Snappy Sammy Smoot | |
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Publication information | |
Publisher | Bijou Publishing Empire, Print Mint, Kitchen Sink Press, Marvel Comics, Fantagraphics |
First comic appearance | Bijou Funnies #1 (Bijou Publishing Empire, 1968) |
Created by | Skip Williamson |
In-story information | |
Alter ego | |
Species | Human |
Partnerships | Ragtime Billy |
Abilities | Refuses to lose his innocence |
Snappy Sammy Smoot is an American underground comix character created by Skip Williamson in 1968. A counterculture Candide who never loses his innocence, [1] Snappy Sammy Smoot appeared in his own strips in a number of comix titles, most notably Bijou Funnies , Comix Book , and Blab! . Cultural critic David Manning White wrote about the strip, "But what is . . . interesting about 'Snappy Sammy Smoot' is that it manages to be politically radical at the same time it is satirical and funny", and that it is "one of more highly stylized in the field". [2]
Snappy Sammy Smoot first appeared in Bijou Funnies #1 (Summer 1968), and was featured in almost every issue of the title until 1972. After a short hiatus, he was featured in the first two issues of Comix Book , the short-lived attempt by Marvel Comics to get into the underground publishing movement.
In Jan. 1979, Kitchen Sink Press collected all the Snappy Sammy Smoot stories published at that point in a 36-page self-titled one-shot. The character's adventures were again collected in 1988 as part of the Skip Williamson collection The Scum Also Rises: An Anthology of Comic Art, published by Fantagraphics. They were reprinted again in Smoot #1, self-published by Williamson in 1995.
Snappy Sammy Smoot reappeared in 1989 in the annual anthology Blab! , published by Kitchen Sink; and was featured in most later issues through issue #7 (1992).
The character's last major appearance was in the Fantagraphics anthology Zero Zero #9, published in 1996.
The character was brought to life in the 1960s by the actor Carl Reiner on the TV show Rowan & Martin's Laugh-In . [3]
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
Kitchen Sink Press was a comic book publishing company founded by Denis Kitchen in 1970. Kitchen Sink Press was a pioneering publisher of underground comics, and was also responsible for numerous republications of classic comic strips in hardcover and softcover volumes. One of their best-known products was the first full reprint of Will Eisner's The Spirit—first in magazine format, then in standard comic book format. The company closed in 1999.
Jack Edward Jackson, better known by his pen name Jaxon, was an American cartoonist, illustrator, historian, and writer. He co-founded Rip Off Press, and some consider him to be the first underground comix artist, due to his most well-known comic strip God Nose.
Blab! was an anthology edited by Monte Beauchamp that featured a mixture of alternative comics and illustrated features focused predominantly on illustration, graphic design, and lowbrow art.
Denis Kitchen is an American underground cartoonist, publisher, author, agent, and the founder of the Comic Book Legal Defense Fund.
Notable events of 1968 in comics. See also List of years in comics. See also: 1968 in comics, 1969 in comics, 1960s in comics and the list of years in comics
Jay Patrick Lynch was an American cartoonist who played a key role in the underground comix movement with his Bijou Funnies and other titles. He is best known for his comic strip Nard n' Pat and the running gag Um tut sut. His work is sometimes signed Jayzey Lynch. Lynch was the main writer for Bazooka Joe comics from 1967 to 1990; he contributed to Mad, and in the 2000s expanded into the children's book field.
Jay Kinney is an American author, editor, and former underground cartoonist. Kinney has been noted for "adding new dimensions to the political comic" in the underground comix press of the 1970s and '80s.
Rory Hayes was an American underground cartoonist in the late 1960s and early 1970s. His comics were drawn in an expressionistic, primitivist style and usually dealt with grim subject matter such as paranoia, violent crime, and drug abuse. In addition to his own titles, Bogeyman and Cunt Comics, he was published in many of the most prominent comics in the underground scene, including Bijou Funnies and Arcade.
Mr. Natural is a comic book character created and drawn by 1960s counterculture and underground comix artist Robert Crumb. First appearing in Yarrowstalks (1967), the character gained a following during the emergence of underground comix in the 1960s and 1970s, and has been extensively merchandised in various products.
Diane Robin Noomin was an American comics artist associated with the underground comics movement. She is best known for her character DiDi Glitz, who addresses transgressive social issues such as feminism, female masturbation, body image, and miscarriages.
Mervyn "Skip" Williamson was an American underground cartoonist and central figure in the underground comix movement. Williamson's art was published in the National Lampoon, High Times, the Realist, the Industrial Worker, the Chicago Seed, Encyclopædia Britannica and others. His best-known character is Snappy Sammy Smoot.
Bijou Funnies was an American underground comix magazine which published eight issues between 1968 and 1973. Edited by Chicago-based cartoonist Jay Lynch, Bijou Funnies featured strong work by the core group of Lynch, Skip Williamson, Robert Crumb, and Jay Kinney, as well as Art Spiegelman, Gilbert Shelton, Justin Green, and Kim Deitch. Bijou Funnies was heavily influenced by Mad magazine, and, along with Zap Comix, is considered one of the titles to launch the underground comix movement.
Donald Richard Donahue was a comic book publisher, operating under the name Apex Novelties, one of the instigators of the underground comix movement in the 1960s.
William "Willy" Murphy was an American underground cartoonist and editor. Murphy's humor focused on hippies and the counterculture. His signature character was Arnold Peck the Human Wreck, "a mid-30s beanpole with wry observations about his own life and the community around him." Murphy's solo title was called Flamed-Out Funnies; in addition, he contributed to such seminal underground anthologies as Arcade, Bijou Funnies, and San Francisco Comic Book, as well as the National Lampoon.
Zavier Leslie Cabarga, popularly known as Leslie Cabarga, is an American author, illustrator, cartoonist, animator, font designer, and publication designer. A participant in the underground comix movement in the early 1970s, he has since gone on to write and/or edit over 40 books. His art style evokes images from the 1920s and 1930s, and over the years Cabarga has created many products associated with Betty Boop. His book The Fleischer Story in the Golden Age of Animation, originally published in 1976, has become the authoritative history of the Fleischer Studios.
Michele Wrightson, also known as Michele Brand, was an American artist who worked in the comic book industry. The former wife of underground cartoonist Roger Brand, she started out as an underground comix cartoonist. Later, when she was married to comics artist Bernie Wrightson, she made her name as a colorist. She was a key contributor to the first all-female underground comic, It Ain't Me, Babe, as well as its follow-up series, Wimmen's Comix.
Glenn Head is an American cartoonist and comic book editor living in Brooklyn, New York. His cartooning has a strong surrealist bent and is heavily influenced by 1960s underground comix.
The Snoid, occasionally referred to as Mr. Snoid, is an American underground comix character created by Robert Crumb in the mid-1960s. A diminutive sex fiend and irritating presence, the Snoid often appears with other Crumb characters, particularly Angelfood McSpade, Mr. Natural, and Crumb's own self-caricature.
ProJunior, sometimes styled as Pro Junior, is an American comics character created by Don Dohler in 1958. He debuted in a fanzine in 1961, and in underground comix in 1970. Known as "Baltimore's blasphemous bad boy", the character is unusual in the underground genre for being "shared" by a number of different creators, appearing in stories by Jay Lynch, Art Spiegelman, Skip Williamson, and Robert Crumb. His main period of popularity was from 1970 to 1972.