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The prehistory of the Americas begins with people migrating to these areas from Asia during the height of an ice age. These groups are generally believed to have been isolated from the people of the "Old World" until the coming of Europeans in the 10th century from Iceland led by Leif Erikson and in 1492 with the voyages of Christopher Columbus.
Tlaloc is a member of the pantheon of gods in Aztec religion. As supreme god of the rain, Tlaloc is also a god of earthly fertility and of water. He was widely worshipped as a beneficent giver of life and sustenance. However, he was also feared for his ability to send hail, thunder, and lightning, and for being the lord of the powerful element of water. Tlaloc is also associated with caves, springs, and mountains, most specifically the sacred mountain in which he was believed to reside. His animal forms include herons and water-dwelling creatures such as amphibians, snails, and possibly sea creatures, particularly shellfish. The Mexican marigold, Tagetes lucida, known to the Aztecs as yauhtli, was another important symbol of the god, and was burned as a ritual incense in native religious ceremonies.
Maya or Mayan mythology is part of Mesoamerican mythology and comprises all of the Maya tales in which personified forces of nature, deities, and the heroes interacting with these play the main roles. The myths of the Pre-Hispanic era have to be reconstructed from iconography. Other parts of Mayan oral tradition are not considered here.
In the history of the Americas, the pre-Columbian era spans from the original settlement of North and South America in the Upper Paleolithic period through European colonization, which began with Christopher Columbus's voyage of 1492. Usually, the era covers the history of Indigenous cultures until significant influence by Europeans. This may have occurred decades or even centuries after Columbus for certain cultures.
In Mesoamerican folk religion, a nagual is a human being who has the power to shapeshift into their tonal animal counterpart. Nagualism is tied to the belief one can access power and spiritual insight by connecting with the tonal animal within.
The indigenous peoples of the Americas comprise numerous different cultures. Each has its own mythologies. Some are quite distinct, but certain themes are shared across the cultural boundaries.
The representation of jaguars in Mesoamerican cultures has a long history, with iconographic examples dating back to at least the mid-Formative period of Mesoamerican chronology. The jaguar is an animal with a prominent association and appearance in the cultures and belief systems of pre-Columbian Mesoamerican societies in the New World, similar to the lion and tiger in the Old World. Quick, agile, and powerful enough to take down the largest prey in the jungle, the jaguar is the biggest felid in Central or South America, and one of the most efficient and aggressive predators. Endowed with a spotted coat and well adapted for the jungle, hunting either in the trees or water, making it one of the few felines tolerant of water, the jaguar was, and remains, revered among the Indigenous Americans who live closely with the jaguar.
Mesoamerican chronology divides the history of prehispanic Mesoamerica into several periods: the Paleo-Indian ; the Archaic, the Preclassic or Formative (2500 BCE – 250 CE), the Classic (250–900 CE), and the Postclassic (900–1521 CE); as well as the post European contact Colonial Period (1521–1821), and Postcolonial, or the period after independence from Spain (1821–present).
The religion of the Olmec people significantly influenced the social development and mythological world view of Mesoamerica. Scholars have seen echoes of Olmec supernatural in the subsequent religions and mythologies of nearly all later pre-Columbian era cultures.
Apocalypto is a 2006 epic historical adventure film produced, co-written, and directed by Mel Gibson. The film features a cast of Native American and Indigenous Mexican actors consisting of Rudy Youngblood, Raoul Trujillo, Mayra Sérbulo, Dalia Hernández, Gerardo Taracena, Rodolfo Palacios, Bernardo Ruiz Juarez, Ammel Rodrigo Mendoza, Ricardo Diaz Mendoza, and Israel Contreras. All of the indigenous people depicted in the film were Maya. Similar to Gibson's earlier film The Passion of the Christ, all dialogue is in a modern approximation of the ancient language of the setting. Here, the Indigenous Yucatec Mayan language is spoken with subtitles, which sometimes refer to the language as Mayan. This was the last film Gibson directed until 2016's Hacksaw Ridge ten years later.
Pre-Columbian art refers to the visual arts of indigenous peoples of the Caribbean, North, Central, and South Americas from at least 13,000 BCE to the European conquests starting in the late 15th and early 16th centuries. The Pre-Columbian era continued for a time after these in many places, or had a transitional phase afterwards. Unfortunately, many types of perishable artifacts that were no doubt once very common, such as woven textiles, typically have not been preserved, but Precolumbian monumental sculpture, metalwork in gold, pottery, and painting on ceramics, walls, and rocks have survived more frequently.
Mesoamerican creation myths are the collection of creation myths attributed to, or documented for, the various cultures and civilizations of pre-Columbian Mesoamerica and Mesoamerican literature.
Mesoamerica is a historical region and cultural area in southern North America and most of Central America. It extends from approximately central Mexico through Belize, Guatemala, El Salvador, Honduras, Nicaragua, and northern Costa Rica. Within this region pre-Columbian societies flourished for more than 3,000 years before the Spanish colonization of the Americas. Mesoamerica was the site of two of the most profound historical transformations in world history: primary urban generation, and the formation of New World cultures out of the long encounters among indigenous, European, African and Asian cultures.
The traditions of indigenous Mesoamerican literature extend back to the oldest-attested forms of early writing in the Mesoamerican region, which date from around the mid-1st millennium BCE. Many of the pre-Columbian cultures of Mesoamerica are known to have been literate societies, who produced a number of Mesoamerican writing systems of varying degrees of complexity and completeness. Mesoamerican writing systems arose independently from other writing systems in the world, and their development represents one of the very few such origins in the history of writing.
The pre-Columbian history of the territory now making up the country of Mexico is known through the work of archaeologists and epigraphers, and through the accounts of Spanish conquistadores, settlers and clergymen as well as the indigenous chroniclers of the immediate post-conquest period.
Painting in the Americas before European colonization is the Precolumbian painting traditions of the Americas. Painting was a relatively widespread, popular and diverse means of communication and expression for both religious and utilitarian purpose throughout the regions of the Western Hemisphere. During the period before and after European exploration and settlement of the Americas; including North America, Central America, South America and the islands of the Caribbean, the Bahamas, the West Indies, the Antilles, the Lesser Antilles and other island groups, indigenous native cultures produced a wide variety of visual arts, including painting on textiles, hides, rock and cave surfaces, bodies especially faces, ceramics, architectural features including interior murals, wood panels, and other available surfaces. Many of the perishable surfaces, such as woven textiles, typically have not been preserved, but Precolumbian painting on ceramics, walls, and rocks have survived more frequently.
Mesoamerican religion is a group of indigenous religions of Mesoamerica that were prevalent in the pre-Columbian era. Two of the most widely known examples of Mesoamerican religion are the Aztec religion and the Mayan religion.
The history of libraries in Latin America dates back to before the conquest of the continent by the Spanish. Although the indigenous peoples of Mexico, Central America, and South America had developed a written language and, in some cases, created libraries and record depositories of their own, library history of the continent tends to focus on post-conquest institutions. This article will discuss the history of libraries in Latin America.
