 | This article needs additional citations for verification .(May 2021) |
| Songs About The Ocean | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | September 14, 2004 | |||
| Recorded | January – August 2003 in Oslo, Norway and Lexington, Kentucky | |||
| Genre | Indie rock | |||
| Length | 37:50 | |||
| Label | Eenie Meenie Records (US), Racing Junior (UK) | |||
| The High Water Marks chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [1] |
| Pitchfork Media | 6.8/10 [2] |
| PopMatters | positive [3] |
Songs About the Ocean is the 2004 debut album from The High Water Marks.
All tracks written by Hilarie Sidney and Per Ole Bratset.
All instruments and vocals on Songs About the Ocean were performed by Hilarie Sidney and Per Ole Bratset. The album was recorded between January and August 2003 through the mail in Oslo, Norway at the Gyldenlöve Hotel room 528, and Lexington, Kentucky at Pet Sounds Studio. Artwork for the album is by Per Ole Bratset. The album was mixed by Robert Schneider at Pet Sounds Studio, and mastered by Charlie Watts at Technovoice Mastering in Los Angeles, California. A&R by Josh Bloom.
Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966, by Capitol Records. It was initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on the Billboard Top LPs chart. In the United Kingdom, however, the album was lauded by critics and reached number 2 on the Record Retailer chart, remaining in the top ten for six months. Promoted there as "the most progressive pop album ever", Pet Sounds was recognized for its ambitious production, sophisticated music, and emotional lyrics. It is now considered to be among the greatest and most influential albums in music history.
The Apples in Stereo are an American indie rock band associated with Elephant 6 Collective, a group of bands also including Neutral Milk Hotel, the Olivia Tremor Control, Elf Power, Of Montreal, and Circulatory System. The band is largely a product of lead vocalist/guitarist/producer Robert Schneider, who writes the majority of the band's music and lyrics. Currently, The Apples in Stereo also includes longstanding members John Hill and Eric Allen (bass), as well as more recent members John Dufilho (drums), John Ferguson (keyboards), and Ben Phelan (keyboards/guitar/trumpet).
Velocity of Sound is the fifth studio album by The Apples in Stereo, released in October 2002. The American release has an orange album cover, while the European version is green and the Japanese version is blue. The bonus track is also different for each version.
Fun Trick Noisemaker is the debut studio album by The Apples in Stereo. It was recorded in a house in Los Angeles, in Robert Schneider's portable Pet Sounds Studio. It was released in 1995 via SpinART.
United Western Recorders was a two-building recording studio complex in Hollywood that was one of the most successful independent recording studios of the 1960s. The complex merged neighboring studios United Recording Corp. on 6050 Sunset Boulevard and Western Studio on 6000 Sunset Boulevard.
Tone Soul Evolution is the second album from The Apples in Stereo. It was recorded from February to June and released in September 1997.
Eenie Meenie Records is a Los Angeles–based independent record label.
The Discovery of a World Inside the Moone (2000) is the fourth album from The Apples in Stereo. It received generally good reviews as a showcase for the band's experimental/psychedelic pop.
The High Water Marks is an indie rock band associated with the Elephant 6 collective. The band has two lead creative members, Hilarie Sidney and Per Ole Bratset, who co-write the band's music.
"Wouldn't It Be Nice" is a song by the American rock band the Beach Boys and the opening track from their 1966 album Pet Sounds. Written by Brian Wilson, Tony Asher, and Mike Love, it is distinguished for its sophisticated Wall of Sound-style arrangement and refined vocal performances, and is regarded among the band's finest songs. With its juxtaposition of joyous-sounding music and melancholic lyrics, it is considered a formative work of power pop, and with respect to musical innovation, progressive pop.
Hilarie Sidney is an American musician best known as the longtime drummer for The Apples in Stereo. She was previously married to Robert Schneider, the band's frontman and Elephant 6 co-founder. Their divorce was announced in 2004. She was half of the now-defunct Elephant 6 duo Secret Square and, with her now-husband Per Ole Bratset, she is a major creative talent behind The High Water Marks.
Pyramid Landing (and Other Favorites) is the debut album from Robert Schneider's solo project, Marbles, containing songs written and performed, usually in their entirety, by Schneider on his 4-track recorder. The songs date from a period before the concrete formation of The Apples in Stereo in the early 1990s, while Schneider was sharing an apartment with Will Cullen Hart and Hilarie Sidney, a period that also saw the recordings of the first Apples releases, and Sidney's material as Secret Square. It was eventually released in 1997 on SpinArt.
Expo is the second album from the Robert Schneider solo project Marbles and is the follow-up to the 1997 release Pyramid Landing . Whereas Pyramid Landing was a showcase of experimental pop songs, Expo focuses more sharply on electronic pop music, similar to that of Gary Numan, one of Schneider's influences on the Expo. Other influences include Electric Light Orchestra, Brian Eno, Phoenix and The Cars. The liner notes for the album state a dedication to "Marci and Max". The album was released in 2005.
"Caroline, No" is a song by American musician Brian Wilson that was released as his first solo record on March 7, 1966 and, two months later, reissued as the closing track on the Beach Boys' album Pet Sounds. Written with Tony Asher, the lyrics describe a disillusioned man who reflects on his former love interest and the loss of her innocence. Musically, it is distinguished for its jazz chords and unusual combination of instruments, including bass flutes, 12-string electric guitar, and muted harpsichord.
New Magnetic Wonder is the sixth studio album from The Apples in Stereo. The album was produced by Robert Schneider with additional production and mixing by Bryce Goggin and was recorded in four separate states. The album was released on February 6, 2007 via a co-venture between the actor Elijah Wood's Simian Records, Yep Roc Records and Elephant 6.
Look Away + 4 is the third EP from The Apples in Stereo. It contains five songs, featuring the song "Look Away" from the album The Discovery of a World Inside the Moone. The other four songs were previously featured on the Japanese version of the 1999 album Her Wallpaper Reverie.
Polar is the second album by The High Water Marks. It was released in 2007 on Happy Happy Birthday To Me Records.
Electronic Projects for Musicians is a b-sides and rarities compilation album by the indie rock band The Apples in Stereo. It was released April 1, 2008 under the Simian Records, Yep Roc Records, and Elephant 6 labels. It can be seen as a companion to Science Faire, a 1996 compilation that collects recordings from the band released prior to their first album.
Fantasma is the third studio album by Japanese musician Cornelius, released on August 6, 1997, on his label Trattoria. Cornelius envisioned the album as "a one-on-one experience between the music and the listener. ... It starts with you entering into the journey and ends with you returning to reality." It peaked at number six on the Oricon Albums Chart and number 37 on the UK Independent Albums Chart. Three singles were issued from the album: "Star Fruits Surf Rider", "Free Fall", and "Chapter 8 – Seashore and Horizon –".
"I Just Wasn't Made for These Times" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, the lyrics describe the disillusionment of someone who struggles to fit into society. Musically, it is distinguished for its melodic bass guitar, layered vocals, and Electro-Theremin solo, marking the first time the instrument was used in popular music and the first time theremin-like sounds were used on a rock record.
