Soul Destruction | ||||
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Studio album by | ||||
Released | 30 March 1991 [1] | |||
Recorded | At Trident II Studios, London SWI December 1990/January 1991 | |||
Genre | Hard rock, heavy metal | |||
Length | 58:34 | |||
Label | Polydor | |||
Producer | Andy Taylor | |||
The Almighty chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
Sounds | [3] |
Soul Destruction is the second studio album (third overall) released by Scottish rock band The Almighty. It was released by Polydor Records in the United Kingdom in 1991. According to frontman Ricky Warwick, the album's songs centered on four subjects:
The Album is about four basic things – hate, love, religion and sex. All those subjects fascinate me, especially sex... I spent a lot of time in bed with my wife researching new lyrics for the album. ~Ricky Warwick, 1991 [4]
It was The Almighty's last album with founding guitarist Tantrum who would be replaced by Alice Cooper guitarist Pete Friesen before the recording of their next album, Powertrippin' . Upon release the album peaked at number 22 on the British album charts.
Three singles were released from the album in multiple formats in 1991. "Free 'n' Easy" (promo CD, 12" vinyl, 7" vinyl, cassette), "Devil's Toy" (promo CD, 7" & 12" vinyl) and "Little Lost Sometimes" (promo CD, 12" & 7" vinyl).
The Japanese release of Soul Destruction included two bonus tracks, "Bodies", a Sex Pistols cover and an acoustic version of "Hell to Pay". Both of these tracks previously appeared as B-sides to various "Free 'n' Easy" singles in the UK.
The album was re-released by Spinefarm Records as a "Deluxe Edition" in 2015, including a second disc containing all of the single b-sides.
Thousand Yard Stare are an English band from Slough, Berkshire, England, active during the early 1990s, prior to the Britpop explosion. Supporting popular bands on the indie circuit such as James and Carter The Unstoppable Sex Machine, the band also released several EPs. Reformed in 2015, the band played a sold-out show at London's Borderline on 6 June, at the Nottingham Rock City Wake-Up Indie Alldayer on 17 October 2015, and at the Shiiine On Weekender festival at Butlins Minehead on 6 November 2015. More dates were scheduled for 2016.
En attendant Cousteau is the tenth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus, licensed to Polydor. The album was dedicated to Jacques-Yves Cousteau and was released on his 80th birthday 11 June 1990. Allmusic described the album as "groundbreaking stuff", due to its extreme stylistic differences from his other albums. The album reached Number 14 in the UK charts.
The Almighty were a Scottish hard rock/heavy metal band from Glasgow formed in 1988. Three of the founding members, Ricky Warwick, Stump Monroe and Floyd London were friends who met at school. Although the band members musical roots were in punk, The Almighty adopted a more heavy metal/hard rock oriented musical direction in their early years. Later albums saw the band's musical style move towards the band members' original punk roots.
"Dummy Crusher" is a song by Kerbdog and a single released in July 1994, taken from their self titled debut album. The single was released on four different formats, two CDs, 7" vinyl and 12" vinyl. The 12" single was a limited edition picture disc.
Ricky Warwick is a Northern Irish musician and the lead singer of the rock bands Black Star Riders and Thin Lizzy. He is also the frontman for the Scottish hard rock band The Almighty, with whom he achieved chart success in the UK throughout the 1990s, although the band is currently on hiatus. Warwick has released several solo albums and performed with a variety of other bands and artists, and also fronts his own band, The Fighting Hearts, to showcase his solo material.
Markus Grosskopf is a German musician who is the bass guitarist, backing vocalist and a founding member of the power metal band Helloween.
"Walk On By" is a song composed by Burt Bacharach, with lyrics by Hal David, for singer Dionne Warwick in 1963. The song peaked at number 6 on the US Billboard Hot 100 and number 1 on the Cash Box Rhythm and Blues Chart In June 1964 and was nominated for a 1965 Grammy Award for the Best Rhythm and Blues Recording. Isaac Hayes recorded the song five years later, in 1969, and reached number 30 on the Hot 100 chart and number 13 in the R&B charts with his version. "Walk On By" has since charted numerous times in various countries, with wildly different arrangements.
Singles Box is a compilation album by the Clash. It includes all the singles that they released in the UK, with their original mixes and edits and B-sides, as well as single releases from different parts of the world.
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Loud were a hard rock band with alternative rock, gothic rock and heavy metal influences, formed in Bradford, England in 1989.
Crank is the fourth studio album released by Scottish rock band The Almighty. Two singles, "Jonestown Mind" and "Wrench", were released from the album in multiple parts in the United Kingdom. Music videos were made for both singles. Crank peaked at #15 in the UK albums chart. Crank is a slang term for low-purity crystal methamphetamine that is usually administered in powder form. It is a stimulant that affects the central nervous system by causing increased alertness and heart rate. An extended high is usually followed by a severe crash that can result in aggression from the user. The cover artwork, showing an angel throwing a Molotov cocktail at a planet (earth) made out of money was created by noted British artist and anarchist Jamie Reid, who also designed the famous ransom note cover for the Sex Pistols album, Never Mind the Bollocks, Here's the Sex Pistols.
Powertrippin' is the third studio album by Scottish rock band The Almighty. It was released in the United Kingdom in 1993 by Polydor Records and was the band's final studio album for that label. It was the band's first album to feature guitarist Pete Friesen, who replaced founding guitarist Tantrum. Friesen contributed to the songwriting and was a major part of the new sound presented on this album, introducing a heavier, riff-based grunge sound compared to the punk leanings of earlier efforts. The subject of the cover art is taken from the artwork ''Jet Age Man by Ralph Morse, which featured on the cover of Life magazine in December 1954.
Loudest Whisper are an Irish folk rock/progressive folk group formed in the early 1970s and led by songwriter and guitarist Brian O'Reilly. They are best known for their 1974 debut album, The Children of Lir, a folk opera based on the Irish legend of the same name. The original LP release of the album became one of the most sought after records in Ireland, and ranks among the top 100 rarest records in the world.
Blood, Fire & Live is the first live album, second overall, recorded by Scottish rock band The Almighty on their 'Wild and Wonderful' tour in July 1990. The title, and defaced album cover itself, is a pun on their first album which immediately preceded it. All of the tracks, except You Ain't Seen Nothin' Yet which is a cover of a Bachman–Turner Overdrive song, appeared on that first album too. The album was re-released by Spinefarm Records in 2015 as the second disc in a three-disc "Deluxe Edition" of Blood, Fire & Love.
"Give" is a song by American country recording artist LeAnn Rimes, that was released as the third and final single from her album Lady & Gentlemen. The song is written by Connie Harrington, Sonya Isaacs and Jimmy Yeary.
"Soul Destruction" is a song by British band T'Pau, released as the third single from their 1991 third studio album The Promise. The song was written by vocalist Carol Decker and rhythm guitarist Ron Rogers. It was produced by Andy Richards.
"Devils Ball" is a song by the Swiss duo Double, released in 1987 as the lead single from their second studio album Dou3le. It was written and produced by Kurt Maloo and Felix Haug. The song featured a guest appearance from Herb Alpert, who played trumpet on the track.
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"A Guy Like You" is a song by English singer Alison Moyet, released in 2007 as the second and final single from her seventh studio album The Turn. It was written by Moyet and Pete Glenister, and produced by Glenister. Remixes were produced by Jeremy Wheatley, Soul Avengerz and Almighty Associates.