans, and serves a number of psychological functions, such as reducing the perceived imbalance of power between authority figures and common people. Examples of mockery can be found in literature and the arts.
George Wickham is a fictional character created by Jane Austen who appears in her 1813 novel Pride and Prejudice. George Wickham is introduced as a militia officer who has a shared history with Mr. Darcy. Wickham's charming demeanour and his story of being badly treated by Darcy attracts the sympathy of the heroine, Elizabeth Bennet, to the point that she is warned by her aunt not to fall in love and marry him. It is revealed through the course of the story that George Wickham's true nature is that of a manipulative unprincipled layabout, a ne'er-do-well wastrel, compulsive liar and a degenerate, compulsive gambler, a seducer and a libertine, living the lifestyle of a rake. Lacking the finances to pay for his lifestyle, he gambles regularly and cons credit from tradesmen and shopkeepers and skips out on paying-up.