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Sokkie is a style of dance that is unique to Southern Africa and popular mostly with Afrikaners. It is also a type ballroom dance.
Sokkie dance is a style of social ballroom dance with a partner.
It is also referred to in Afrikaans as "langarm", "sakkie-sakkie", "kotteljons" and "Water-pomp".
Similarly to the U.S. 'Sock Hop', sokkie, meaning 'sock' in Afrikaans, refers to the way young people dance sokkie in their socks and often barefoot. Sokkie dancers in nightclubs mostly wear shoes and dress smart casual. [1] By some, sokkie is viewed as awkwardly intimate, slightly sweaty and odd.
Loopdans, two-step, swing, boogie, social foxtrot or quickstep steps, are often danced together in sokkie. [2] A boerewals, which is a viennese waltz is also danced as sokkie. [3]
Sokkie is not only danced to sokkie music, but can be danced to many music genres, for example hip-hop, trance, country and pop. [2] [4]
The dance "Sokkie Sokkie" originated in Southern Africa from the Afrikaner trekkers.
The emergence of a particular style of commercialised sokkie-music [5] in recent years is of particular note[ citation needed ]. Examples of artists are Kurt Darren, [6] Nicholis Louw, and Juanita du Plessis, among many others.[ citation needed ]
A favourite method of sokkie creating music or songs is to take successful English songs and translate them into Afrikaans[ citation needed ]. Or use the tune of another successful song for their song[ citation needed ].
Nicholis Louw even used the ringtone Blue Horizon from a Sony Ericsson cellphone for the tune of his hit song - Rock Daai Lyfie[ citation needed ]. Other English songs could also be included so that people could dance solo as well.
Afrikaans is a West Germanic language, spoken in South Africa, Namibia and Botswana, Zambia and Zimbabwe. It evolved from the Dutch vernacular of South Holland spoken by the predominantly Dutch settlers and enslaved population of the Dutch Cape Colony, where it gradually began to develop distinguishing characteristics in the 17th and 18th centuries.
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's Black gay underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat.
The waltz, meaning "to roll or revolve") is a ballroom and folk dance, in triple, performed primarily in closed position. Along with the ländler and allemande, the waltz was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries.
The term rumba may refer to a variety of unrelated music styles. Originally, "rumba" was used as a synonym for "party" in northern Cuba, and by the late 19th century it was used to denote the complex of secular music styles known as Cuban rumba. Since the early 20th century the term has been used in different countries to refer to distinct styles of music and dance, most of which are only tangentially related to the original Cuban rumba, if at all. The vague etymological origin of the term rumba, as well as its interchangeable use with guaracha in settings such as bufo theatre, is largely responsible for such worldwide polysemy of the term. In addition, "rumba" was the primary marketing term for Cuban music in North America, as well as West and Central Africa, during much of the 20th century, before the rise of mambo, pachanga and salsa.
The United States' multi-ethnic population is reflected through a diverse array of styles of music. It is a mixture of music influenced by the music of Europe, Indigenous peoples, West Africa, Latin America, Middle East, North Africa, amongst many other places. The country's most internationally renowned genres are traditional hipop , jazz, blues, country, bluegrass, rock, rock and roll, R&B, pop, hip-hop/rap, soul, funk, religious, disco, house, techno, ragtime, doo-wop, folk, americana, boogaloo, tejano, surf, and salsa, amongst many others. American music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near global audience.
The music of South Africa exhibits a culturally varied musical heritage in conjunction with the multi-ethnic populace. Genres with the greatest international recognition being mbube, isicathamiya, mbaqanga, afrofusion, kwaito, South African pop music, afro house, South African hip hop, Shangaan electro, bacardi house, bolo house, gqom and amapiano.
Kwaito is a music genre that emerged in Soweto, Johannesburg, South Africa, between the late 1980s and 1990s. It is a variant of house music that features the use of African sounds and samples. Kwaito songs occur at a slower tempo range than other styles of house music and often contain catchy melodic and percussive loop samples, deep bass lines and vocals.
The music of El Salvador refers to the Music of the Republic of El Salvador and is encompassed in the wider Latin American musical traditions.
A sock hop or sox hop, often also called a record hop or just a hop, was an informal dance event for teenagers in mid-20th-century North America, featuring popular music.
Pachanga is a genre of music which is described as a mixture of son montuno and merengue and has an accompanying signature style of dance. This type of music has a festive, lively style and is marked by jocular, mischievous lyrics. Pachanga originated in Cuba in the 1950s and played an important role in the evolution of Caribbean style music as it is today. Considered a prominent contributor to the eventual rise of salsa, Pachanga itself is an offshoot music played by charangas. Very similar in sound to Cha-Cha but with a notably stronger down-beat, Pachanga once experienced massive popularity all across the Caribbean and was brought to the United States by Cuban immigrants post World War II. This led to an explosion of Pachanga music in Cuban music clubs that influenced Latin culture in the United States for decades to come.
American popular music is popular music produced in the United States and is a part of American pop culture. Distinctive styles of American popular music emerged early in the 19th century, and in the 20th century the American music industry developed a series of new forms of music, using elements of blues and other genres. These popular styles included country, R&B, jazz and rock. The 1960s and 1970s saw a number of important changes in American popular music, including the development of a number of new styles, such as heavy metal, punk, soul, and hip hop.
Zef is a South African counter-culture movement. Kyle Hans Brockmann has compared zef counter-culture to many similar anarchic sub-cultures in the northern hemisphere.
African-American dance is a form of dance that was created by Africans in the Diaspora, specifically the United States. It has developed within various spaces throughout African-American communities in the United States, rather than studios, schools, or companies. These dances are usually centered on folk and social dance practice, though performance dance often supplies complementary aspects to this. Placing great value on improvisation, these dances are characterized by ongoing change and development. There are a number of notable African-American modern dance companies using African-American cultural dance as an inspiration, among these are the Whitey's Lindy Hoppers, Alvin Ailey American Dance Theater, Dance Theatre of Harlem, and Katherine Dunham Company. Hollywood and Broadway have also provided opportunities for African-American artists to share their work and for the public to support them.
Arabic hip-hop is a segment of hip hop music performed in the Arabic-speaking world. Due to variety of dialects and local genres which exist in the localities, Arabic hip-hop music may appear very diverse depending on the country of the song. Like most artists of the genre, the hip-hop artists from the Arabic-speaking world are highly influenced by American hip-hop.
Pasodoble is a fast-paced Spanish military march used by infantry troops. Its speed allowed troops to give 120 steps per minute. This military march gave rise recently to a modern Spanish dance, a musical genre including both voice and instruments, and a genre of instrumental music often played during bullfight. Both the dance and the non-martial compositions are also called pasodoble.
Afrikaner nationalism is an ethnic nationalistic political ideology created by Afrikaners residing in Southern Africa during the Victorian era. The ideology was developed in response to the significant events in Afrikaner history such as the Great Trek, the First and Second Boer Wars and the resulting anti-British sentiment and Anti-communism that developed among Afrikaners and opposition to South Africa's entry into World War I.
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient history, the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.
Boeremusiek is a predominantly instrumental form of folk music that originated in South Africa. Initially intended to accompany informal social dancing, Boeremusiek developed through a fusion of European, African, and American musical traditions. While it remains a symbol of white Afrikaans-speaking South Africans, particularly among rural and working-class communities, the genre carries complex socio-political associations.
Kurt Johan van Heerden, better known as Kurt Darren, is a South African singer, songwriter and television presenter, who won seven South African Music Awards (SAMA) from 2007 to 2011. He has also appeared in a number of South African films.
