|Single by Tool|
|from the album Undertow|
|Tool singles chronology|
Cover for the promotional single.
|Wikiquote has quotations related to: Sober (Tool song)|
"Sober" is a song by American rock band Tool. The song was released as the first single from their debut studio album, Undertow . Tool guitarist Adam Jones has stated in an interview that the song is about a friend of the band whose artistic expression only comes out when he is under the influence. "A lot of people give him shit for that," Jones explains. "If you become addicted and a junkie, well, that's your fault."
Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, and developed into a range of different styles in the 1960s and later, particularly in the United Kingdom and in the United States. It has its roots in 1940s and 1950s rock and roll, a style which drew heavily on the genres of blues, rhythm and blues, and from country music. Rock music also drew strongly on a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical and other musical styles. Musically, rock has centered on the electric guitar, usually as part of a rock group with electric bass, drums, and one or more singers. Usually, rock is song-based music usually with a 4/4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political.
Tool is an American rock band from Los Angeles, California. Formed in 1990, the group's line-up includes drummer Danny Carey, guitarist Adam Jones, and vocalist Maynard James Keenan. Justin Chancellor has been the band's bassist since 1995, replacing their original bassist Paul D'Amour. Tool has won three Grammy Awards, performed worldwide tours, and produced albums topping the charts in several countries.
Undertow is the debut studio album by American rock band Tool, released on April 6, 1993 by Zoo Entertainment. Produced by the band and Sylvia Massy, it was recorded from October to December 1992 at Sound City Studios in Van Nuys and Grandmaster Recorders in Hollywood. The album includes some tracks the band decided to not release on their debut EP Opiate.
"Sober" is one of the earliest songs composed by Maynard James Keenan, with roots dating back to a 1987 live performance (released as Peace Day with his first band, Children of the Anachronistic Dynasty) in which the song was called "Burn About Out". The song contains some lyrics from the first verse of "Sober", with the same basic melody, although the melody is considerably faster and has an instrumental chorus.
James Herbert Keenan, known professionally as Maynard James Keenan or MJK, is an American singer songwriter and the vocalist for the rock bands Tool, A Perfect Circle, and Puscifer.
Children of the Anachronistic Dynasty was an American rock band based in Grand Rapids, Michigan notable for being one of the early bands of Maynard James Keenan, later of the bands Tool, A Perfect Circle and Puscifer among others.
The song was recorded by Keenan with Tool for the first time in mid-1991 on a demo tape titled 72826 .
A demo is a song or group of songs recorded for limited circulation or reference use rather than for general public release. A demo is a way for a musician to approximate their ideas in a fixed format, such as cassette tape, compact disc, or digital audio files, and to thereby pass along those ideas to record labels, producers, or other artists.
A video for "Sober" was made in 1993. It debuted in May of that same year and was directed by Fred Stuhr.It was filmed using stop-motion animation, with the characters' models designed by Adam Jones. It was the first of Tool's videos to be made in stop motion, the earlier promo video for "Hush" being live action. Whereas all four band members could be seen at all times during the previous clip, "Sober" shows only brief flashes of them. A live-action clay figure is shown twitching and vibrating violently.
A music video is a short film that integrates a song with imagery, and is produced for promotional or artistic purposes. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings. There are also cases where songs are used in tie-in marketing campaigns that allow them to become more than just a song. Tie-ins and merchandising can be used for toys or for food or other products. Although the origins of the music video date back to musical short films that first appeared in the 1920s, they again came into prominence in the 1980s when the channel MTV based their format around the medium. Prior to the 1980s, these kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip" or "film clip".
Stop motion is an animated-film making technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion when the series of frames is played back as a fast sequence. Dolls with movable joints or clay figures are often used in stop motion for their ease of repositioning. Stop-motion animation using plasticine figures is called clay animation or "clay-mation". Not all stop motion, however, requires figures or models: stop-motion films can also be made using humans, household appliances, and other objects, usually for comedic effect. Stop motion using humans is sometimes referred to as pixilation or pixilate animation.
"Hush" is a song by Tool from their 1992 debut EP Opiate, recorded by producer Sylvia Massy at Sound City Studios. It was the only single released from Opiate and was the first song that helped establish the band's reputation. The lyrics protest Tipper Gore and censorship, which is a recurring theme in Tool songs.
