Something Good for Your Head

Last updated
Something Good for Your Head
Something Good for Your Head - Blackburn and Snow.png
Studio album by
ReleasedMay 4, 1999
RecordedDecember, 1965–early 1967
San Francisco, California
Genre Folk rock, psychedelic rock
Length52:02
Label Big Beat
Producer Frank Werber, Randy Sterling
Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [1]

Something Good for Your Head is an album by the San Francisco area folk rock duo Blackburn & Snow. The album consists of twenty songs recorded by Jeff Blackburn and Sherry Snow, along with various backing musicians, during their partnership in the mid-1960s. All but four of the songs were not released until being collected for the album, which was issued as a compact disc over thirty years later in 1999.

Contents

Background

Jeff Blackburn and Sherry Snow began performing together in 1965 in Berkeley, California. Along with their friends in Jefferson Airplane, the duo were part of the early wave of folk rock musicians that crafted the San Francisco Sound. They signed a contract in December 1965 with Kingston Trio producer Frank Werber's Trident Productions. [2] Werber planned to present Blackburn & Snow as a major new find, but delayed a full presentation while recording material for an album throughout 1966 and into the spring of 1967. [3]

Recording

The music the duo had been performing was electric folk rock similar to their close contemporaries Jefferson Airplane, with unique harmonic interplay between the couple typified by the song "Do You Realize". Influenced by The Everly Brothers, The Beatles and Buddy Holly, Blackburn & Snow recorded a number of straight rock songs with the backing band Candy Store Prophets as well as some country and folk flavored material, with Blackburn writing nearly all of the songs. The Candy Store Prophets later performed as the backing band for The Monkees first album and included Larry Taylor of Canned Heat and Ventures guitarist Gerry McGee. Gary "Chicken" Hirsh, later of Country Joe and the Fish, also drummed on some earlier tracks. [3]

A fast rocker, "It's So Hard" showcases the playing of McGee, as does the more country influenced "Everyday Brings Better Things", while "Yes Today" and "Takin' it Easy" are psychedelic folk prototypes that emphasize the duo's intricate harmonizing. Though many completed songs were recorded, Blackburn & Snow broke up in 1967 and failed to see an album released during their partnership. Trident and distribution partner MGM-Verve had difficulties over the project which were added to existing tension between the duo and their producer as described by Randy Sterling, and Werber ultimately shelved the album. Other than two singles, the material remained unreleased until the 1999 issue of Something Good for Your Head. [2] [3] [4]

Singles

"Stranger in a Strange Land" has been said to have been written by David Crosby of The Byrds (an instrumental demo of the song was included on the CD release of Turn! Turn! Turn! ), although it was credited to the fictitious Samuel F. Omar. The title and lyrics are based on the Robert A. Heinlein science fiction novel that was widely popular among the San Francisco youth culture in the mid-1960s. [5] It was released as a single backed with "Uptown-Downtown" in late December 1966, while the single "Post-War Baby"/"Time" was released in October 1967. [6]

Track listing

  1. "Stranger in a Strange Land" (Samuel F. Omar) – 2:27
  2. "Yes Today" (Jeff Blackburn) – 3:24
  3. "Takin' It Easy" (Jeff Blackburn) – 3:23
  4. "Time" (Jeff Blackburn) – 2:56
  5. "It's So Hard" (Jeff Blackburn, Randy Sterling) – 3:07
  6. "Do You Realize" (Jeff Blackburn) – 3:35
  7. "Sure or Sorry" (Jeff Blackburn) – 2:27
  8. "Unchain My Heart" (Freddy James, Agnes Vivian Jones) – 1:48
  9. "Uptown-Downtown" (Jeff Blackburn) – 2:12
  10. "Some Days I Feel Your Lovin'" (Jeff Blackburn) – 3:09
  11. "Post-War Baby" (Jeff Blackburn) – 1:49
  12. "Think" (Jeff Blackburn) – 2:17
  13. "No Kidding" (Jeff Blackburn) – 1:57
  14. "I Recall The Day" (Jeff Blackburn) – 2:50
  15. "Everyday Brings Better Things" (Jeff Blackburn) – 3:18
  16. "Stand Here" (Jeff Blackburn) – 2:40
  17. "I Don't Want You Back Babe" (Jeff Blackburn) – 1:31
  18. "Stop Leanin' on Me" (Jeff Blackburn) – 2:15
  19. "Post-War Baby" (Alternate Version) – 1:45
  20. "Pass This Way" (Backing Track) (Jeff Blackburn) – 3:12

Personnel

Production

Related Research Articles

Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.

Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.

<span class="mw-page-title-main">Country Joe and the Fish</span> American psychedelic rock band

Country Joe and the Fish was an American psychedelic rock band formed in Berkeley, California, in 1965. The band was among the influential groups in the San Francisco music scene during the mid- to late 1960s. Much of the band's music was written by founding members Country Joe McDonald and Barry "The Fish" Melton, with lyrics pointedly addressing issues of importance to the counterculture, such as anti-war protests, free love, and recreational drug use. Through a combination of psychedelia and electronic music, the band's sound was marked by innovative guitar melodies and distorted organ-driven instrumentals which were significant to the development of acid rock.

<span class="mw-page-title-main">The Kingston Trio</span> American folk and pop music group

The Kingston Trio is an American folk and pop music group that helped launch the folk revival of the late 1950s to the late 1960s. The group started as a San Francisco Bay Area nightclub act with an original lineup of Dave Guard, Bob Shane, and Nick Reynolds. It rose to international popularity fueled by unprecedented sales of LP records and helped alter the direction of popular music in the U.S.

<span class="mw-page-title-main">The Beau Brummels</span> American rock band

The Beau Brummels was an American rock band. Formed in San Francisco in 1964, the band's original lineup included Sal Valentino, Ron Elliott, Ron Meagher, Declan Mulligan, and John Petersen (drums). They were discovered by local disc jockeys who were looking to sign acts to their new label, Autumn Records, where Sylvester Stewart—later known as Sly Stone—produced the group's early recording sessions. Initially, the band's musical style blended beat music and folk music and typically drew comparisons to the Beatles, while their later work incorporated other music genres such as psychedelic rock and country rock.

<span class="mw-page-title-main">The Chocolate Watchband</span> American garage rock band

The Chocolate Watchband is an American garage rock band that formed in 1965 in Los Altos, California. The band went through several lineup changes during its existence. Combining psychedelic and garage rock components, their sound was marked by David Aguilar's lead vocals, songwriting, as well as proto-punk musical arrangements. The band's rebellious musical posture made them one of the harder-edged groups of the period with many critics labeling them as America's answer to the Rolling Stones.

Psychedelic folk is a loosely defined form of psychedelia that originated in the 1960s. It retains the largely acoustic instrumentation of folk, but adds musical elements common to psychedelic music.

<span class="mw-page-title-main">Reach Out of the Darkness</span> 1967 single by Friend & Lover

"Reach Out of the Darkness" is a song by American folk duo Friend & Lover from their debut studio album of the same name (1968). It was released as the lead single from the album in October 1967, by Verve Forecast Records. Jim Post is credited as the sole writer of the song, whilst production was helmed by Bill Lowery and Joe South. The song peaked at number 10 on the US Billboard Hot 100 and is Friend & Lover's only top 40 hit, which has often resulted in the duo being labeled as a one-hit wonder. In Canada the song reached number 6. The song's follow-up, “If Love is in Your Heart”, stalled at number 86 a few months later, and reached number 54 in Canada. The title never appears as such in the recording, though the nine mentions of “Reach Out IN the Darkness” in the lyrics come close. The song is notable for its repeated opening line, "I think it's so groovy now that people are finally getting together."

<span class="mw-page-title-main">Sons of Champlin</span> American rock band

The Sons of Champlin are an American rock band, from Marin County, California, in the San Francisco Bay Area, formed in 1965. They are fronted by vocalist-keyboardist-guitarist Bill Champlin, who later joined rock band Chicago, from 1981 to 2009, placing Sons of Champlin on hiatus from 1981 to 1996. They brought to the late ‘60s music scene in the Bay Area a soulful sound built around a horn section, sophisticated arrangements, philosophical themes, Bill Champlin's songwriting and blue-eyed soul singing, and Terry Haggerty's jazz-based guitar. They are one of the enduring 1960s San Francisco bands, along with Jefferson Airplane, the Grateful Dead and Moby Grape.

