Spiral | ||||
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Studio album by | ||||
Released | 1979 | |||
Recorded | April 3, 1965; November 11, 1968 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Post-bop | |||
Length | 36:38 | |||
Label | Blue Note LT 996 | |||
Producer | Michael Cuscuna, Duke Pearson, Francis Wolff, Alfred Lion | |||
Bobby Hutcherson chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Rolling Stone Jazz Record Guide | [2] |
Spiral is an album by jazz vibraphonist Bobby Hutcherson. It was released in 1979 on Blue Note Records (LT 996) featuring six tracks recorded in November, 1968, except for "Jasper", recorded in April 1965 and later added to the CD reissue of Dialogue , since it was recorded the same day. The first five tracks of Spiral may also be found on the CD reissue of Medina .
Musician of tracks 1–5 (November 1968)
Musicians of track 6 (April 1965)
Producers
Robert Hutcherson was an American jazz vibraphone and marimba player. "Little B's Poem", from the 1966 Blue Note album Components, is one of his best-known compositions. Hutcherson influenced younger vibraphonists including Steve Nelson, Joe Locke, and Stefon Harris.
Idle Moments is an album by American jazz guitarist Grant Green recorded in 1963 and released on the Blue Note label in 1965. It features performances by tenor saxophonist Joe Henderson, vibraphonist Bobby Hutcherson, pianist Duke Pearson, bassist Bob Cranshaw and drummer Al Harewood.
Oblique is an album by vibraphonist Bobby Hutcherson, featuring performances by Herbie Hancock, Albert Stinson, and Joe Chambers. The album was recorded on July 21, 1967. Oblique was Hutcherson's second recording in a quartet setting, after Happenings, The personnel on Happenings are identical, save the replacement of Bob Cranshaw with Stinson, but did not get released by Blue Note until 1979 as a limited edition in Japan, followed by a regular issue in 1990.
Happenings is an album by the jazz vibraphonist Bobby Hutcherson, released in 1967 on the Blue Note label. The album contains six compositions by Hutcherson, and one by Herbie Hancock, "Maiden Voyage".
Stick-Up! is an album by the jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1968. The album is Hutcherson's first without drummer Joe Chambers. Billy Higgins took over on drums on the recording session. It also features Joe Henderson and is the first recorded meeting of the vibrist and pianist McCoy Tyner. Five of the six tracks are Hutcherson compositions, with the exception being Ornette Coleman's "Una Muy Bonita".
Components is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1966. The first side of the LP features compositions by Hutcherson, in a hard bop style, whilst the second side features Joe Chambers' compositions, more in the avant-garde style.
Dialogue is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1965. This was Hutcherson's first LP released as bandleader following work with Eric Dolphy. The album features four Andrew Hill compositions and two Joe Chambers pieces. It has received widespread critical acclaim and is considered by most critics one of Hutcherson's greatest achievements.
Total Eclipse is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1969. It features Hutcherson's first recordings with saxophonist Harold Land, who would become a regular collaborator with Hutcherson throughout the early 1970s. Four of the five tracks are Hutcherson compositions, the exception being Chick Corea's "Matrix".
Medina is an album by jazz vibraphonist Bobby Hutcherson. It was released in 1980 on Blue Note Records featuring six tracks recorded on 11 August 1969. The CD reissue added five tracks (#7-11) recorded in 1968, previously released on vinyl in 1979, under the title Spiral.
Now! is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label. The album is the first of Hutcherson's to feature vocals, contributed by Gene McDaniels and a chorus. The CD reissue includes four tracks recorded live at the Hollywood Bowl, in 1977.
Blow Up is a live album by jazz vibraphonist Bobby Hutcherson, released on the Jazz Music Yesterday label.
San Francisco is an album by jazz vibraphonist Bobby Hutcherson and saxophonist Harold Land, released on the Blue Note label in May 1971. The album features a shift away from the usual hard bop-post-bop style pursued previously by Hutcherson and Land, and shifts towards jazz fusion.
Knucklebean is an album by jazz vibraphone and marimba player Bobby Hutcherson. It was released in 1977 by Blue Note Records. The musicians were Hutcherson's regular band plus guests Freddie Hubbard and Hadley Caliman.
Mode for Joe is the fifth studio album by American jazz saxophonist Joe Henderson, recorded and released in 1966. Featuring Henderson with a larger than usual ensemble consisting of trumpeter Lee Morgan, trombonist Curtis Fuller, vibraphonist Bobby Hutcherson, pianist Cedar Walton, bassist Ron Carter and drummer Joe Chambers. It was Henderson’s last Blue Note recording as leader until the live albums The State of the Tenor, Vols. 1 & 2 almost 20 years later.
Andrew!!! is a studio album by American jazz pianist Andrew Hill recorded for Blue Note Records in 1964, but not released until April 1968, and subsequently reissued on CD in 2005 with two alternate takes. It features Hill with vibraphonist Bobby Hutcherson, bassist Richard Davis and drummer Joe Chambers, along with tenor saxophonist John Gilmore, in a rare session away from the Sun Ra Arkestra.
On This Night is an album by Archie Shepp released on Impulse! Records in 1965. The album contains tracks recorded by Shepp, bassist David Izenzon and drummer J. C. Moses in March 1965 and with a larger band in August of that year that included vibraphonist Bobby Hutcherson, bassist Henry Grimes and percussionists Ed Blackwell, Joe Chambers and Rashied Ali.
Patterns is an album by the jazz vibraphonist Bobby Hutcherson, released on the Blue Note label. Although recorded in 1968, the album was not released until 1980. "A Time to Go" was composed by James Spaulding as a tribute to Martin Luther King Jr., recorded just three weeks before his assassination. "Effi" was composed by Stanley Cowell as a dedication to his wife, and the remaining pieces were composed by Joe Chambers.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums—mostly consisting of, at that time, previously unreleased music—that Columbia released to bridge Davis' recording hiatus that ended with the Man with the Horn in July 1981.
Brilliant Circles is the second album led by American jazz pianist Stanley Cowell, recorded in 1969. It was first released on the Freedom label and rereleased on CD with bonus tracks on the Black Lion label.
Farewell Keystone is a live album by American jazz vibist Bobby Hutcherson recorded in 1982 at Keystone Korner in San Francisco and released on the Theresa label in 1988. The 1992 Evidence CD reissue added a bonus track.