The video's protagonist is a small, humanoid being, who lives and sleeps in an abandoned mansion, in a rusty room sparsely decorated with a table, a chair, and a bed with no mattress and a curtain as a blanket. He happens to stumble upon a wooden box, which he opens near the beginning. Its contents are kept hidden for the majority of the video's duration, but it seems whatever it is has had adverse mind altering effects – there are repeated shots of the humanoid levitating in his chair, and his head and arm vibrating wildly. While experiencing these effects, the figure ventures through his living quarters and its many corridors.
A humanoid is something that has an appearance resembling a human without actually being one. The earliest recorded use of the term, in 1870, referred to indigenous peoples in areas colonized by Europeans. By the 20th century, the term came to describe fossils which were morphologically similar, but not identical, to those of the human skeleton.
The climax provides a barrage of imagery and revelations: a figure attached to a wall behind a translucent screen, a sentry of sorts wielding a mobile, robotic cannon and an organic substance flowing through a pipe found in the house. At the end, the box is empty, leaving the viewer to determine its meaning.
|1.||"Sober" (album version)||5:06|
|Australian and German single|
|1.||"Sober" (album version)||5:06|
|UK 12" single|
|1.||"Sober" (album version)||5:06|
|2.||"Prison Sex" (album version)||4:55|
|3.||"Intolerance" (album version)||4:34|
|Sober – Tales from the Darkside|
|1.||"Sober" (album version)||5:06|
|2.||"Undertow" (live at Lollapalooza '93 – 8/6/93)||5:42|
|3.||"Sober" (live at Lollapalooza '93 – 8/6/93)||5:10|
|4.||"Opiate" (live at Lollapalooza '93 – 8/6/93)||6:17|
|5.||"Flood" (live at Lollapalooza '93 – 8/6/93)||3:40|
|6.||"Prison Sex" (live at Lollapalooza '93 – 8/6/93)||4:50|
|7.||"Jerk-Off" (live at Lollapalooza '93 – 8/6/93)||4:18|
|8.||"Prison Sex" (live at Lowland Paradise Festival, Dronten, The Netherlands – 8/29/93)||5:01|
|9.||"Bottom" (live at Lowland Paradise Festival, Dronten, The Netherlands – 8/29/93)||6:24|
Singing is the act of producing musical sounds with the voice and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist. Singers perform music that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir of singers or a band of instrumentalists. Singers may perform as soloists or accompanied by anything from a single instrument up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music and religious music styles such as gospel, traditional music styles, world music, jazz, blues, gazal and popular music styles such as pop, rock, electronic dance music and filmi.
Adam Thomas Jones is a three-time Grammy Award-winning American musician and visual artist, best known for his position as the guitarist for Tool. Jones has been rated the 75th Greatest Guitarist of all time by the Rolling Stone and placed ninth in Guitar World's Top 100 Greatest metal Guitarists. Jones is also the director of the majority of Tool's music videos.
The guitar is a fretted musical instrument that usually has six strings. It is typically played with both hands by strumming or plucking the strings with either a guitar pick or the finger(s)/fingernails of one hand, while simultaneously fretting with the fingers of the other hand. The sound of the vibrating strings is projected either acoustically, by means of the hollow chamber of the guitar, or through an electrical amplifier and a speaker.
|UK||Vinyl picture disc||74321-22043-1|
|Promo vinyl||TOOL 001|
|Netherlands||CD||74321 22604 2|
|US Mainstream Rock ( Billboard )||13|
Opiate is an EP by American rock band Tool. It was produced and engineered by Sylvia Massy and former Minor Threat bassist Steve Hansgen. Released in 1992, it was the result of some two years of the band playing together after their formation in 1990. Opiate preceded Tool's first full-length release, Undertow, by a year. It is named after a quote by Karl Marx: "religion ... is the opiate of the masses". As of July 7, 2010, Opiate has sold 1,155,000 copies in the US and is certified Platinum by the RIAA.
Salival is a live, outtake, and video album, released as a limited edition box set in CD/VHS and CD/DVD formats in 2000 by American rock band Tool. It includes a 56-page book of photos and stills from their music videos.
A Perfect Circle is an American rock supergroup formed in 1999 by guitarist Billy Howerdel and Tool vocalist Maynard James Keenan. A Perfect Circle has released four studio albums, the first three during the early 2000s: Mer de Noms, their debut album in 2000, and followed up by Thirteenth Step in 2003; then in 2004, Emotive—an album of radically re-worked cover songs. Shortly after Emotive's release, the band went on hiatus; Keenan returned to Tool and started up solo work under the band name Puscifer; and Howerdel released a solo album, Keep Telling Myself It's Alright, under the moniker Ashes Divide. Band activity was sporadic in the following years; the band reformed in 2010, and played live shows on and off between 2010 and 2013, but fell into inactivity after the release of their greatest hits album, Three Sixty, and a live album box set, A Perfect Circle Live: Featuring Stone and Echo in late 2013. The band reformed in 2017 to record a fourth album, Eat the Elephant, which was released on April 20, 2018.
