A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and first popularized within science fiction fandom, and from there the term was adopted by other communities.
Punk rock is a music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Lyricism in punk typically revolves around anti-establishment and anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent labels.
The punk subculture includes a diverse and widely known array of music, ideologies, fashion, and other forms of expression, visual art, dance, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock.
A zine is a small-circulation self-published work of original or appropriated texts and images, usually reproduced via a copy machine. Zines are the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation. A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and popularized within science fiction fandom, entering the Oxford English Dictionary in 1949.
Pub rock is a subgenre of rock music that emerged in the early to mid-1970s in the United Kingdom. A back-to-basics movement, which incorporated roots rock, pub rock was a reaction against the expensively-recorded and produced progressive rock and flashy glam rock scenes at the time. Although short-lived, pub rock was played live in small traditional venues like pubs and clubs. Since major labels showed no interest in pub rock groups, pub bands sought out independent record labels such as Stiff Records. Indie labels used relatively inexpensive recording processes, so they had a much lower break-even point for a record than a major label.
Ramones is the debut studio album by the American punk rock band Ramones, released on April 23, 1976, by Sire Records. After Hit Parader editor Lisa Robinson saw the band at a gig in New York City, she wrote several articles about the group and asked Danny Fields to be their manager. Fields agreed and convinced Craig Leon to produce Ramones, and the band recorded a demo for prospective record labels. Leon persuaded Sire president Seymour Stein to listen to the band perform, and he later offered the band a recording contract. The Ramones began recording in January 1976, needing only seven days and $6,400 to record the album.
Alternative TV are an English band formed in London in 1977. Author Steve Taylor writes: "Alternative TV pioneered reggae rhythms in punk and then moved on to redefine the musical rules".
A punk zine is a zine related to the punk subculture and hardcore punk music genre. Often primitively or casually produced, they feature punk literature, such as social commentary, punk poetry, news, gossip, music reviews and articles about punk rock bands or regional punk scenes.
The Clash is the debut studio album by the English punk rock band the Clash, released on 8 April 1977 through CBS Records. Recorded and mixed over three weeks in February 1977 for £4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time.
Leave Home is the second studio album by the American punk rock band Ramones. It was released on January 10, 1977, through Sire Records, with the expanded CD being released through Rhino Entertainment on June 19, 2001. Songs on the album were written immediately after the band's first album's writing process, which demonstrated the band's progression. The album had a higher production value than their debut Ramones and featured higher tempos. The front photo was taken by Moshe Brakha and the back cover, which would become the band's logo, was designed by Arturo Vega. The album spawned three singles, but only one succeeded in charting. It was also promoted with several tour dates in the United States and Europe.
No Cure was a fanzine based in Bracknell and Newbury, UK. Originally started by Richard Haworth, from issue 2 it was part-edited and produced by Richard Griffin and Richard H with regular contributions from Jah P. The fanzine took a major interest in the Berkshire and Oxfordshire punk and post punk scene of the late 1970s and early 1980s and covered punk, Oi! post punk and Reggae. Many interviews were conducted by mailing a cassette and list of questions, which elicited interesting discussions between band members without the problem of an interviewer butting in. Bands interviewed ranged from The Jam and Stiff Little Fingers to The Raincoats, VIPs, Patrick Fitzgerald, LKJ and The Instant Automatons. The photographer Pennie Smith was also interviewed. A thousand copies of No Cure were sold each issue through record shops in Reading (Quicksilver), Windsor (Revolution) and London including Rough Trade and mail order. At one point it was the largest selling UK zine in New York City.
Mark Perry is a British writer and musician, and former fanzine publisher.
Miles Axe Copeland III is an American music and entertainment executive and former manager of the Police. Copeland later managed Sting's musical and acting career. In 1979, Copeland founded the I.R.S. Records label, producing R.E.M., the Bangles, Berlin, the Cramps, Dead Kennedys, the Alarm, the Go-Go's, and others.
The mod revival is a subculture that started in the United Kingdom in the late 1970s and later spread to other countries.
Are You Scared to Get Happy? was an influential 80s music fanzine published from Bristol, United Kingdom by Matt Haynes and Mark Carnell. Six issues were released between 1985 and 1987.
Chainsaw, a punk zine edited by "Charlie Chainsaw" was published in suburban Croydon in 1977 and ran to fourteen issues before ceasing publication in 1984. A hand-lettered 'n' became a stylised trademark in articles after the 'n' key broke on the editor's typewriter. In addition to a free flexi disc promoting two or three up-and-coming punk bands, 1980s issues featured cartoon strips and two innovative colour covers by Michael J. Weller. 1970s issues featured the cartoon strip 'Hitler's Kids', authored by Andrew Marr using punk nom-de-plume "Willie D" at the beginning of his successful journalistic career. Charlie Chainsaw formed the band Rancid Hell Spawn when the punk zine discontinued.
Ablaze! is a British indie music fanzine, produced in Manchester and Leeds. Ablaze! ran for ten issues between 1987 and 1993, and returned for an eleventh issue in 2015. Ten issues of the zine were compiled into a book, The City Is Ablaze!, published in 2012.
"Garageland" is a song by English punk rock band The Clash featured as the final track for their 1977 debut album The Clash.
Eddie Duggan is a British photographer, film-maker, screenwriter, author and academic games historian.
Two Sevens was an English small press magazine of the 1990s which focused on popular culture, in particular punk and alternative music, street literature and politics. It was founded and co-edited by Football Factory author John King and the journalist Peter Mason.