The Vejtables were an American rock band from Millbrae, California, United States. They recorded for the Autumn label and found limited success with such songs as "I Still Love You" and a cover version of Tom Paxton's "The Last Thing on My Mind".

The Other Half was an American psychedelic garage rock band, based in San Francisco, and active in the mid-to-late 1960s. The band gained interest after one of the Nuggets compilations in the 1980s included their single, "Mr. Pharmacist".

<i>Richard P. Havens, 1983</i> 1968 studio album by Richie Havens

Richard P. Havens, 1983 is a 1968 double album set by folk rock musician Richie Havens featuring a combination of studio recordings and live material recorded in concert during July 1968. The album combined original material with several of the covers for which Havens was known. Notable songs include the singles "Stop Pushing and Pulling Me" and "Indian Rope Man", the latter of which has been multiply covered under its own name and in retooled identity as "African Herbsman." The genre-bending album was critically and commercially well-received, reaching #80 on the Billboard "Pop Albums" chart. Initially released on the Verve label, it has been reissued multiple times in various formats, including by Verve subsidiary Verver Forecast/PolyGram and Australian label Raven Records. It has also been compiled with albums Mixed Bag and Something Else Again in multi-cd set Flyin' Bird: The Verve Forecast Years on the Hip-O Select/Universal label.

The Crusaders was an American garage rock band, whose 1966 album Make a Joyful Noise with Drums and Guitars is considered one of the first gospel rock releases, or even "the first record of Christian rock".

The Love Exchange was an American psychedelic rock band, best known for their single "Swallow the Sun", released in 1967. Sixteen-year-old Bonnie Blunt was the band's lead singer. They were signed by Uptown Records, a subsidiary of MCA Records.

<span class="mw-page-title-main">The Mystery Trend</span> American garage rock band

The Mystery Trend was an American garage rock band formed in San Francisco, California in 1964. The band was among the first wave of San Francisco rock groups to emerge from the city's growing music scene. Exhibiting music prowess leaning toward R&B, the Mystery Trend were set apart from their contemporaries who later developed into psychedelic rock groups. Their recording output was limited, with the group's one single, "Johnny Was a Good Boy", being released in 1967.

<span class="mw-page-title-main">Blackburn & Snow</span>

Blackburn & Snow were a folk rock duo popular early in the mid-1960s San Francisco music scene in the United States. The duo consisted of guitarist-singer Jeff Blackburn and vocalist Sherry Snow.

<i>You Were on My Mind</i> (album) 1965 studio album by We Five

You Were on My Mind is the first studio album by the folk band We Five which was released in 1965.

<i>Fat City</i> (The Sons of Champlin album) 1967 studio album by The Sons of Champlin

Fat City is the debut album on the Sons of Champlin, formerly known as the Opposite Six. It was released in 1967 by Trident Productions. The Sons of Champlin was a rock band who made many recordings from 1966 to 1967. The record is more concise in structure and effort than their later, looser psychedelic material that they released in the late 1960s.

Frank Nicholas Werber was a German-born American talent manager, restaurant owner and entrepreneur, who was particularly influential as the discoverer, manager and producer of The Kingston Trio in the late 1950s and early 1960s.

<i>The First Sessions</i> 2003 compilation album by Warren Zevon

The First Sessions is a 2003 compilation album of early recordings by American rock musician Warren Zevon, including his short-lived folk pop duo lyme & cybelle.

References

  1. Something Good for Your Head at AllMusic
  2. 1 2 Unterberger, Richie (2003). Eight miles high: folk-rock's flight from Haight-Ashbury to Woodstock . San Francisco: Backbeat Books. p.  16. ISBN   978-0-87930-743-1. OCLC   51445570 . Retrieved 12 February 2011. Blackburn & Snow.
  3. 1 2 3 Palao, Alec (1999). Something Good For Your Head – CD booklet. El Cerrito, California: Trident Productions.
  4. Ward, Ed. "Trident and the San Francisco Rock Scene". National Public Radio. Retrieved 26 February 2011.
  5. Unterberger, p. 19
  6. "Verve Records Catalog: 45 rpm 10400, 10500 series". jazzdisco.org. Retrieved 27 February 2011.