Emotive is the third studio album by American rock band A Perfect Circle. The album is primarily a collection of anti-war cover songs. It was released on November 1, 2004 via Virgin Records to coincide with the US presidential election. Two singles were released in support of the album; a cover of John Lennon's "Imagine", and "Passive", a previously unreleased song originating from the defunct Tapeworm project. The album debuted at number two on the US Billboard 200 chart, though the band would not tour in support of the album, later entering a hiatus, and being the band's last release for over fourteen years, until the April 2018 release of Eat the Elephant.
"Schism" is a song by American Metal band Tool. It was the first single and music video from their third full-length album, Lateralus. In 2002, Tool won the Grammy Award for Best Metal Performance for the song. "Schism" was released as a DVD single on December 20, 2005. The DVD contains the music video, audio commentary by David Yow, and a remix by Lustmord.
Puscifer is an American rock supergroup formed in Los Angeles by Maynard James Keenan, known as the lead singer of the bands Tool and A Perfect Circle. As Keenan is the only permanent member, he considers the project to be his "creative subconscious." In light of this, Puscifer is considered a pseudonym for his solo work.
"Vicarious" is a song by American rock band Tool. The song is the first single released from their fourth full-length studio album 10,000 Days. Debuting on Maynard's 42nd birthday, April 17, 2006 on commercial radio, the seven-minute song debuted on the Billboard Alternative Songs and Mainstream Rock Tracks charts both at number two. It received a nomination for Best Hard Rock Performance at the 49th Annual Grammy Awards.
"The Pot" is a song by American rock band Tool and was released as the second single from their fourth studio album 10,000 Days (2006). According to Adam Jones, it is confirmed to be about hypocrisy and is a double entendre that refers to both drug intoxication and believing oneself to be above others, deriving from the phrase "pot calling the kettle black".
"3 Libras" is a song by alternative rock band A Perfect Circle. The song was the second single from their debut album Mer de Noms. The song was well received both critically and commercially, with it peaking at number 12 on both the Billboard US Modern Rock and Mainstream Rock charts in 2001.
"Prison Sex" is a song by American rock band Tool. The song was released as their second single from their debut studio album Undertow. The song uses a modified drop-B tuning. The track features an "anti-climax" coda, in which memorable verses and choruses dissolve into an unrelated, quiet final section.
"Judith" is a song by American rock band A Perfect Circle. It was released as the lead single from their debut album, Mer de Noms. The single was released as a 1-track compact disc single in North America, and a 4-track single on both disc and vinyl format in Australia.
"Opiate" is a song by Tool and the title track from their debut EP recorded by producer Sylvia Massy at Sound City Studios in 1991. While never released as an official single, it is one of the best known songs among their early work. "Opiate" serves as the final track of the Opiate EP and contains the hidden track, "The Gaping Lotus Experience."
"Parabola" is a song by the American rock band Tool, the song was released as the second single from their third studio album Lateralus. It was released in 2002 as a promo only, however, on December 20, 2005, the single was re-released, which includes the song and a DVD containing the music video and an optional "dual" audio commentary on the video by Jello Biafra of Dead Kennedys fame. The dual commentary consists of two separate recordings of Biafra's voice, one playing in each stereo channel. The DVD was released alongside a DVD single for "Schism" as well.
"Blue" is a song by American rock band A Perfect Circle. It was the third single from the band's second studio album, Thirteenth Step, behind the releases of the singles "Weak and Powerless" and "The Outsider". While not as successful as the prior two singles, which crossed over into the Billboard Hot 100 charts and hit the top 5 of the Mainstream Rock charts, the song was still a moderate success, peaking at number 19 on the latter chart. A remix version, "Blue ", was created by guitarist James Iha and released on the band's compilation album Amotion as well, and also received radio airplay.
"The Contrarian" is a song by American rock band A Perfect Circle. It is off of the band's fourth studio album, Eat the Elephant.
An unplugged replica of Tool’s “Sober” manages to conjure a sense of brooding even more evident than in the original, and amplify Adam Jones’ discordant riffage.