The genre of solo saxophone has a rich, but largely unmapped history in contemporary music, particularly jazz. [1] Many, but not all, musicians who play and record solo saxophone use extended techniques, a vocabulary of the saxophone beyond its normal range. Notable musicians in this field include Kaoru Abe, Anthony Braxton, Peter Brötzmann, John Butcher, Don Dietrich, Eric Dolphy, Brandon Evans, Paul Flaherty, Mats Gustafsson, Coleman Hawkins, Lee Konitz, Steve Lacy, Roscoe Mitchell, Evan Parker, Sonny Rollins, Sam Newsome, Ned Rothenberg, Masayoshi Urabe, Ken Vandermark, Colin Stetson, Jonah Parzen-Johnson and Andre Vida, Gianni Gebbia.
Roscoe Mitchell is an American composer, jazz instrumentalist, and educator, known for being "a technically superb – if idiosyncratic – saxophonist". The Penguin Guide to Jazz described him as "one of the key figures" in avant-garde jazz; All About Jazz stated in 2004 that he had been "at the forefront of modern music" for more than 35 years. Critic Jon Pareles in The New York Times has mentioned that Mitchell "qualifies as an iconoclast". In addition to his own work as a bandleader, Mitchell is known for cofounding the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians (AACM).
Han Bennink is a Dutch drummer and percussionist. On occasion his recordings have featured him playing soprano saxophone, bass clarinet, trombone, violin, banjo and piano.
Evan Shaw Parker is a British tenor and soprano saxophone player who plays free improvisation.
Kenneth Vincent John Wheeler, OC was a Canadian composer and trumpet and flugelhorn player, based in the U.K. from the 1950s onwards.
The sopranino saxophone is the second-smallest member of the saxophone family. It is tuned in the key of E♭, and sounds an octave higher than the alto saxophone. A sopranino in F was also described in Adolphe Sax's patent, an octave above an F alto (mezzo-soprano), but there are no known built instruments.
Barry John Guy is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there.
Mats Olof Gustafsson is a Swedish free jazz saxophone player.
Company was a collection of free improvising musicians. The concept was devised by guitarist Derek Bailey, in order to create challenging and artistically stimulating combinations of players, who might not otherwise have had an opportunity to work together.
Discography for jazz saxophonist Anthony Braxton.
Nonaah is a double album recorded in 1976-77 by Roscoe Mitchell. It was originally released on the Nessa label in 1977 and features solo, duo, trio and quartet performances by Mitchell, Anthony Braxton, Malachi Favors, Muhal Richard Abrams, George Lewis, Henry Threadgill, Joseph Jarman, and Wallace McMillan. The 2008 double CD reissue added five unreleased saxophone solos to the album.
Colin Stetson is a Canadian-American saxophonist, multireedist, and composer based in Montreal. He is best known as a regular collaborator of the indie rock acts Arcade Fire, Bon Iver, Bell Orchestre, and Ex Eye. In addition to saxophone, he plays clarinet, bass clarinet, French horn, flute, and cornet.
Horo Records was an Italian jazz record label, operated by Aldo Sinesio.
John Russell was an acoustic guitarist who worked in free improvisation beginning in the 1970s. He promoted concerts and appeared on more than 50 recordings.
In the 1970s in jazz, jazz became increasingly influenced by Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments. Artists such as Chick Corea, John McLaughlin and Al Di Meola increasingly influenced the genre with jazz fusion, a hybrid form of jazz-rock fusion which was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, "...as rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." On June 16, 1972 the New York Jazz Museum opened in New York City at 125 West 55th Street in a one and one-half story building. It became the most important institution for jazz in the world with a 25,000 item archive, free concerts, exhibits, film programs, etc.
Composition/Improvisation Nos. 1, 2 & 3 is a live album by jazz saxophonist and composer Roscoe Mitchell recorded in Germany in 2004 and released on the ECM label.
Boustrophedon is a live album by free jazz saxophonist and composer Evan Parker and the Transatlantic Art Ensemble featuring Roscoe Mitchell recorded in Germany in 2004 and released on the ECM label.
Cafe Oto is a venue for free jazz, experimental and free improvisation performances located in the Dalston district of London, United Kingdom.
Chicago Solo is an album by the British jazz saxophonist Evan Parker, recorded in 1995 and released on Okka Disk. After eight records of solo soprano saxophone, it was his first unaccompanied tenor sax record.
Inscape–Tableaux is an album by bassist Barry Guy. It was recorded on May 18 and 19, 2000, at Rote Fabrik in Zürich, Switzerland, and was released in 2001 by Intakt Records. On the album, which features a seven-part composition by Guy, he plays bass and directs members of his New Orchestra: Evan Parker and Mats Gustafsson on saxophone, Hans Koch on saxophone and clarinet, Herb Robertson on trumpet, Johannes Bauer on trombone, Per Åke Holmlander on tuba, Marilyn Crispell on piano, and Paul Lytton and Raymond Strid on percussion.